<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>binomech&apos;s garden</title><description>Digital garden of a bespectacled cyborg.</description><link>https://binomech.neocities.org</link><item><title>2026-05-12</title><link>https://binomech.neocities.org/journal/2026-05-12</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-05-12</guid><pubDate>Tue, 12 May 2026 16:42:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;I&amp;#39;ve done nothing but apply for every single opening I can find for jobs, but the feeling that I&amp;#39;ve wasted a decade of my life while I recovered from trauma and illness persists. It seems like my lack of experience is unsalvageable.&lt;/li&gt;
&lt;li&gt;The situation at home is unbelievably tense. I am going to find myself homeless if I don&amp;#39;t find a job in the next couple of weeks, which is unlikely enough that I&amp;#39;m preparing for the worst. I&amp;#39;ve been begging for money on social media but everyone&amp;#39;s hanging on by a thread and I barely have any reach.&lt;/li&gt;
&lt;li&gt;The stress about this is making me completely unable to enjoy the effects of [medical treatment], I&amp;#39;ve been having trouble keeping down the food I eat, I&amp;#39;m having nightmares every time I fall asleep, my whole body aches...&lt;/li&gt;
&lt;li&gt;I have been omitting the accomodation needs for my visual impairment to make myself a more appealing candidate and I&amp;#39;m worried that on the distant chance that I will get an interview, it will be so hard to mask that it will lose me the job.&lt;/li&gt;
&lt;li&gt;I wish I had any updates in terms of hobbies, projects or interests, but any time I sit down to read or watch something I feel so guilty I end up multitasking and going on employment portals. It&amp;#39;s dire. I&amp;#39;m tired.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>What do I want out of my online tools?</title><link>https://binomech.neocities.org/miscellanea/online-benchmarks</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/online-benchmarks</guid><pubDate>Sat, 09 May 2026 15:22:00 GMT</pubDate><content:encoded>&lt;p&gt;I&amp;#39;m making these lists because I&amp;#39;m very susceptible to upending my social media habits when a new thing comes along and then feeling unsatisfied. Having this reference point helps me remain aware of why I keep using what I use and what I am willing to let go of in a necessary migration.&lt;/p&gt;
&lt;h2&gt;Instant communications&lt;/h2&gt;
&lt;h3&gt;Must-haves&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Semi-persistent text storage (allows deletion)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; VoIP, individual and group&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; VoIP spaces with screen and sound share&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Multi-device access&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Exportable text logs&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h3&gt;Convenient&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Granular notification control&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Multiple rooms shared with the same user groups&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Topic threading in one channel&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Open source, self-hostable&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Federate&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Right now, Discord meets all of the main requirements, although it&amp;#39;s not open source, self hostable or federated, it also meets half of the secondary requirements. Matrix is the closest second but unfortunately the screen-sharing capabilities are very limited and group calls still don&amp;#39;t work well, so I can&amp;#39;t make it my main driver.&lt;/p&gt;
&lt;h2&gt;Social media&lt;/h2&gt;
&lt;h3&gt;Must-haves&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Primarily sharing based (as opposed to publishing own content)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Timeline curation; search based, not-algorithmic&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Feed mechanisms (either internal follow system or RSS)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; A way to easily save and export posts (mine, others&amp;#39;)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Full content readability (no hyperlinking internally)&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h3&gt;Convenient&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; A way to save the posts for later perusal and curation&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Granular privacy options (per post, not per-account)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Content filtering per keyword or tag&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Self-hosted&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Federated&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I currently maintain accounts on Tumblr and Mastodon reliably, and not much else. I&amp;#39;m going to go ahead and say that I do not like Mastodon as social media because the microblogging format is a nightmare to me, and it&amp;#39;s impossible to find anything without ElasticSearch. That being said, the granular privacy is so good and necessary to me, and the list and word filtering works so smoothly that it&amp;#39;s an excellent way to keep up with closer friends. Tumblr remains the only social media that meets all hard criteria and it&amp;#39;s hard to replace as of 2026.&lt;/p&gt;
</content:encoded></item><item><title>2026-05-07</title><link>https://binomech.neocities.org/journal/2026-05-07</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-05-07</guid><pubDate>Thu, 07 May 2026 16:22:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;With Tumblr enforcing age verification in several countries and my not wanting to share my ID with any and all random internet companies, I&amp;#39;ve been having a peek at Tumblr-esque socials, though none of them quite have the right balance of format, tools and discovery. Are.na is wonderful for the content, but the format is very uncomfortable for me to browse. Noterook is an ideal feed-based format but the microblogging style of content aggregation and lack of hosted media makes it really hard to use the same way I do Tumblr.&lt;/li&gt;
&lt;li&gt;Which brings me to: Wow, I am so relieved I figured out a comfortable way to update this site, that I learned how to make a portable static site that I can host on Neocities or any server I own. I can&amp;#39;t believe we moved away from personal sites and into the hands of private companies, where we have so little control over our posts, that profit off of our time and attention in such vicious ways. I&amp;#39;m glad for all the people that make an effort to move away from the private Internet and onto a small, decentralized, sustainable model of existing online.&lt;/li&gt;
&lt;li&gt;It&amp;#39;s a funny feeling, seeing yourself grow out of a piece of media. For a period of 3 years, circa 2014, I was obsessed with The Social Network (2010). I re-watched it last night with my flock and it still holds up as a very good movie on the technical end, but whatever made me lose my mind about it emotionally is completely gone. It&amp;#39;s not an unwelcome reminder that I can and do change with time, just like everybody else, no matter how stuck I feel.&lt;/li&gt;
&lt;li&gt;I got my disability certificate, at long last. This should make looking for jobs much easier, but also it&amp;#39;s a way for me to get the accomodations I need mentally and physically to actually do my best and that&amp;#39;s a relief.&lt;/li&gt;
&lt;li&gt;I&amp;#39;ve already scheduled an interview, and I&amp;#39;ve signed up for other job seeking apps specifically for disabled folks. I hope it helps somewhat, I really do.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-05-03</title><link>https://binomech.neocities.org/journal/2026-05-03</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-05-03</guid><pubDate>Sun, 03 May 2026 15:22:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Yesterday was spent 70% browsing niche reddit communities, 20% attending stressful family obligations and 10% watching Whiplash with my pup. &lt;/li&gt;
&lt;li&gt;The Reddit part was surprisingly... helpful? I&amp;#39;m glad the information I needed wasn&amp;#39;t buried under layers of irony and misogyny. &lt;/li&gt;
&lt;li&gt;The family obligation was a meal and socially it could&amp;#39;ve gone better but the food was good, I like romescu sauce a lot. &lt;/li&gt;
&lt;li&gt;Whiplash isn&amp;#39;t a movie I would say is &lt;em&gt;enjoyable&lt;/em&gt; as in &amp;quot;able to be enjoyed&amp;quot; (ramping tension that never lets you catch a break) but it&amp;#39;s the first time I watch it in years since I had a huge emotional response when I watched it back when it came out and I was pleasantly surprised by how much I got into it, how much I let myself feel the audience complicity in the abuse every time Andy had a successful performance. It was a really solid experience. It&amp;#39;s a &lt;em&gt;good&lt;/em&gt; movie.&lt;/li&gt;
&lt;li&gt;I fell asleep after some good conversation with my flock and woke up this morning to a doorbell ring that I should&amp;#39;ve picked up, it was a delivery for someone else but we weren&amp;#39;t expecting it on a Sunday, so I assumed it was a real estate agent and didn&amp;#39;t open the door. I&amp;#39;m currently waiting for the delivery person to come back... And they apparently aren&amp;#39;t. My bad.&lt;/li&gt;
&lt;li&gt;Plans for today include cooking an easy dinner (pumpkin soup, caneloni), taking out the trash, cleaning my bedroom (it&amp;#39;s so dusty... and it feels like every surface is covered in needless junk that has a designated place to be which isn&amp;#39;t on a countertop or a chair).&lt;/li&gt;
&lt;li&gt;I&amp;#39;ve been playing around with desktop layouts, shamelessly inspired by S&amp;#39;s blog design. I find the homepage so elegant... We&amp;#39;ll see if it sticks.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-05-01</title><link>https://binomech.neocities.org/journal/2026-05-01</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-05-01</guid><pubDate>Fri, 01 May 2026 14:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Happy International Workers&amp;#39; Day!&lt;/li&gt;
&lt;li&gt;I spent all day yesterday waiting for a phonecall from the people that said I had a position in the bag when we did the interview on Monday. They didn&amp;#39;t call me. It&amp;#39;s IWD today so they&amp;#39;re not going to call me. The position would start on Monday, so I didn&amp;#39;t get the job. I am anxious and feeling awful, and people keep telling me it&amp;#39;ll be okay but it only makes me feel worse.&lt;/li&gt;
&lt;li&gt;I fell asleep to my flock playing Disco Elysium. The one and only highlight yesterday.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m also not doing my cooking today, because I woke up late, and my family won&amp;#39;t let me make up for it. I think the lack of distractions that feel meaningful is contributing to my sour mood greatly. I don&amp;#39;t want to fiddle with my computer or watch movies, I just want to do something with my hands that feels caring and useful.&lt;/li&gt;
&lt;li&gt;Noticing a deep bitterness within myself when I interact with a few friends. I haven&amp;#39;t been able to put the source of the bitterness into words but I&amp;#39;ve decided to step back in hopes that I will be able to identify it, let it go, and go through the whole ordeal without nuking my relationships for a transient source of pain.&lt;/li&gt;
&lt;li&gt;The blackbirds are singing, and it&amp;#39;s the only thing keeping me tethered.&lt;/li&gt;
&lt;li&gt;I want to do something productive today, that is, something that produces, something that leaves me with something to show for the time I invested.with something to show for the time I invested.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-29</title><link>https://binomech.neocities.org/journal/2026-04-29</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-29</guid><pubDate>Wed, 29 Apr 2026 17:40:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Yesterday was fairly uneventful. I attended the workshop, we did a feedback event for the activities that took place in 2025 that took a while, and then I was exhausted for most of the day. I had a nap, I went to bed early-ish. Thankfully I slept well without my phone dinging all throughout the night.&lt;/li&gt;
&lt;li&gt;I woke up at around 10 today and read all morning, since it wasn&amp;#39;t my turn to cook. I&amp;#39;ve been reaching the 15-30 minute read time on my article backlog, which makes tackling reads with my full attention harder, shameful as it feels to admit. I&amp;#39;m still trying, and the good sleep and silence helped me focus.&lt;/li&gt;
&lt;li&gt;I did another 250 likes clear on Tumblr. I discarded a lot this time around, especially text posts, but a good 50 or so still ended up in my queue.&lt;/li&gt;
&lt;li&gt;I played a game of SR on Sona. We lost, but I performed really well. My ADC kept typing instead of focusing (I have chat off, but they would step back and stand still for a few seconds every minute and wouldn&amp;#39;t stop pinging.) We were playing against a Yasuo-Yone bot lane and I think they were caught off guard and didn&amp;#39;t know exactly how to position. I have to admit I ended up a little tilted, it frustrates me when people refuse to focus, but hey. It&amp;#39;s over, I&amp;#39;m proud of the results that were under my control, this is all I can do.&lt;/li&gt;
&lt;li&gt;The expectations for the job call are stressful, they have me frozen motivation-wise.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Sona guide</title><link>https://binomech.neocities.org/miscellanea/sona</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/sona</guid><pubDate>Mon, 27 Apr 2026 20:49:00 GMT</pubDate><content:encoded>&lt;h2&gt;Laning phase&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Aggressive lane; don&amp;#39;t waste mana on heals, only clutch shields&lt;/li&gt;
&lt;li&gt;Trade with Q when Presence of Mind is up, but especially if Manaflow is up as well&lt;/li&gt;
&lt;li&gt;Poke when enemy comes down to finish off minions; watch the wave&lt;/li&gt;
&lt;li&gt;Don&amp;#39;t roam; stick with ADC as much as possible&lt;/li&gt;
&lt;li&gt;If you&amp;#39;re losing lane, try to even it out and run the clock; Sona is a late game enabler&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Midgame&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Mix damage and heals, you have enough mana at this point&lt;/li&gt;
&lt;li&gt;Roam a lot, since Swifties + Celerity + E make you fast&lt;/li&gt;
&lt;li&gt;Focus on objective prepping and herding your team into doing them&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Late game&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Spend all your casts on heals; E for passive stack to chase and slow into a team-wide gap close&lt;/li&gt;
&lt;li&gt;Stick to whoever is carrying&lt;/li&gt;
&lt;li&gt;Hold onto your ult for teamfights, not picks&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Items&lt;/h2&gt;
&lt;h3&gt;Standard&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;Bloodsong&lt;/li&gt;
&lt;li&gt;Echoes of Helia&lt;/li&gt;
&lt;li&gt;Boots of Swiftness&lt;/li&gt;
&lt;li&gt;Tear item (Seraph&amp;#39;s Embrace, Diadem of Songs)[^1]&lt;/li&gt;
&lt;li&gt;Seraph&amp;#39;s if Diadem/Moonstone Renewer&lt;/li&gt;
&lt;li&gt;Ardent Censer/Staff of Flowing Water&lt;/li&gt;
&lt;/ol&gt;
&lt;h3&gt;Tank (against burst)&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;Bloodsong&lt;/li&gt;
&lt;li&gt;Echoes of Helia&lt;/li&gt;
&lt;li&gt;Boots of Swiftness&lt;/li&gt;
&lt;li&gt;Frozen Heart&lt;/li&gt;
&lt;li&gt;Seraph&amp;#39;s Embrace&lt;/li&gt;
&lt;li&gt;Kaenic Rookern (AP burst)/Moonstone Renewer&lt;/li&gt;
&lt;/ol&gt;
&lt;h2&gt;Runes&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Sorcery: Summon Aery&lt;ul&gt;
&lt;li&gt;Manaflow Band&lt;/li&gt;
&lt;li&gt;Celerity&lt;/li&gt;
&lt;li&gt;Gathering Storm&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;Precision&lt;ul&gt;
&lt;li&gt;Presence of Mind&lt;/li&gt;
&lt;li&gt;Legend: Haste&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;ul&gt;
&lt;li&gt;Shards&lt;ul&gt;
&lt;li&gt;Ability Haste&lt;/li&gt;
&lt;li&gt;Move Speed&lt;/li&gt;
&lt;li&gt;Flat Health&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;[^1]: Seraph&amp;#39;s is more versatile, Diadem gives you an early survivability spike since it&amp;#39;s cheaper.&lt;/p&gt;
</content:encoded></item><item><title>2026-04-27</title><link>https://binomech.neocities.org/journal/2026-04-27</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-27</guid><pubDate>Mon, 27 Apr 2026 20:33:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;It&amp;#39;s starting to get too hot to sleep comfortably, even with the window open. Then again, my room isn&amp;#39;t well ventilated.&lt;/li&gt;
&lt;li&gt;I attended a work interview for a position I&amp;#39;d been eyeing and came out with two additional offers. We&amp;#39;ll see how it turns out in the next few days, I don&amp;#39;t want to get too hopeful because I might not get the position I truly want out of these three, but all of them are great opportunities that I&amp;#39;m excited about.&lt;/li&gt;
&lt;li&gt;Had to do the walk of shame about rejecting another position because I couldn&amp;#39;t keep up with the physical requirements and telling my case worker. She didn&amp;#39;t seem too upset since I had other jobs lined up.&lt;/li&gt;
&lt;li&gt;I played a game of Summoner&amp;#39;s Rift after a month and some change of not touching normal League, I really felt like playing Sona. I had an asshole in my game but it was still pretty enjoyable and challenging, even if we lost. I might make a little Sona guide for my own reference, like I did with Yunara. I don&amp;#39;t think I want to rabbithole too hard, though.&lt;/li&gt;
&lt;li&gt;If my energy reserves have been shot (not sleeping well, I guess) I can&amp;#39;t even begin to fathom the hit they&amp;#39;ll take when I start working... and commuting. Ough. My hobbies...&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-26</title><link>https://binomech.neocities.org/journal/2026-04-26</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-26</guid><pubDate>Sun, 26 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;&lt;p&gt;I didn&amp;#39;t make an entry yesterday because I was busy and scattered, but I&amp;#39;m logging what I did on this one.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;On Friday, the no-good-terrible-day, I started digging through footnotes on a few of my articles about digital gardening and I found a book called &lt;em&gt;Building a Second Brain&lt;/em&gt;. I&amp;#39;m not enjoying the productivity grifter vibes but the concept itself appeals to me, as someone who struggles with the premise of sharing all my learning process in public but still wants to offload some of the process from my own brain and onto some other support. I&amp;#39;ve been setting up an Obsidian vault for this Second Brain thing and looking for ways to automate dumping of my sources on there.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I still haven&amp;#39;t found a way to capture temporary, practical stuff, perhaps it need a tag so that I can find it more easily. I&amp;#39;m thinking to-do lists and short term planning.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I also watched The Grand Budapest Hotel (2014) with my possum, my newt and my flock; I had a great time. I barely remembered the movie from when I watched it back in the day but I love the way it slaps you in the face with politics but in a way that makes you an accomplice of the narrator eyerolling, the theatrical lighting, the cinematography (so many shots that had me gasping), the slapstick comedy of it all. Not a fave but definitely a good watch.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I hung out with my pup for a bit after a long time without calling, he told me about how his life is looking and I showed him the League controls a little bit, for our future lessons. My internet went down sometime in the call, so it was cut short.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I had sleepy and fond conversations with my flock about their stay here last March. We aimed for cerebral conversation about xenolinguistics but we were both too tired.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Today is Sunday, which means it&amp;#39;s mostly going to be a chores day. I&amp;#39;ve cleared up the surfaces of most of the house at the time of writing this, prepped my dessert for dinner (just cutting up some strawberries) and taken out the trash. I&amp;#39;m going to cook &lt;a href=&quot;/recipes/tajine&quot;&gt;Chicken tajine&lt;/a&gt; for lunch and then I&amp;#39;ll handwash the dishes I used over the weekend. There aren&amp;#39;t many since it&amp;#39;s just me at home at the moment.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I&amp;#39;m only 20-something articles away from finishing my Depth Year challenge of tackling my read-later backlog, and I&amp;#39;m excited about it. Once I&amp;#39;ve finished the articles, I&amp;#39;ll start with the documents (books, mostly, some academic papers).&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I need to find a way to use tag filtering on the scrapbook, that way I can hold that part of my Second Brain on this site.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-24</title><link>https://binomech.neocities.org/journal/2026-04-24</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-24</guid><pubDate>Fri, 24 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Today sucked. I don&amp;#39;t want to dwell on it.&lt;/p&gt;
</content:encoded></item><item><title>2026-04-23</title><link>https://binomech.neocities.org/journal/2026-04-23</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-23</guid><pubDate>Thu, 23 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Woke up to lovely food for thought from my flock after the PHM + Arrival double sci-fi session from the last couple of days. I love their brain so much, it always makes me question so many things.&lt;/li&gt;
&lt;li&gt;Goo applied, Vit-D taken... unprompted! It turns out the trick was to leave the blister with the bright orange capsules outside of the box and on the kitchen table.&lt;/li&gt;
&lt;li&gt;Went to an employment fair, made some contacts for my current job profile. One said they would call tomorrow. Many others said I needed to finalize my disability certificate paperwork finished before I could apply, but to contact them as soon as it was done because my profile fit a lot of vacancies.&lt;/li&gt;
&lt;li&gt;Speaking of which, nothing has &lt;em&gt;really&lt;/em&gt; changed about that certificate&amp;#39;s status but there was a &amp;quot;last updated - evaluating&amp;quot; change today. I hope it moves along quickly.&lt;/li&gt;
&lt;li&gt;I am terrified of the bureaucracy of changing my name legally and then running into all of this shit all over again. The waiting anxiety, the endless forms, the feeling of having forgotten a crucial piece of documentation... I truly hate paperwork.&lt;/li&gt;
&lt;li&gt;I also indeed had forgotten an important piece of paperwork for my railway job exam, and I risk losing my spot.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m very anxious about tomorrow&amp;#39;s initial job info session and &lt;em&gt;another&lt;/em&gt; bit of bureaucracy I have unrelated to it, I hope I can make it in time. I&amp;#39;m so stressed out.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m anxious, somatizing the anxiety, incapable of partaking in leisurely activities today. I miss downtime. I feel like I&amp;#39;m becoming a crystal shard, whatever that means.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-22</title><link>https://binomech.neocities.org/journal/2026-04-22</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-22</guid><pubDate>Wed, 22 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Woke up in intervals to apply the goo, I am exhausted and my head hurts a lot.&lt;/li&gt;
&lt;li&gt;I attended my last group therapy meeting, they&amp;#39;re letting me leave without issues or paperwork. I&amp;#39;ll miss the validation of my growth as a person in the past 3-ish years but nevertheless it&amp;#39;s a relief to not be in a space where old triggers get brought up unquestioned.&lt;/li&gt;
&lt;li&gt;Lunch today was stirfried red cabbage, falafel and empanadillas. I don&amp;#39;t have a recipe on this site for any of them; I will look into changing that. Not the empanadillas, though, I&amp;#39;d rather they leave my repertoire.&lt;/li&gt;
&lt;li&gt;Looking forward to playing Disco Elysium and re-watching Arrival.&lt;/li&gt;
&lt;li&gt;I haven&amp;#39;t studied and the headache is interfering with focus, I need to be forgiving if the paracetamol doesn&amp;#39;t help. I can pick it back up tomorrow.&lt;/li&gt;
&lt;li&gt;Possibly teaching League to my newt and my pup this summer, I should brush up on my &amp;quot;how to present an abundance of information&amp;quot; skills.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-21</title><link>https://binomech.neocities.org/journal/2026-04-21</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-21</guid><pubDate>Tue, 21 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Had a frankly atrocious evening yesterday. I&amp;#39;ve started feeling hopeless again in the face of the insurmountable obstacle of a lonely, isolated, nostalgic summer. In the worst possible sense of nostalgic. It was bad enough to relapse. It&amp;#39;s okay. It doesn&amp;#39;t mean I can&amp;#39;t try again.&lt;/li&gt;
&lt;li&gt;After the terrible night, I went to my workshop and convinced someone there to watch Severance. The habit continues.&lt;/li&gt;
&lt;li&gt;I also got a call from a job. It&amp;#39;s temporary, just weekends, doesn&amp;#39;t pay great &lt;em&gt;but&lt;/em&gt; it&amp;#39;s certainly better than nothing. I&amp;#39;m scared it will get physically extenuating or that the hours will feel endless, either insurmountably difficult or boring. It&amp;#39;s not a disability-cert position so these are very real possibilities.&lt;/li&gt;
&lt;li&gt;Lunch today was soy meatballs and leftover white bean soup with rice. Dinner today was lentil hamburger. Many legumes!&lt;/li&gt;
&lt;li&gt;Re-watched Project Hail Mary with my flock. I did enjoy the whimsical parts a little more. The ending still could do with more moral and emotional open-woundedness. It just doesn&amp;#39;t feel earned. It&amp;#39;s still a really good movie.&lt;/li&gt;
&lt;li&gt;We&amp;#39;re also replaying Disco Elysium. Media of all time, it never gets old, it never fails to make me weep and experience a fondness for humanity that is boundless and bittersweet.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-20</title><link>https://binomech.neocities.org/journal/2026-04-20</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-20</guid><pubDate>Mon, 20 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Had fun friend times on call with my flock, my whale and my newt. I got to test the controller mode on League (I would like to get used to it, although it&amp;#39;s a bit clunky) and the new TFT set (meh. Just meh.) We talked about sci-fi who cares and doesn&amp;#39;t about its worldbuilding, parasociality differences between actors and streamers, Charlie Day&amp;#39;s and Adam Scott&amp;#39;s agents&amp;#39; taste in projects, and the tooth mouse.&lt;/li&gt;
&lt;li&gt;I woke up very dehydrated today, my eyes felt like raisins and my tongue shriveled. It&amp;#39;s getting to be properly hot here and I&amp;#39;m still using a duvet, maybe it&amp;#39;s time to cycle it out and just wear winter pajamas if the double sheet is too thin.&lt;/li&gt;
&lt;li&gt;Goo applied, Vit-D taken with a helpful reminder. I don&amp;#39;t know how to get myself to remember...&lt;/li&gt;
&lt;li&gt;I finally got around to re-reading 17776 since 2021. I wanted to do it on the anniversary of the Moment but I must&amp;#39;ve been busy or otherwise distracted.&lt;/li&gt;
&lt;li&gt;I have escalivada and grilled lemon-marinated chicken for lunch. I&amp;#39;m still not used to eating meat. I kind of want to find the recipe for the escalivada, because I&amp;#39;m not good at peeling roasted pepper and perhaps the Internet has some tips.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m going to try to set up the RasPi and tunneling this evening, before my flock wakes up. I wonder how big MicroSD cards get, these days. The current VPS has 44GB stored out of... 120? Which is less than my 156 GB card... But still, you never know.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-19</title><link>https://binomech.neocities.org/journal/2026-04-19</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-19</guid><pubDate>Sun, 19 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;I&amp;#39;ve done a few dry runs of psychotechnical tests to see how rusty I am. The complex instruction ones were strange: I could complete them well once I understood what was being laid out for me, but it took me a whole minute out of the 3 I have to complete the test to figure out what exactly the premise of the exercise was.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m a frustrated with the website because I can&amp;#39;t get pagination scripts to do anything, and the scrapbook page is unwieldy. I want to keep it, I just worry that it might not be that easy to explore as time goes on.&lt;/li&gt;
&lt;li&gt;Feeling the urge to... exercise? Is this a T-generated excess of energy? Am I finally feeling okay enough in my body to care for it in some way? I don&amp;#39;t know. I don&amp;#39;t have many means to exercise, unfortunately.&lt;/li&gt;
&lt;li&gt;I usually spend the summer in my hometown with family; this has made the space feel like a place of rest and leisure. I came here for the weekend to do the whole coming out ordeal and I was supposed to cook and study and it&amp;#39;s not just that those things haven&amp;#39;t happened, I forgot it was something I should be doing. It makes me feel disoriented and put-out.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m going to focus on content now that, other than the scrapbook agonies, it appears that I&amp;#39;ve done decent layouting work with this site. There&amp;#39;s still a couple of things that need migrating, but I&amp;#39;m wondering if (other than these journal entries, which I will try to keep up) there&amp;#39;s anything I&amp;#39;d like to compile or share. It feels like for the past two weeks all my hobbies have been &amp;quot;website&amp;quot; and recency bias is a bitch.&lt;/li&gt;
&lt;li&gt;I want to make the &lt;a href=&quot;/recipes/brochetas-yogur&quot;&gt;veggie skewers&lt;/a&gt; for dinner next friday or lunch next Saturday.&lt;/li&gt;
&lt;li&gt;My VPS host has increased their prices and I&amp;#39;m wondering if I can self host and tunnel through my RasPi without having outrageous storage issues.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Universally Applicable Gender Sliders</title><link>https://binomech.neocities.org/miscellanea/uags</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/uags</guid><pubDate>Sun, 19 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;img src=&quot;../../assets/images/uags.webp&quot; alt=&quot;A set of four sliders labelled &amp;quot;My gender:&amp;quot;. The first slider has &amp;quot;dyke&amp;quot; and &amp;quot;faggot&amp;quot; on each end and I have placed my selector almost to the &amp;quot;faggot&amp;quot; end. Betwen &amp;quot;Geometry&amp;quot; and &amp;quot;Algebra&amp;quot;, I am close to the middle but leaning Algebra. I&amp;#39;m pretty much at the Robot extreme of the Robot-PLushie axis, and I&amp;#39;m slightly leaning towards Critter instead of Beast in the last axis, but barely deviating from the middle.&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Source:&lt;/strong&gt; &lt;a href=&quot;https://bugdog.art/UAGS/&quot;&gt;UNIVERSALLY APPLICABLE GENDER SLIDERS (UAGS)&lt;/a&gt;&lt;/p&gt;
</content:encoded></item><item><title>(ES) Brochetas de verduras con salsa de yogur</title><link>https://binomech.neocities.org/recipes/brochetas-yogur</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/brochetas-yogur</guid><pubDate>Sun, 19 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;img src=&quot;https://www.nestlemenuplanner.es/modules/custom/nestlemenuplanner/src/assets/nestlemenuplanner/_img/_recipes/1582_861x404_brochetas-de-verduras-con-salsa-de-yogur.jpg&quot; alt=&quot;Imagen de las brochetas, siguiendo ensartado: Pimiento rojo, berenjena, champiñón, calabacín, cebolla, pimiento verde.&quot;&gt;&lt;/p&gt;
&lt;h2&gt;Ingredientes (4 brochetas)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 yogur natural &lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 4 cucharadas de aceite de oliva virgen extra&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Pimienta&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 berenjena&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 calabacín&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 cebolla (en capas anchas)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 4 champiñones&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 de pimiento rojo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 de pimiento verde&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 de puerro (pequeño)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Perejil&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Orégano&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Tomillo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Cortar la berenjena y los calabacines en dados.&lt;/li&gt;
&lt;li&gt;Cocer la berenjena y el calabacín en un cazo con agua hirviendo durante 5 minutos.&lt;/li&gt;
&lt;li&gt;Limpiar los champiñones y si son grandes cortarlos por la mitad.&lt;/li&gt;
&lt;li&gt;Pelar y cortar la cebolla.&lt;/li&gt;
&lt;li&gt;Cortar el pimiento en trozos regulares.&lt;/li&gt;
&lt;li&gt;Escurrir bien las verduras hervidas.&lt;/li&gt;
&lt;li&gt;Colocar las verduras hervidas en un bol con el aceite, la cebolla, el puerro, un poco de perejil y las hierbas (todo picado) y dejarlo macerar durante &lt;strong&gt;1 hora.&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Ensartar las verduras de forma alternada en 4 brochetas y colocarlas en una fuente para el horno (se puede también hacer a la plancha.)&lt;/li&gt;
&lt;li&gt;Calentar el horno a 180ºC.&lt;/li&gt;
&lt;li&gt;Verter la mezcla de la maceración y cocer al horno unos 10 minutos.&lt;/li&gt;
&lt;li&gt;Mezclar el yogur con el jugo de las verduras y sazonar con un poco más de pimienta.&lt;/li&gt;
&lt;li&gt;Servir la salsa con las brochetas calientes.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Macarrones con costilla de cerdo</title><link>https://binomech.neocities.org/recipes/macarrones-costillas</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/macarrones-costillas</guid><pubDate>Sun, 19 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 raciones)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 400 g de macarrones&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 500 g de costilla de cerdo troceada&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cebolla grande&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 dientes de ajo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 400 g de tomate triturado&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 hoja de laurel&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite de oliva&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal y pimienta&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Vino blanco (Opcional)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Queso rallado&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Orégano&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Perejil&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Albahaca&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Cilantro (Opcional)&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;&lt;p&gt;Dora la carne:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;En una cazuela amplia, añade un chorro de aceite de oliva y dora la costilla de cerdo salpimentada hasta que quede muy bien dorada por fuera. Retira y reserva.&lt;/li&gt;
&lt;li&gt;En la misma cazuela, sofríe la cebolla picada a fuego medio.&lt;/li&gt;
&lt;li&gt;Cuando esté transparente, añade el ajo picado.&lt;/li&gt;
&lt;li&gt;Incorpora el tomate triturado y la hoja de laurel. &lt;/li&gt;
&lt;li&gt;Cocina durante 10-15 minutos hasta que el sofrito esté concentrado.&lt;/li&gt;
&lt;li&gt;Vuelve a añadir la costilla. &lt;/li&gt;
&lt;li&gt;(Puedes incorporar un chorrito de vino blanco y dejar que evapore el alcohol.)&lt;/li&gt;
&lt;li&gt;Añade un poco de agua (o caldo) y cocina a fuego lento durante 25-30 minutos, hasta que la carne esté tierna.&lt;/li&gt;
&lt;/ol&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Cuece la pasta:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Cuece los macarrones en abundante agua con sal siguiendo el tiempo indicado en el paquete.&lt;/li&gt;
&lt;li&gt;Escurre la pasta y mézclala con la salsa y la costilla. &lt;/li&gt;
&lt;li&gt;Cocina todo junto durante 2-3 minutos para que se integren los sabores.&lt;/li&gt;
&lt;li&gt;Sirve caliente, con queso rallado por encima.&lt;/li&gt;
&lt;/ol&gt;
&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>2026-04-18</title><link>https://binomech.neocities.org/journal/2026-04-18</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-18</guid><pubDate>Sat, 18 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;I came out to my (very conservative) aunt, since everyone else was out of town for sports events. She was respectful, generally, even if not actively supportive. Better than expected.&lt;/li&gt;
&lt;li&gt;Set up my MicroPC for travel (browser, notes, e-mail, vault) - I think it might be too much of a pain to manage the media for my site between devices, so updates might happen slower that one week in August.&lt;/li&gt;
&lt;li&gt;I went to bed late, after a delightful time with my flock on call. We looked at interlocking crochet patterns, they are visually very satisfying to me even though I don&amp;#39;t know any crochet.&lt;/li&gt;
&lt;li&gt;I slept well, I took my goo and now that I&amp;#39;m writing this I&amp;#39;m going to take my vit-D because I completely forgot.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m making caneloni today, but it&amp;#39;s not going to be from scratch, so I can&amp;#39;t tweak the recipe enough to upload. I should, in the future, it&amp;#39;s a good recipe and complex enough that I need to keep it archived.&lt;/li&gt;
&lt;li&gt;I&amp;#39;ve been listening to Muse&amp;#39;s post-&lt;em&gt;The 2nd Law&lt;/em&gt; discography in preparation for the upcoming album, since that&amp;#39;s about when I lost touch with their releases. I really liked one of the singles they&amp;#39;ve released so far for the new one.&lt;/li&gt;
&lt;li&gt;Started watching &lt;em&gt;The Apprentice (2024)&lt;/em&gt; yesterday, am continuing today. Jeremy Strong was robbed of that Oscar, seriously. Holding hands with Al Pacino across decades to perform a sick Roy Cohn.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-17</title><link>https://binomech.neocities.org/journal/2026-04-17</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-17</guid><pubDate>Fri, 17 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;I slept like shit today. I woke up for prolonged periods of time even after going to bed later than usual.&lt;/li&gt;
&lt;li&gt;The call with my squid went great, as expected, which is why I went to bed later than usual. Why is the gaydar real?&lt;/li&gt;
&lt;li&gt;Goop and vitamin D taken.&lt;/li&gt;
&lt;li&gt;Perhaps because I slept so poorly, today is feeling catastrophically bad. I&amp;#39;m worried about coming out to my extended family, which is happening today. I&amp;#39;m regretful of past academic mistakes because my parents commented on them in passing. I&amp;#39;m so upset by these things focus for studying doesn&amp;#39;t come easily, and that makes the feeling of futility even bigger.&lt;/li&gt;
&lt;li&gt;I have been considering setting up EndeavorOS on my tiny puter (a GPD Micro). It&amp;#39;s been running Manjaro for a while, but I switched to EndeavorOS on my main driver last summer and it&amp;#39;s so much more stable and cooperative. I normally only use the computer while traveling because it&amp;#39;s very, very compact and writing on it is slower than on a full width keyboard, but it&amp;#39;s good for emergencies.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m making &lt;a href=&quot;/recipes/mujaddara&quot;&gt;Mujaddara&lt;/a&gt; for lunch today. Yum.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-16</title><link>https://binomech.neocities.org/journal/2026-04-16</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-16</guid><pubDate>Thu, 16 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;I slept with interruptions, but managed to return to sleep every time.&lt;/li&gt;
&lt;li&gt;I lost track of time during my morning routine because I was catching up with Tumblr; the dashboard was extra long this morning because I went to bed early the day before. I forgot to take my vitamin D, but did not forget my goo.&lt;/li&gt;
&lt;li&gt;I attended the workshop with the intention of studying some more, but it was really busy and loud and I couldn&amp;#39;t focus, so instead I talked to people. I still don&amp;#39;t feel socially comfortable in that space.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m looking at psychotechnical tests, which are also a requirment for the job that I&amp;#39;m applying to, and I&amp;#39;m growing weary. I&amp;#39;m still really bad at calculus, even if the language and logic ones are reasonable. I might fail, and all the rest of the studying would be for nothing. I&amp;#39;m rather nervous.&lt;/li&gt;
&lt;li&gt;I think I need to watch my spoons, I am approaching burnout and I need to gather my energy for studying, coming out to my extended family, enduring the summer migration of my flock, and facing the bureaucracy associated to medical transition with grace.&lt;/li&gt;
&lt;li&gt;After today&amp;#39;s shower, I was extra careful to moisturize. I&amp;#39;ve never had a consistent skincare routine but it&amp;#39;s incredible how much more my body feels like mine and therefore something I&amp;#39;m responsible for, just a few days into treatment.&lt;/li&gt;
&lt;li&gt;I have friend time with my squid this evening, and I&amp;#39;m looking forward to it. I enjoy having a hangout space that is not routine but also doesn&amp;#39;t revolve around any particular activity, that is open to improvisation and catching up.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Solipsistic Symbotes: A Severance playlist</title><link>https://binomech.neocities.org/severance/playlist</link><guid isPermaLink="true">https://binomech.neocities.org/severance/playlist</guid><pubDate>Thu, 16 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Cover&lt;/h2&gt;
&lt;p&gt;&lt;img src=&quot;../../assets/images/severance_playlist_cover.webp&quot; alt=&quot;An open elevator showing two stickpeople rolling boulders with symbols on them. The upper one rolls a blue tear on a red background, the lower one rolls a red heart on a blue background.&quot;&gt;&lt;/p&gt;
&lt;h2&gt;Links&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;https://open.spotify.com/playlist/77r2ilcAfim6WkBzrboFHX&quot;&gt;Spotify&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.youtube.com/playlist?list=PLJ5jq2r99oStY8oBZOdS7nndRb_CyQrWQ&quot;&gt;Youtube&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Tracks&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Peter-mcpoland-digital-silence-lyrics&quot;&gt;Digital Silence - Peter McPoland&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Clipping-welcome-home-warrior-lyrics&quot;&gt;Welcome Home Warrior - clipping. ft. Aesop Rock&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/The-airborne-toxic-event-poor-isaac-lyrics&quot;&gt;Poor Isaac - The Airborne Toxic Event&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Cake-sheep-go-to-heaven-lyrics&quot;&gt;Sheep Go To Heaven - CAKE&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Rainbow-kitten-surprise-devil-like-me-lyrics&quot;&gt;Devil Like Me - Rainbow Kitten Surprise&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/The-sisters-of-mercy-when-you-dont-see-me-lyrics&quot;&gt;When You Don&amp;#39;t See Me - The Sisters of Mercy&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Tunng-bullets-lyrics&quot;&gt;Bullets - Tunng&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Joywave-nice-house-lyrics&quot;&gt;Nice House - Joywave&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Hozier-eat-your-young-lyrics&quot;&gt;Eat Your Young - Hozier&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Modest-mouse-people-as-places-as-people-lyrics&quot;&gt;People As Places As People - Modest Mouse&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Squalloscope-big-houses-lyrics&quot;&gt;Big Houses - Squalloscope&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Sea-power-a-light-above-descending-lyrics&quot;&gt;A Light Above Descending - Sea Power&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>2026-04-15</title><link>https://binomech.neocities.org/journal/2026-04-15</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-15</guid><pubDate>Wed, 15 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;I had my first dose [much needed medical treatment]; it&amp;#39;s a good day for an anniversary. The sun is shining, the temperatures are cool, it falls on a date that I can remember easily....&lt;/li&gt;
&lt;li&gt;The Disco Elysium zine &lt;em&gt;After Death, Life Again&lt;/em&gt; arrived in the mail. What a delight! What beauty!&lt;/li&gt;
&lt;li&gt;I&amp;#39;m trying to find a way to categorize my bookmarks; I want to become a better curator and I&amp;#39;m not used to systems like the file-based ones a website requires. I&amp;#39;ll figure it out, though; any tips from people who curate their own collections are welcome.&lt;/li&gt;
&lt;li&gt;I need to pare down my Severance playlists so I can post the &amp;quot;clean&amp;quot; and extended versions on here.&lt;/li&gt;
&lt;li&gt;I have group therapy today, I&amp;#39;m excited to tell them about the eventful day and manageable week. I&amp;#39;m worried that I&amp;#39;ll get unsettled again, there&amp;#39;s a lot of revisiting trauma in these sessions and some of it hits close to home even if I&amp;#39;m not in that place anymore. [Update! They think I&amp;#39;m in a good place in terms of symptoms management and I&amp;#39;m free to stop attending if I want to.]&lt;/li&gt;
&lt;li&gt;I need to finish the Title of the studying material tomorrow; I&amp;#39;ve decided I will upload the summaries I draft to here even if no-one cares because it keeps me accountable.&lt;/li&gt;
&lt;li&gt;Lunchtime update: I signed up for another exam-based admission job. Ouch&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Reading (2026)</title><link>https://binomech.neocities.org/bookmarks/read-2026</link><guid isPermaLink="true">https://binomech.neocities.org/bookmarks/read-2026</guid><pubDate>Tue, 14 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;em&gt;Sorted by date read (oldest to newest)&lt;/em&gt;&lt;/p&gt;
&lt;h2&gt;Liked&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;https://ajkprojects.com/stopactinglikeyourefamous.html&quot;&gt;Stop Acting Like You&amp;#39;re Famous&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://connorbeaton.com/get-it-together/&quot;&gt;How To Get Your Shit Together.&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://refold.la/roadmap/stage-2/a/basic-sentence-mining/&quot;&gt;Basic Sentence Mining&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://portal.mozz.us/gemini/zaibatsu.circumlunar.space/~solderpunk/gemlog/low-budget-p2p-content-distribution-with-git.gmi&quot;&gt;Low budget P2P content distribution with git&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://audio.mcsweeneys.net/transcripts/against_access.html&quot;&gt;Against Access&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://sashachapin.substack.com/p/how-to-like-everything-more&quot;&gt;How to like everything more&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.thatfinalscene.com/p/jeremy-strong-kieran-culkin-and-the&quot;&gt;jeremy strong, kieran culkin, and the cost of caring too much&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://johnpaulbrammer.substack.com/p/cloud-dancer-a-measured-response&quot;&gt;&amp;#39;Cloud Dancer&amp;#39;: A Measured Response&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://internetprincess.substack.com/p/no-good-alone&quot;&gt;no good alone&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://archive.ph/HyGQH&quot;&gt;How I Became a Pathological Liar&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theparisreview.org/blog/2016/11/18/at-sea/&quot;&gt;At Sea: On the defunct language of nautical flags&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://archive.ph/dJpc7&quot;&gt;Making a Marriage Magically Tidy&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.chicagoreview.org/severances-memory-as-disability-in-late-capitalism/&quot;&gt;Severances: Memory as Disability in Late Capitalism&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.njms.ca/articles/favourites&quot;&gt;The subtle ways in which &amp;quot;Expert in a Dying Field&amp;quot; by The Beths has changed me as a person&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://web.archive.org/web/20240906223221/https://the-toast.net/2014/12/08/jesus-twelve-disciples-stick-poke-tattoos/&quot;&gt;Jesus and the Twelve Disciples Do Stick-and-Poke Tattoos&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theguardian.com/books/2019/aug/26/sin-eaters-richard-munslow&quot;&gt;Sin-eaters: journalists devour the sins of others but to what end?&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.resetera.com/threads/the-japanese-translation-of-disco-elysium.659692/&quot;&gt;The Japanese translation of Disco Elysium&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://artemis.sh/2022/01/30/discord-holds-the-keys-to-your-heart.html&quot;&gt;Discord Holds the Keys to Your Heart&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://sadoeuphemist.tumblr.com/post/615521935528460288/&quot;&gt;The Scorpion and The Frog&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://samkriss.substack.com/p/the-century-of-the-maxxer&quot;&gt;The century of the maxxer&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://durandal.blog/blog/hammajang-luck/&quot;&gt;hammajang luck entering the cozy sff uncanny valley&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://beefox.xyz/post/blog/2026/toki-pona-alt-text&quot;&gt;toki pona helps you write better alt text&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://newdesigncongress.org/en/pub/who-will-remember-us-when-the-servers-go-dark/&quot;&gt;Who Will Remember Us When The Servers Go Dark?&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://solar.lowtechmagazine.com/2018/12/keeping-some-of-the-lights-on-redefining-energy-security/&quot;&gt;Redefining Energy Security&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.njms.ca/articles/against-hci&quot;&gt;Human-computer ecology&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://blog.dante.cool/meshtastic-adventures/&quot;&gt;meshtastic adventures&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://reactormag.com/ten-years-later-theres-still-nothing-like-tarsem-singhs-the-fall/&quot;&gt;Ten Years Later, There’s Still Nothing Like Tarsem Singh’s &lt;em&gt;The Fall&lt;/em&gt;&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.njms.ca/articles/record-of-a-few&quot;&gt;Do you remember our photos together?&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://pshares.org/blog/a-gathering-of-particulars-on-building-a-word-hoard/&quot;&gt;A Gathering of Particulars: On Building a Word-Hoard&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.lesswrong.com/posts/SvKSwT6xYfYahH4XN/universal-love-said-the-cactus-person&quot;&gt;Universal Love, Said The Cactus Person&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://margaretkilljoy.substack.com/p/anarchism-and-violence-a-tale-of&quot;&gt;A Tale of Two Bombers&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://festive.ninja/one-atom-of-justice-one-molecule-of-mercy-and-the-empire-of-unsheathed-knives-alexandra-rowland/&quot;&gt;One Atom of Justice, One Molecule of Mercy, and the Empire of Unsheathed Knives&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.sbnation.com/a/17776-football/&quot;&gt;17776: What football will look like in the future&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.clementinemorrigan.com/p/i-called-my-ex-abusive-when-they&quot;&gt;I called my ex abusive when they weren&amp;#39;t&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://xtramagazine.com/love-sex/why-are-queer-people-so-mean-to-each-other-160978&quot;&gt;Why are queer people so mean to each other?&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://kirstenlindsmith.com/2016/02/05/the-dark-side-of-the-stim-self-injury-and-destructive-habits/&quot;&gt;The Dark Side of the Stim: Self-injury and Destructive Habits&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theguardian.com/lifeandstyle/2019/jun/14/the-mindfulness-conspiracy-capitalist-spirituality&quot;&gt;The mindfulness conspiracy&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theparisreview.org/blog/2019/07/16/the-crane-wife/&quot;&gt;The Crane Wife&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://kotaku.com/a-year-later-i-still-cant-stop-thinking-about-disco-el-1847585413&quot;&gt;A Year Later, I Still Can’t Stop Thinking About &lt;em&gt;Disco Elysium&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Other&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;https://thebaffler.com/salvos/we-used-to-read-things-in-this-country-mccormack&quot;&gt;We Used to Read Things in This Country&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://ncase.me/remember/&quot;&gt;How to Remember Anything Forever-ish&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.deprocrastination.co/blog/should-i-quit-video-games&quot;&gt;Should I quit video games?&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://tanzi-media.com/Blogs/Rotator/Bear_Blog_Carnival/2026_01_How_I_Submissions/How_I_Budget&quot;&gt;How I Budget&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://morg.systems/58465ab9&quot;&gt;Japanese Learning Loop&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.elsaltodiario.com/culturas/herederos-gramsci-black-mirror-operacion-triunfo&quot;&gt;Los herederos de Gramsci, Black Mirror y Operación Triunfo&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://aeon.co/essays/when-homer-envisioned-achilles-did-he-see-a-black-man&quot;&gt;Black Achilles&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://ckarchive.com/b/xmuph6hrzxwrd&quot;&gt;How to get out of a rut&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://potato.cheap/&quot;&gt;The Cheap Web&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://solaria.neocities.org/guides/accessibility&quot;&gt;What I&amp;#39;ve Learned About Web Accessibility as a Dyslexic, Sighted, Mouse User&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://lifehacker.com/the-biggest-wastes-of-time-we-regret-when-we-get-older-1755526646&quot;&gt;The Biggest Wastes of Time We Regret When We Get Older&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.todoist.com/productivity-methods/eat-the-frog&quot;&gt;Eat the Frog&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://theanarchistlibrary.org/library/baedan-identity-in-crisis&quot;&gt;Identity in Crisis&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://theanarchistlibrary.org/library/return-fire-vol-4-supplement-caught-in-the-net&quot;&gt;Caught in the Net: Notes from an era of cybernetic delirium&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.salon.com/2002/03/01/netochka&quot;&gt;The most feared woman on the Internet&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://theanarchistlibrary.org/library/anonymous-an-open-letter-to-white-progressives-and-radicals&quot;&gt;An Open Letter to White Progressives and Radicals&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://web.archive.org/web/20240921210649/https://the-toast.net/2014/06/12/respond-criticism/&quot;&gt;How To Respond To Criticism&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.rookiemag.com/2014/04/our-world-alone/&quot;&gt;Our World Alone&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.cracked.com/blog/6-harsh-truths-that-will-make-you-better-person&quot;&gt;6 Harsh Truths That Will Make You a Better Person&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://tratarde.org/dominar-el-lagarto-interior-la-tarea-de-autoconstruccion/&quot;&gt;dominar el lagarto interior: la tarea de autoconstrucción&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.jackcheng.com/the-slow-web/&quot;&gt;The Slow Web&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://www.thestacksreader.com/the-killing-of-gus-hasford/&quot;&gt;The Killing of Gus Hasford&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.lifehack.org/articles/lifestyle/42-practical-ways-to-improve-yourself.html&quot;&gt;42 Practical Ways to Start Working on Self-Improvement&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theatlantic.com/magazine/archive/2008/07/is-google-making-us-stupid/306868/&quot;&gt;Is Google Making Us Stupid?&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://thenewinquiry.com/blog/social-media-is-not-self-expression/&quot;&gt;Social Media Is Not Self-Expression&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.jacky.wtf/essays/2024/not-vegan/&quot;&gt;Dropping the &amp;#39;Vegan&amp;#39; Label from my Political Banner&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.ebb-magazine.com/essays/no-one-way-works&quot;&gt;‘No one way works’: An Interview with Ira Terán and Emrys Travis on Trans Marxism&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://pervocracy.com/gender/the-bad-guys-won-and-we-are-still-queer/&quot;&gt;The Bad Guys Won And We Are Still queer&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://filmcolossus.com/the-brutalist-explained-america/&quot;&gt;The Brutalist Explained For Cinephiles&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://notapplicable.dev/daring-to-dream/&quot;&gt;Daring to dream: Reclaiming our connections and building our resilience&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://juliaserano.substack.com/p/the-white-lotus-terfs-and-autogynephilia&quot;&gt;The White Lotus, TERFs, and “Autogynephilia” as a Floating Signifier&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://finearttutorials.com/guide/how-to-draw-a-head/&quot;&gt;How to Draw a Head&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://going-medieval.com/2023/10/20/you-are-not-in-fact-the-granddaughter-of-the-witches-they-couldnt-burn/&quot;&gt;You are not, in fact, the granddaughter of the witches they couldn’t burn&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.patreon.com/posts/93346904?utm_campaign=postshare_fan&quot;&gt;No State Solution&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.takahe.org.nz/heat-death-of-the-internet/&quot;&gt;Heat Death of the Internet&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://letterboxd.com/journal/caption-this-descriptive-subtitles-creative-captioning-accessibility/&quot;&gt;Caption This: the subtitling champions working to make festivals, screenings and global cinema more accessible&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://emilysdupree.substack.com/p/the-invention-of-memory&quot;&gt;The Invention of Memory&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theskinny.co.uk/festivals/uk-festivals/film/the-fall-tarsem-singh-interview-2006&quot;&gt;Tarsem Singh on arthouse epic The Fall&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://drdevonprice.substack.com/p/laziness-does-not-exist&quot;&gt;Laziness Does Not Exist&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://english.emmaclit.com/2017/05/20/you-shouldve-asked/&quot;&gt;You should&amp;#39;ve asked&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://crewsproject.wordpress.com/2017/05/12/aliens-standard-semiotic-pictograms-and-icons/&quot;&gt;Alien’s ‘Standard Semiotic’, Pictograms and Icons&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.villagevoice.com/apocalypse-numb/&quot;&gt;Apocalypse Numb&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://thewrongtools.wordpress.com/2019/10/10/the-everdeck/&quot;&gt;The Everdeck: A Universal Card System&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://florianbeijers.xyz/on-language-learning-with-a-screenreader&quot;&gt;On Language Learning for Screen Reader Users&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://lisaolivera.substack.com/p/stay-soft&quot;&gt;Stay soft: Notes on remaining open to all of life&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.njms.ca/articles/no-stories&quot;&gt;No stories&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://ascii.textfiles.com/archives/5509&quot;&gt;Discord, or the Death of Lore&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://venado.bearblog.dev/new-sweatpants/&quot;&gt;i bought a pair of sweatpants on a whim and it put me back on track&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://theacetheist.wordpress.com/2019/11/23/how-using-tumblr-is-undermining-your-community/&quot;&gt;How Using Tumblr is Undermining Your Community&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.hackingyouradhd.com/podcast/gst&quot;&gt;Goals, Strategies and Tactics&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://graphicdesign.stackexchange.com/questions/54423/why-dont-upper-case-numbers-exist&quot;&gt;Why don&amp;#39;t upper case numbers exist?&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://decolonizeallthethings.com/2015/01/03/under-construction-decolonized-queer-masculinityies/&quot;&gt;Under Construction: Decolonized Queer Masculinity(ies)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;[Filthiness is Next to Godliness](&lt;a href=&quot;https://fluoresensitive.substack.com/p/filthiness-is-next-to-godliness&quot;&gt;https://fluoresensitive.substack.com/p/filthiness-is-next-to-godliness&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.eff.org/deeplinks/2018/03/thinking-about-what-you-need-secure-messenger&quot;&gt;Thinking About What You Need In A Secure Messenger&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://uppercutcrit.com/unpapering-the-past-jewish-history-and-the-cast-of-pentiment/&quot;&gt;Unpapering The Past: Jewish History and the Cast of Pentiment&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://web.archive.org/web/20251207003714/https://veocorva.xyz/2022/01/25/the-right-to-take-up-space/&quot;&gt;The Right to Take Up Space&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://medium.com/@Kyuni/pueblo-de-paso-ad9e007677d1&quot;&gt;Pueblo de paso&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.vice.com/en/article/how-well-does-daredevil-handle-disability-issues-320/&quot;&gt;How Well Does ‘Daredevil’ Handle Disability Issues?&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://nexus.leagueoflegends.com/en-us/2016/12/the-visual-language-of-hextech/&quot;&gt;The Visual Language of Hextech&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.eldiario.es/retrones/fotografia-autoestima-quererse-imagen_132_4133669.html&quot;&gt;Fotografía&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://medium.com/@grubreport/a-friend-on-twitter-died-today-fc14960eb26f&quot;&gt;A friend on Twitter died today&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://finearttutorials.com/guide/how-to-draw-a-head/&quot;&gt;How to Draw a Head From the Front: Loomis Method&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.thedrive.com/news/why-mark-in-severance-drives-a-1997-volvo-and-more-answers-from-the-shows-car-coordinators&quot;&gt;Why Mark in ‘Severance’ Drives a 1997 Volvo, and More Answers from the Show’s Car Coordinators&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://departure.blog/but-i-can-go-outside/&quot;&gt;But I can go outside&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://tanzi-media.com/Blogs/Rotator/Bear_Blog_Carnival/feb26_boredom&quot;&gt;On Boredom&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://ctxt.es/es/20240701/Firmas/46913/Fernando-Balius-botanico-complutense-concierto-Anohni.htm&quot;&gt;La belleza radical de Anohni en una ciudad sin corazón&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.vox.com/2016/9/19/12865560/politics-of-pockets-suffragettes-women&quot;&gt;The Politics of Pockets&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://markmanson.net/screw-finding-your-passion&quot;&gt;Screw Finding Your Passion&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.cnet.com/culture/teens-have-figured-out-how-to-mess-with-instagrams-tracking-algorithm/&quot;&gt;Teens have figured out how to mess with Instagram&amp;#39;s tracking algorithm&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.njms.ca/articles/if-you-love-me&quot;&gt;If you love me, you&amp;#39;ll follow me on Mastodon&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://venado.bearblog.dev/you-dont-need-a-resume-of-pain-to-be-loved/&quot;&gt;you don&amp;#39;t need a résumé of pain to be loved&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.vice.com/en/article/i-dont-miss-being-a-gay-man-but-i-miss-having-sex-like-one/&quot;&gt;I Don’t Miss Being a Gay Man, but I Miss Having Sex Like One&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://thenewinquiry.com/the-stifling-air-of-rigid-radicalism/&quot;&gt;The Stifling Air of Rigid Radicalism&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.bostonreview.net/articles/henry-farrell-philip-k-dick-and-fake-humans/&quot;&gt;Philip K. Dick and the Fake Humans&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theguardian.com/commentisfree/2020/sep/07/terminal-cancer-live-cancer-life-death&quot;&gt;At 31, I have just weeks to live. Here&amp;#39;s what I want to pass on&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://blog.dante.cool/hosting-and-self-hosting-and-irc/&quot;&gt;hosting and self-hosting and irc&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;[Getting Started with Meshtastic](&lt;a href=&quot;https://www.jeffgeerling.com/blog/2024/getting-started-meshtastic/&quot;&gt;https://www.jeffgeerling.com/blog/2024/getting-started-meshtastic/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://dogboy.smol.pub/februaryappreciations&quot;&gt;february appreciations&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://elpais.com/elpais/2018/05/25/ciencia/1527257820_374244.html&quot;&gt;Antropoceno, la era en la que destruimos el planeta&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://venado.bearblog.dev/another-new-years-post/&quot;&gt;another new year&amp;#39;s post&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://reallifemag.com/apocalypse-whatever/&quot;&gt;Apocalypse Whatever&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://idiomdrottning.org/twenty-percent-cooler&quot;&gt;Twenty Percent Cooler&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.njms.ca/articles/unlearning-literacy&quot;&gt;Unlearning literacy&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://winther.sysctl.dk/intersecting-interests-movies-and-science-fiction/&quot;&gt;Intersecting interests: movies and science fiction&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://idiomdrottning.org/slop-cure&quot;&gt;The Cure for Slop&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://alcottgrimsley.tumblr.com/post/699640069652398080&quot;&gt;The God of Arepo&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://reactormag.com/the-ones-who-cant-walk-away-another-perspective-on-omelas/&quot;&gt;The Ones Who Can’t Walk Away: Another Perspective on Omelas&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.creativearmenia.org/the-misquotation-of-william-saroyan&quot;&gt;The Misquotation of William Saroyan&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.hackingyouradhd.com/podcast/refocusedvacation&quot;&gt;How to Get Refocused After Your Vacation&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://thebias.com/2017/09/26/how-good-intent-undermines-diversity-and-inclusion/&quot;&gt;How “Good Intent” Undermines Diversity and Inclusion&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;I read every entry of &lt;a href=&quot;https://winther.sysctl.dk/bear-blog-carnival-february-boredom/&quot;&gt;February&amp;#39;s Bearblog Carnival&lt;/a&gt; about boredom. My favorites were:&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;https://blog.avas.space/bb-carnival-boredom/&quot;&gt;https://blog.avas.space/bb-carnival-boredom/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://spice.bearblog.dev/bear-blog-carnival-february-boredom/&quot;&gt;https://spice.bearblog.dev/bear-blog-carnival-february-boredom/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://blogbysophiamarie.bearblog.dev/praise-for-boredom/&quot;&gt;https://blogbysophiamarie.bearblog.dev/praise-for-boredom/&lt;/a&gt; ❤️&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://slmt.bearblog.dev/10/&quot;&gt;https://slmt.bearblog.dev/10/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://taterinx.bearblog.dev/260202/&quot;&gt;https://taterinx.bearblog.dev/260202/&lt;/a&gt; ❤️&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://mirroredworld.bearblog.dev/bigger-on-the-inside/&quot;&gt;https://mirroredworld.bearblog.dev/bigger-on-the-inside/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://tanzi-media.com/Blogs/Rotator/Bear_Blog_Carnival/feb26_boredom&quot;&gt;https://tanzi-media.com/Blogs/Rotator/Bear_Blog_Carnival/feb26_boredom&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://juni-mp4.bearblog.dev/feb-bearblog-carnival/&quot;&gt;https://juni-mp4.bearblog.dev/feb-bearblog-carnival/&lt;/a&gt; ❤️&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://aviewfromthesidewalk.bearblog.dev/boredom-in-transit/&quot;&gt;https://aviewfromthesidewalk.bearblog.dev/boredom-in-transit/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://francescrossley.com/taking-the-fight-to-boredom/&quot;&gt;https://francescrossley.com/taking-the-fight-to-boredom/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://blog.cascading.space/boredom-i-dont-even-know-em/&quot;&gt;https://blog.cascading.space/boredom-i-dont-even-know-em/&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://idiomdrottning.org/protein-combining&quot;&gt;The Myth of “The Myth of Complementary Protein”&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://idiomdrottning.org/ai-vs-art&quot;&gt;I don’t want to paint or write&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://idiomdrottning.org/boredom&quot;&gt;Boredom and existentialism&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://tanzi-media.com/Blogs/Life/30th_Birthday&quot;&gt;30th Birthday&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://lithub.com/so-gutenberg-didnt-actually-invent-the-printing-press/&quot;&gt;So, Gutenberg Didn’t Actually Invent Printing As We Know It&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.rnz.co.nz/life/screens/inside-the-mind-blowing-world-of-competitive-spreadsheeting&quot;&gt;Inside the &amp;#39;mind-blowing&amp;#39; world of competitive spreadsheeting&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theguardian.com/society/2026/feb/24/my-maddening-battle-with-chronic-fatigue-syndrome-on-my-worst-days-it-feels-almost-demonic&quot;&gt;My maddening battle with chronic fatigue syndrome&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://dogboy.smol.pub/analysisspread&quot;&gt;problem analysis spread&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://venado.bearblog.dev/am-i-too-slow-or-is-everything-too-fast/&quot;&gt;am i too slow, or is everything too fast&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://limited.systems/articles/frugal-computing/&quot;&gt;Frugal computing&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://winther.sysctl.dk/feeling-too-old-for-memes/&quot;&gt;Feeling too old for memes&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.njms.ca/articles/statistics&quot;&gt;It&amp;#39;s a statistic until it happens to you&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://trueblue.bearblog.dev/the-moon-at-7/&quot;&gt;the moon at around 7:00 pm&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theguardian.com/money/2018/may/04/i-had-to-guard-an-empty-room-the-rise-of-the-pointless-job&quot;&gt;the rise of the pointless job&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://letsqueerthingsup.com/2020/02/02/unlearning-fawn-response/&quot;&gt;5 Ways I&amp;#39;m Unlearning My Fawn Response&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.njms.ca/articles/2026-03-28&quot;&gt;This is my thing&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://tanzi-media.com/Blogs/Life/Pecha_Kucha_Mar26&quot;&gt;Pecha Kucha Night Burlington: You Should Make a Website&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;[Why I email complete strangers](&lt;a href=&quot;https://goodinternetmagazine.com/why-i-email-complete-strangers/&quot;&gt;https://goodinternetmagazine.com/why-i-email-complete-strangers/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://folkmoss.bearblog.dev/outgrowing-your-tbr/&quot;&gt;Outgrowing your TBR&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;[the zen garden in druid hill park](&lt;a href=&quot;https://smallcypress.bearblog.dev/the-zen-garden-in-druid-hill-park/&quot;&gt;https://smallcypress.bearblog.dev/the-zen-garden-in-druid-hill-park/&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.themarginalian.org/2013/11/22/bird-by-bird-anne-lamott/&quot;&gt;Writing and Why Perfectionism Kills Creativity&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://deemjournal.com/adrienne-maree-brown-on-creating-the-future&quot;&gt;adrienne maree brown on creating the future&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://archive.ph/114S5&quot;&gt;This Physics pioneer walked away from it all&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.wordsfromeliza.com/p/fake-fans&quot;&gt;Fake Fans&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://draftnone.bearblog.dev/art-doesnt-die/&quot;&gt;Art doesn&amp;#39;t die but it does decompose&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://niqwithq.com/posts/hackers&quot;&gt;Do Hackers care about Accessibility?&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://tanzi-media.com/Blogs/Rotator/Bear_Blog_Carnival/26_04%20Favorite_Animal&quot;&gt;My Favorite Unconventional Animal&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://hazlitt.net/feature/year-collaboration&quot;&gt;The Year in Collaboration&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://griefbacon.substack.com/p/forever&quot;&gt;Forever&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://62bugs.bearblog.dev/new-post-new-new-new-new-new-new-new-new-new-new-new-new-new-new-new/&quot;&gt;New Post&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://smallcypress.bearblog.dev/on-middle-schoolers/&quot;&gt;on middle schoolers&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.boshemiamagazine.com/blog/tik-tok-tarot-jennifer-cartwright&quot;&gt;Tiktok Tarot: For You, From the Algorithm&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://aftermath.site/unc-aave-african-american-vernacular-english-slang-gen-z/&quot;&gt;That&amp;#39;s Not What Unc Means&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.elindependiente.com/futuro/2018/02/25/los-animalistas-no-son-ecologistas/&quot;&gt;Los animalistas no son ecologistas&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://hablandodetodounmucho.jimdofree.com/2015/06/21/reflexiones-de-un-profesor-gay-fuera-del-armario/&quot;&gt;Reflexiones de un profesor gay fuera del armario&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.wired.com/2017/02/famed-hacker-kevin-mitnick-shows-go-invisible-online/&quot;&gt;How to Go Invisible Online&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://newsocialist.org.uk/outlaw-kings-rebel-chic/&quot;&gt;Outlaw Kings and Rebellion Chic&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.newyorker.com/books/page-turner/lou-sullivans-diaries-are-a-radical-testament-to-trans-happiness&quot;&gt;Lou Sullivan’s Diaries Are a Radical Testament to Trans Happiness&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://matthiasott.com/articles/into-the-personal-website-verse&quot;&gt;Into the Personal-Website-Verse&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://medium.com/@martinluiga/full-core-state-nihilist-bd6d6a13c3ba&quot;&gt;FULL CORE STATE NIHILIST&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.theguardian.com/news/2018/may/11/how-metoo-revealed-the-central-rift-within-feminism-social-individualist&quot;&gt;How MeToo revealed the central rift within feminism today&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.buzzfeednews.com/article/ryanhatesthis/brazil-jair-bolsonaro-facebook-elections&quot;&gt;This Is How We Radicalized The World&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://trueblue.bearblog.dev/the-heat-is-freaking-brutal/&quot;&gt;the heat is freaking brutal&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://hypersubject.net/posts/prince-albert/&quot;&gt;prince albert&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://thebaffler.com/latest/engineered-for-dystopia-banks&quot;&gt;Engineered for Dystopia&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.thebeliever.net/slaying-the-chinese-jabberwock/&quot;&gt;Slaying the Chinese Jabberwock&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.tofugu.com/japanese/onyomi-kunyomi/&quot;&gt;On&amp;#39;yomi And Kun&amp;#39;yomi in Kanji: What&amp;#39;s the Difference?&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.good.is/issue-37-we-r-cute-shoplifters/&quot;&gt;We R Cute Shoplifters&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-14</title><link>https://binomech.neocities.org/journal/2026-04-14</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-14</guid><pubDate>Tue, 14 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;I got a prescription for T! After two years of agonizing waiting and over a decade of being socially out. My first dose is tomorrow. I&amp;#39;m delighted. I&amp;#39;m over the moon.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m so delighted I am able to be assertive to my family about my needs regarding [redacted medical treatment].&lt;/li&gt;
&lt;li&gt;I finally sat down and studied for a bit... 15 very information-dense pages (Out of 600+). It felt a lot longer, but it&amp;#39;s been a while since I studied with such focus. I&amp;#39;m counting it as a victory.&lt;/li&gt;
&lt;li&gt;I am so tired of how misogynistic folks at the workshop are.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m so tired of feeling like nothing I do for the workshop has any purpose and it&amp;#39;s just there to fill the time.&lt;/li&gt;
&lt;li&gt;I need to find a way to organize collections and bookmarks that is more efficient than the one I have now.&lt;/li&gt;
&lt;li&gt;I decided to turn off my neocities profile to avoid using this site as social media; I do wish people would use the guestbook and my e-mail to talk to me in different ways instead of leaving a comment.&lt;/li&gt;
&lt;li&gt;My flock gave me a sticker with a teal plesiosaurus in a golden background for my efforts today and it&amp;#39;s the most beautiful thing I&amp;#39;ve ever seen.&lt;/li&gt;
&lt;li&gt;Found a personality quiz that was titled &amp;quot;Autistic or German?&amp;quot; and I got the Wittgenstein variant (both), which amuses me as I am not autistic nor German. I do like ol&amp;#39; Ludwig, though.&lt;/li&gt;
&lt;li&gt;The page had very interesting tests, I don&amp;#39;t care much for the results but the questions tickled my brain in a positive way.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-13</title><link>https://binomech.neocities.org/journal/2026-04-13</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-13</guid><pubDate>Mon, 13 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Happy Homestuck day, I almost forgot.&lt;/li&gt;
&lt;li&gt;Woke up 2 hours before my alarm was supposed to go off, this afternoon is going to be very rough. I don&amp;#39;t remember any dreams, surprisingly, even though what woke me up was overheating.&lt;/li&gt;
&lt;li&gt;Migrated old Bearblog journal entries and other miscellaneous writings from last year.&lt;/li&gt;
&lt;li&gt;I have an appointment at the hospital labelled &amp;quot;Investigation&amp;quot; for today and I have no idea what they want to investigate. [Update! It was a battery of tests for a study on types of trauma associated with different coping mechanisms and differential diagnosis. Also, surprisingly, bloodwork.]&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Metonymic Malfunctions: A DCWT playlist</title><link>https://binomech.neocities.org/miscellanea/dcwt-playlist</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/dcwt-playlist</guid><pubDate>Mon, 13 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Cover&lt;/h2&gt;
&lt;p&gt;&lt;img src=&quot;../../assets/images/dcwt_descartes_playlist_cover.webp&quot; alt=&quot;A diagram of ocular refraction illustrating Descartes&amp;#39; optics, colorized in blues.&quot;&gt;&lt;/p&gt;
&lt;h2&gt;Links&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;https://open.spotify.com/playlist/0lTlgQGbnvkN4uGabdXAXS&quot;&gt;Spotify link&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.youtube.com/playlist?list=PLJ5jq2r99oStm1fRpfWMUvQXTRNGroYhi&quot;&gt;Youtube link&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Tracks&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Cake-guitar-lyrics&quot;&gt;Guitar - CAKE&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Mitski-pearl-diver-lyrics&quot;&gt;Pearl Diver - Mitski&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Vashti-bunyan-id-like-to-walk-around-in-your-mind-lyrics&quot;&gt;I&amp;#39;d Like to Walk Around in Your Mind - Vashti Bunyan&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://www.plyrics.com/lyrics/takingbacksunday/erroroperator14572.html&quot;&gt;Error Operator - Taking Back Sunday&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/People-in-planes-mayday-maidez-lyrics&quot;&gt;Mayday (M&amp;#39;aidez) - People in Planes&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Pixies-greens-and-blues-lyrics&quot;&gt;Greens and Blues - Pixies&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/The-mountain-goats-autoclave-lyrics&quot;&gt;Autoclave - The Mountain Goats&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Mire-kay-sea-monster-lyrics&quot;&gt;Sea Monster - Mire Kay&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Now-now-colony-lyrics&quot;&gt;Colony - Now, Now&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/John-k-samson-virtute-at-rest-lyrics&quot;&gt;Virtute at Rest - John K. Samson&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/Vienna-teng-stray-italian-greyhound-lyrics&quot;&gt;Stray Italian Greyhound - Vienna Teng&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://genius.com/The-revivalists-keep-going-lyrics&quot;&gt;Keep Going - The Revivalists&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>2026-04-12</title><link>https://binomech.neocities.org/journal/2026-04-12</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-12</guid><pubDate>Sun, 12 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Spent &lt;em&gt;4 hours&lt;/em&gt; figuring out how to create collections that display content of the file instead of a link to it so I could make a &lt;a href=&quot;/scrapbook&quot;&gt;scrapbook&lt;/a&gt; page. I figured it would be nice, since I can&amp;#39;t be assed to tag posts on Tumblr anymore and I would love a backup of my favorite finds.&lt;/li&gt;
&lt;li&gt;Wrote a gallery CSS for the desktop mode of said scrapbook.&lt;/li&gt;
&lt;li&gt;Cooked &lt;a href=&quot;website/recipes/tofu-pimientos&quot;&gt;fried tofu with peppers&lt;/a&gt; and a vichysoisse; I should probably write down the latter&amp;#39;s recipe, since it was more or less improvised with minimal instructions and it turned out really good. [&lt;strong&gt;Update!&lt;/strong&gt; &lt;a href=&quot;website/recipes/vichysoisse&quot;&gt;The recipe is up.&lt;/a&gt;]&lt;/li&gt;
&lt;li&gt;Washed the dirty dishes from the weekend. This deserves its own bullet point, it&amp;#39;s my least favorite chore.&lt;/li&gt;
&lt;li&gt;I am currently contemplating my two remaining weekend chores: Mopping the floor, folding laundry. I am so exhausted and distractible.&lt;/li&gt;
&lt;li&gt;I woke up before my generously set alarm and it felt awesome, I even got 9 hours of sleep naturally without the expected interruptions.&lt;/li&gt;
&lt;li&gt;Helped my opossum with some website structuring and my flock with the workflow to upload a site to Neocities last night.&lt;/li&gt;
&lt;li&gt;Migrated my &lt;a href=&quot;/severance/severance-tarot&quot;&gt;Severance-themed Major Arcana deck&lt;/a&gt; to this site.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>(ES) Vichysoisse</title><link>https://binomech.neocities.org/recipes/vichysoisse</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/vichysoisse</guid><pubDate>Sun, 12 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 raciones)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 puerros&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 patata grande&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 500ml de leche&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 500ml de agua&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal y pimienta&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite de oliva&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Picar los puerros en rodajas y cachear la patata para que suelte el almidón.&lt;/li&gt;
&lt;li&gt;Echar un poco de aceite, que cubra el fondo de la olla a presión, y dar una vuelta al puerro y a la patata.&lt;/li&gt;
&lt;li&gt;Echar una cucharadita y media de sal gorda.&lt;/li&gt;
&lt;li&gt;Verter la leche, y llenar el resto de agua hasta que cubra un dedo las verduras.&lt;/li&gt;
&lt;li&gt;Cerrar la olla a presión y calentar a fuego alto.&lt;/li&gt;
&lt;li&gt;Cuando suba la válvula, bajar al 4 y dejar cociendo 20 minutos.&lt;/li&gt;
&lt;li&gt;Enfriar la olla con agua fría del grifo antes de abrir.&lt;/li&gt;
&lt;li&gt;Pasar los contenidos de la olla con la batidora, añadiendo pimienta molida fresca cada pocos segundos.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>2026-04-11</title><link>https://binomech.neocities.org/journal/2026-04-11</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-11</guid><pubDate>Sat, 11 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;toki pona voice call successfully attended :) It was fun, and not too bad for my first time speaking it out loud, but I need to remember the practical tips of subject-switching to be able to formulate more complex sentences without getting tangled in structure. I also nest &lt;em&gt;la&lt;/em&gt; way too often.&lt;/li&gt;
&lt;li&gt;Slept around 4h, after a really bad night. Fridays are always rough emotionally, they&amp;#39;re not usually this bad physically. I might have to call it a night rather early today.&lt;/li&gt;
&lt;li&gt;I pruned my 250+ likes on Tumblr as is customary, refilled my queue. A lot of good poetry this week. I found a reminder that I should read more Donna Haraway.&lt;/li&gt;
&lt;li&gt;I need to find my book recs that I answered on Tumblr in March of last year and migrate them to this site.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m making noodles for lunch; I&amp;#39;m running out of my homemade spice mix and I found a storebought version that uses the same ingredients, already roasted and ground up. I&amp;#39;ll probably be using that. I also have humongous shiitake mushrooms ready for the dish.&lt;/li&gt;
&lt;li&gt;I need to help my flock with their digital garden and I need to clean up my alien&amp;#39;s stylesheet; I have to remember the latter likes to work with HTML instead of markdown so there&amp;#39;s a lot of classes and IDs to watch out for that I have to preserve.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Watching (2026)</title><link>https://binomech.neocities.org/bookmarks/watched-2026</link><guid isPermaLink="true">https://binomech.neocities.org/bookmarks/watched-2026</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Aggretsuko 🔁❤️&lt;/li&gt;
&lt;li&gt;Little Miss Sunshine (2006) 🔁❤️&lt;/li&gt;
&lt;li&gt;Mickey 17 (2025)&lt;/li&gt;
&lt;li&gt;Star Wars V&lt;/li&gt;
&lt;li&gt;Star Wars VI (unfinished)&lt;/li&gt;
&lt;li&gt;Severance 🔁🔁❤️&lt;/li&gt;
&lt;li&gt;Long Story Short (unfinished)&lt;/li&gt;
&lt;li&gt;Bojack Horseman 🔁❤️&lt;/li&gt;
&lt;li&gt;The Green Knight (2021) 🔁&lt;/li&gt;
&lt;li&gt;Succession&lt;/li&gt;
&lt;li&gt;Saint☆Young Men (2013) 🔁&lt;/li&gt;
&lt;li&gt;Loving Vincent (2017) 🔁&lt;/li&gt;
&lt;li&gt;When Harry Met Sally... (1989)&lt;/li&gt;
&lt;li&gt;The Birdcage (1996)&lt;/li&gt;
&lt;li&gt;Sinners (2025)&lt;/li&gt;
&lt;li&gt;La Llamada (2017)&lt;/li&gt;
&lt;li&gt;Project Hail Mary (2026) 🔁❤️&lt;/li&gt;
&lt;li&gt;Kinou Nani Tabeta 🔁❤️&lt;/li&gt;
&lt;li&gt;Ferris Bueller&amp;#39;s Day Off (1986)&lt;/li&gt;
&lt;li&gt;The Apprentice (2024)&lt;/li&gt;
&lt;li&gt;Arrival (2016) 🔁&lt;/li&gt;
&lt;li&gt;The Grand Budapest Hotel (2014)&lt;/li&gt;
&lt;li&gt;Whiplash (2014) 🔁❤️&lt;/li&gt;
&lt;li&gt;Spiderman: Across the Spiderverse (2023) 🔁❤️&lt;/li&gt;
&lt;li&gt;The Social Network (2010) 🔁&lt;/li&gt;
&lt;li&gt;Spiderman: Into the Spiderverse (2018) 🔁&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-10</title><link>https://binomech.neocities.org/journal/2026-04-10</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-10</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Sent my CV for another job. I doubt I&amp;#39;ll get this one, it was first come first serve and my skills are hardly unique.&lt;/li&gt;
&lt;li&gt;Failed to study... again. I did sit down to try and do that but I got distracted externally. Not blaming myself because &amp;quot;I can&amp;#39;t control others&amp;#39; choice to interrupt me&amp;quot;, but perhaps I should, because &amp;quot;It&amp;#39;s on me to set better boundaries and/or just hit the bricks.&amp;quot;&lt;/li&gt;
&lt;li&gt;Cooked my first batch of white bean stew. It turned out okay; I just prefer other legumes.&lt;/li&gt;
&lt;li&gt;Finished watching &lt;em&gt;Ferris Bueller&amp;#39;s Day Off&lt;/em&gt;. I understand why it&amp;#39;s a cult classic, and I really enjoyed seeing young Alan Ruck do things, but I don&amp;#39;t think it tickled me as much as I hoped it would.&lt;/li&gt;
&lt;li&gt;Got extremely stressed out about bureaucracy. Affidavits are scary.&lt;/li&gt;
&lt;li&gt;Tweaked the desktop layout of this site some more, we&amp;#39;re back at dithering and muted OG Tinted colors. I guess I&amp;#39;m a boring palette guy after all.&lt;/li&gt;
&lt;li&gt;Still worried about my nerve damage getting worse if I don&amp;#39;t stop taking my current meds. Reminding myself that it&amp;#39;s more important that I don&amp;#39;t stop treatment than worrying about looking funny to other people because of the shaking.&lt;/li&gt;
&lt;li&gt;Also questioning whether it&amp;#39;s true that it&amp;#39;s more important that I continue treatment or if it&amp;#39;s for the benefit of Society At Large. Subsequently, also reminding myself that last time I had a break it was terrifying and that this is subjective &lt;em&gt;and&lt;/em&gt; true. For the best value of &amp;quot;true&amp;quot; anyone can have. Just take your pills, dude.&lt;/li&gt;
&lt;li&gt;Apparently Charlie Day is in the latest Mario movie. On my hands and knees begging the universe to free him from the typecast curse so he can work on things I actually enjoy watching. &lt;/li&gt;
&lt;li&gt;I theoretically have a toki pona taso call this evening... I&amp;#39;m a little scared, my oral fluency is shit compared to writing. But I will show up, and I will try to participate actively in the conversation.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>(ES) Crema blanca</title><link>https://binomech.neocities.org/recipes/crema-blanca</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/crema-blanca</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h1&gt;Ingredientes (4 raciones)&lt;/h1&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cebolla mediana, picada&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 puerro (solo la parte blanca), en rodajas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 dientes de ajo, picados&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 patatas medianas, peladas y cortadas en cubos&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 coliflor pequeña, en trozos&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 zanahorias, peladas y cortadas en rodajas (opcional)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 litro de caldo de verduras&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 200 ml de crema de leche&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 cucharadas de mantequilla y/o aceite de oliva&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal y pimienta al gusto&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Nuez moscada (opcional)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Perejil fresco o cebollín picado para decorar&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Lava bien todas las verduras. Pela y corta finamente la cebolla, el puerro, el ajo, las patatas, la coliflor y las zanahorias.&lt;/li&gt;
&lt;li&gt;En una olla grande, derrite la mantequilla (con un poco de aceite) a fuego medio.&lt;/li&gt;
&lt;li&gt;Agrega la cebolla, el puerro y el ajo, y sofríe a fuego bajo hasta que estén tiernos pero no dorados.&lt;/li&gt;
&lt;li&gt;Añade las patatas, la coliflor y las zanahorias, y remueve durante un par de minutos.&lt;/li&gt;
&lt;li&gt;Vierte el caldo de verduras en la olla, asegurándote de que cubra las verduras.&lt;/li&gt;
&lt;li&gt;Lleva a ebullición, luego reduce el fuego y deja cocinar a fuego lento durante unos 20-25 minutos, o hasta que todas las verduras estén bien cocidas y tiernas.&lt;/li&gt;
&lt;li&gt;Retira la olla del fuego y deja que la sopa se enfríe un poco. Luego, utiliza una batidora de mano para triturar hasta obtener una mezcla suave y cremosa.&lt;/li&gt;
&lt;li&gt;Devuelve la sopa triturada a la olla y agrega la crema de leche y más caldo si fuera necesario (no es una crema espesa).&lt;/li&gt;
&lt;li&gt;Calienta a fuego medio y ajusta la sal y la pimienta al gusto.&lt;/li&gt;
&lt;li&gt;Echa una pizca de nuez moscada, sin pasarte.&lt;/li&gt;
&lt;li&gt;Sirve caliente, decorando con un poco de perejil o cebollín picado, y un chorrito de aceite de oliva.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>(ES) Crema de Lombarda</title><link>https://binomech.neocities.org/recipes/crema-lombarda</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/crema-lombarda</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 raciones)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 500 g de lombarda&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 diente de ajo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 80 g de cebolla&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 80 g de puerro&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 manzana pequeña&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 patata pequeña&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 25 g de aceite de oliva&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 500 ml de caldo de pollo o verduras&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Pimienta negra molida&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 chorrito de nata líquida para cocinar&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Unas semillas de sésamo tostado&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Lo primero que vamos a hacer es preparar todos los ingredientes. Para ello, cortamos 500 g de lombarda en juliana, 1 diente de ajo en láminas y 80 g de cebolla y 80 g de puerro en cuadraditos. Pelamos 1 manzana pequeña y la cortamos en daditos, y pelamos 1 patata pequeña y la chascamos.&lt;/li&gt;
&lt;li&gt;Ponemos una cazuela a fuego medio con 25 g de aceite de oliva y cuando el aceite esté caliente, añadimos el ajo y lo sofreímos unos instantes. A continuación, añadimos la cebolla y el puerro, una pizca de sal, mezclamos y cocinamos unos 5 minutos.&lt;/li&gt;
&lt;li&gt;A continuación, añadimos la lombarda y la mezclamos con el sofrito. Añadimos sal, cocinamos 2 minutos y añadimos la manzana y la patata. Mezclamos y cocinamos otros 2 minutos.&lt;/li&gt;
&lt;li&gt;A continuación, subimos el fuego y añadimos 500 ml de caldo de pollo o de verduras. En cuanto el caldo rompa a hervir, dejamos cocinar el conjunto durante 30 minutos a fuego medio-bajo.&lt;/li&gt;
&lt;li&gt;Pasados los 30 minutos, trituramos la crema de lombarda con la batidora hasta tener una crema lisa, homogénea y sin grumos. En este punto, añadimos una pizca de pimienta negra molida y rectificamos el punto de sal si fuese necesario.&lt;/li&gt;
&lt;li&gt;Servimos la crema de lombarda acompañada de 1 chorrito de nata líquida para cocinar y unas semillas de sésamo tostado, y terminamos regando el conjunto con un poquito de aceite de oliva.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Ensalada César</title><link>https://binomech.neocities.org/recipes/ensalada-cesar</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/ensalada-cesar</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (2 raciones)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 cogollos de Tudela o ½ lechuga romana&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 rebanadas de pan tostadas y cortadas en cubos&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 taza de parmesano (20g)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 taza de aceite de girasol (60ml)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 taza de aceite de aceite de oliva (60ml)&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 huevo fresco&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 ajo pequeño sin el corazón&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 taza de parmesano (20g)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 taza de aceite de girasol (60ml)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 taza de aceite de aceite de oliva (60ml)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 4 filetes de anchoa en aceite&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 Cda. de Salsa Perrins&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; zumo de ½ limón&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Salpimentar la pechuga de pollo y coloca una sartén al fuego con un poco de aceite. &lt;/li&gt;
&lt;li&gt;Dora la pechuga a fuego alto durante 2&amp;#39; por cada lado. Luego baja a fuego suave, tapa la sartén y cocina otros 10&amp;#39;.&lt;/li&gt;
&lt;li&gt;Aparta del fuego y deja reposar tapado otros 10&amp;#39;. Antes de cortar la pechuga espera otros 5&amp;#39; para no quemarte. Deja que el pollo se enfrié antes de añadirlo a la ensalada.&lt;/li&gt;
&lt;li&gt;Mientras se hacen las pechugas preparamos la salsa césar. Coloca todos los ingredientes en un vaso para batidora. &lt;/li&gt;
&lt;li&gt;Cubre con ¼ taza de aceite de girasol. &lt;/li&gt;
&lt;li&gt;Coloca la batidora en el fondo del vaso y empieza a batir añadiendo el aceite de oliva poco a poco. No levantes la batidora hasta que veas que la mezcla ha emulsionado como una mayonesa. &lt;/li&gt;
&lt;li&gt;Al final pruébala y añade sal solo si es necesario, solo con la sal propia de las anchoas ya suele quedar bien sazonada.&lt;/li&gt;
&lt;li&gt;Si te queda demasiado espesa puedes aligerarla añadiendo más zumo de limón o un poco de agua.&lt;/li&gt;
&lt;li&gt;Finalmente coloca las hojas de lechuga cortadas a pedazos en el plato, encima el pan tostado cortado en cubos y añade el pollo cortado en rodajas.&lt;/li&gt;
&lt;li&gt;Por último las lascas de queso y añade la salsa César por encima.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Ensalada de Lentejas y Calabaza</title><link>https://binomech.neocities.org/recipes/ensalada-lentejas</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/ensalada-lentejas</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 personas)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 300g de lentejas cocidas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 300g de calabaza, cortada en cubos&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 100 g de queso de cabra&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 puñado de rúcula o espinaca baby&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Media cebolla roja, cortada en rodajas finas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Especias para la calabaza (al gusto: curry, comino, pimentón, tomillo etc.)&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 3 cucharadas de aceite de oliva virgen extra&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharada de vinagre&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Jugo de medio limón&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal y pimienta al gusto&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Asa la calabaza y prepara las lentejas:&lt;ol&gt;
&lt;li&gt;Precalienta el horno a 200°C.&lt;/li&gt;
&lt;li&gt;En una bandeja de horno, coloca los cubos de calabaza.&lt;/li&gt;
&lt;li&gt;Rocíalos con un poco de aceite de oliva, sal, pimienta y las especias.&lt;/li&gt;
&lt;li&gt;Hornea durante 20-25 minutos, o hasta que estén tiernos y ligeramente dorados. &lt;/li&gt;
&lt;li&gt;Deja enfriar.&lt;/li&gt;
&lt;li&gt;Si usas lentejas de bote, enjuágalas y escúrrelas bien. Si las cocinas tú mismo, asegúrate de que estén &lt;em&gt;al dente&lt;/em&gt;. Déjalas enfriar.&lt;/li&gt;
&lt;li&gt;En un bol pequeño, mezcla el aceite de oliva, el vinagre, el jugo de limón, la sal y pimienta. &lt;/li&gt;
&lt;li&gt;Bate bien hasta que emulsione.&lt;/li&gt;
&lt;/ol&gt;
&lt;/li&gt;
&lt;li&gt;Monta la ensalada:&lt;ol&gt;
&lt;li&gt;En un bol grande, mezcla las lentejas, la rúcula (o espinaca), la cebolla roja y la calabaza asada.&lt;/li&gt;
&lt;li&gt;Añade el queso de cabra por encima (puedes desmenuzarlo o colocar rodajas).&lt;/li&gt;
&lt;li&gt;Añade la vinagreta uniformemente sobre la ensalada.&lt;/li&gt;
&lt;/ol&gt;
&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Fideos con 5 Hierbas Chinas</title><link>https://binomech.neocities.org/recipes/fideos-hierbas-chinas</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/fideos-hierbas-chinas</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (2 personas)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 200gr de tallarines de arroz o de pasta&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Tofu&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Setas ostra o shiitake&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Pimiento verde italiano&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 de pimiento rojo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 zanahorias&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Polvo de cinco especias chinas&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Pimienta blanca&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Clavo (1)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Anís de estrella&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Anís de hinojo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Canela en rama&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Salsa de soja baja en sal&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite de oliva virgen&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Tuesta las especias en la sartén (mínima gota de aceite) y muélelas.&lt;/li&gt;
&lt;li&gt;Corta el tofu en dados medianos y fríelo en una sartén con aceite de oliva.&lt;/li&gt;
&lt;li&gt;Dale la vuelta y, cuando esté dorado, sácalo y reserva.&lt;/li&gt;
&lt;li&gt;En una olla, pon a calentar abundante agua.&lt;/li&gt;
&lt;li&gt;Añade los tallarines o fideos, y cuécelos siguiendo las instrucciones del fabricante.&lt;/li&gt;
&lt;li&gt;Lava y corta los pimientos en dados pequeños.&lt;/li&gt;
&lt;li&gt;Pela y corta la zanahoria en bastones o rodajas finas.&lt;/li&gt;
&lt;li&gt;Pica el perejil y un diente de ajo.&lt;/li&gt;
&lt;li&gt;Pon a calentar a fuego alto el wok, con un chorro de aceite de oliva suave.&lt;/li&gt;
&lt;li&gt;Añade el diente de ajo, los pimientos, setas (cortadas muy finas), y zanahorias.&lt;/li&gt;
&lt;li&gt;Tenlo al fuego durante unos minutos, tiene que salir tirando a crujiente.&lt;/li&gt;
&lt;li&gt;Echa un poco de sal, las especias, y el perejil picado.&lt;/li&gt;
&lt;li&gt;Añade un chorrito de salsa de soja y remueve hasta que la pasta adquiera los sabores. Agrega los trozos de tofu y espera a que se calienten.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Hamburguesa de Lentejas</title><link>https://binomech.neocities.org/recipes/hamburguesa-lentejas</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/hamburguesa-lentejas</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Como 2 tazas y media de lentejas cocidas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 taza de nueces&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 taza de avena en copos&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Especias al gusto: como 1/4 de cucharadita de tomillo, perejil, romero, pimentón dulce, ajo y cebolla. Usa las que tengas, puedes añadir las que te dé la real gana.&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 3 cucharadas de salsa de soja&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 taza de agua para que la masa nos quede más tierna y menos resecorra&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 cucharadas de aceite de oliva para saltear las lentejas&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Pues empieza por escurrir bien las lentejas y lavarlas en un colador. Con esto quitamos el agüilla de cocción en el que vienen (es aquafaba también aunque no sea de garbanzo) y que hace que estén pegajosillas. Las queremos bien sueltecitas.&lt;/li&gt;
&lt;li&gt;En una sartén grande calienta el aceite a fuego medio-alto y echa las lentejas, las especias y el aceite. &lt;strong&gt;Saltéalas de vez en cuando&lt;/strong&gt;, y verás cómo en 2-3 minutos empiezan a sonar como si estuvieras haciendo palomitas. Las lentejas se tuestan y algunas revientan. Si ves que te atacan, baja un poquito el fuego y saltéalas de nuevo.&lt;/li&gt;
&lt;li&gt;Pica finas las nueces. Si te apetece algo anti-estrés, mételas en una bolsa y dales de mamporros con un rodillo de cocina o con un mortero. No las hagas polvito, que queden trozos visibles. Échalas a la sartén.&lt;/li&gt;
&lt;li&gt;Tras unos 8 minutos en la sartén las lentejas estarán super aromáticas y tendrán un aspecto doradito. Echa la salsa de soja y saltéalo unas cuantas veces para mezclarlo. &lt;/li&gt;
&lt;li&gt;Bueno, pues echamos las lentejas en un bol o similar, junto con la avena y el agua y lo machacamos y removemos todo junto hasta que se forme una pasta.&lt;/li&gt;
&lt;li&gt;Pues ahora solo tienes que coger masa y &lt;strong&gt;formar las hamburguesas&lt;/strong&gt;, a mano o con molde. Siempre siempre, si las haces a mano, compacta bien la masa, que no quede aire por dentro, que si no se desintegran en la sartén. Esto es muy importante.&lt;/li&gt;
&lt;li&gt;Según el tamaño te saldrán 6-8 hamburguesas generosas. Yo recomiendo hacerlas gruesas, pero las finas también quedan muy bien.&lt;/li&gt;
&lt;li&gt;Ahora el &lt;strong&gt;truco nº1: enharina tus hamburguesas, ligeramente, con almidón de maíz, tapioca o patata&lt;/strong&gt;. No con harina de trigo o de lo que sea, mejor usa un almidón.&lt;/li&gt;
&lt;li&gt;Cuando tengas todas las hamburguesas enharinadas puedes congelarlas o refrigerarlas, te duran, envueltas o en envases cerrados, unos 4 días en la nevera. No se pegan entre sí, así que puedes envolverlas (como si fueran un regalo) en papel de hornear.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Truco nº2: cuando hagas hamburguesas de lentejas, que suelen desintegrarse en la sartén, no pongas mucho aceite&lt;/strong&gt;. Es mejor poner poquísimo, como 1 cucharadita para cada 2 hamburguesas, porque es precisamente al contacto con el aceite cuando las hamburguesas empiezan a soltar partículas y lentejillas.&lt;/li&gt;
&lt;li&gt;La masa ya está hecha, no tenemos que cocinarla, así que no hay problema en dorarlas poco tiempo.&lt;/li&gt;
&lt;li&gt;Hazlas a fuego medio 2-3 minutos por cada lado, con 1 cucharadita de aceite para cada 2 hamburguesas. Lo justo para que se doren. Y ahora…&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Truco nº3: echa a la sartén 1/2-3/4 de taza de agua. Sí, tal cual, échalo y mueve la sartén para que moje bien las hamburguesas.&lt;/strong&gt; Como en la superficie tienen almidón de maíz, se mezclará con el agua e irá formando un caldito espeso y viscoso, y tus hamburguesas de repente tendrán una pintaza brutal. En cosa de 2 minutos están listas, sácalas y sírvelas.&lt;/li&gt;
&lt;li&gt;Si no las has pasado por el almidón, puedes añadirlo ahora: disuelve 1 cucharada de almidón de maíz en el agua antes de añadirlo a la sartén y tendrás un efecto prácticamente igual.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Judías Blancas con Verduras</title><link>https://binomech.neocities.org/recipes/jud%C3%ADas-blancas</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/jud%C3%ADas-blancas</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (3 platos + caldo sobrante)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 500 gr Alubias (1 bol grande, no al ras)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 Zanahorias (1 picada, otra plato)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 Patatas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 Cebollas medianas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 Calabacín pequeño&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/4 Pimiento rojo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 Pimiento verde&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite de Oliva Virgen Extra&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 Puerro&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 Rama de Apio&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 Taza de tomate rallado/frito&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 Cucharadas Pimentón de la vera&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 diente de ajo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Agua&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Chorizo&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Poner a cocer el chorizo a hervir y bajar al 6 cuando rompa; quitar cuando ha soltado la grasa, a los 5&lt;/li&gt;
&lt;li&gt;Añadimos un chorrito de AOVE a la olla Express y salteamos durante unos segundos todas las verduras exceptuando una de las cebollas. Las verduras van enteras (no las troceéis). &lt;/li&gt;
&lt;li&gt;Cuando las verduras se doren, añadimos una cucharada de pimentón de la vera y rehogamos. Cocinamos 1/2 minuto. &lt;/li&gt;
&lt;li&gt;Vertemos las alubias (previamente remojadas la noche antes), cubrimos con agua &lt;strong&gt;FRÍA&lt;/strong&gt; (3 dedos por encima de las alubias/media olla) y añadimos la sal. &lt;/li&gt;
&lt;li&gt;Tapamos la olla y cuando suba el la válvula cocinamos las alubias durante 20 minutos.&lt;/li&gt;
&lt;li&gt;Mientras las alubias se cocinan, troceamos la cebolla sobrante en trocitos muy muy pequeños y la sofreímos en una sartén con fondo de aceite.&lt;/li&gt;
&lt;li&gt;Cuando la cebolla esté transparente, añadimos la cucharada de pimentón de la vera y rehogamos 1/2 minuto (para que el pimentón no se queme podeís rehogar retirando la sartén del fuego).&lt;/li&gt;
&lt;li&gt;Añadimos a la sartén el tomate rallado/frito y cocinamos durante 10 minutos a fuego medio.&lt;/li&gt;
&lt;li&gt;Cuando las alubias estén listas, retiramos todas las verduras (por eso las añadimos enteras, para retirarlas fácilmente) y las trituramos con la batidora de mano junto con el sofrito de cebolla que acabamos de preparar.&lt;/li&gt;
&lt;li&gt;Vertemos el puré a la cazuela de las alubias y movemos con con la ayuda de una cuchara de palo, con cuidado de que las alubias no se rompan y las dejamos otros 5-10 minutos a fuego medio, sin tapa, para que unifiquen los sabores y la salsita vaya engordando.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Mujaddara</title><link>https://binomech.neocities.org/recipes/mujaddara</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/mujaddara</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 raciones)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 tazas de lentejas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 taza y cuarto de arroz blanco basmati.&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 dientes de ajo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 cebollas grandes&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 hoja de laurel&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 guindilla de cayena o copos de chile (opcional)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Piñones o almendras sin tostar&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Una cucharadita de canela&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Pimienta negra&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Comino al gusto&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Yogur natural&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite de oliva&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 cucharaditas de sal gorda&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Ten las lentejas desde el día anterior en agua para que se hidratan. &lt;/li&gt;
&lt;li&gt;Después escúrrelas y cuécelas en agua durante 20 minutos, con un poco de sal, una hoja de laurel, y dos dientes de ajo. &lt;/li&gt;
&lt;li&gt;Pon el agua justa para que las cubra. Tienes cocerlas hasta dejarlas &lt;em&gt;al dente&lt;/em&gt; (se acabarán de hacer con el arroz). &lt;/li&gt;
&lt;li&gt;Tostar los piñones o almendras, humedeciendo con la mano con aceite la sartén fría.én fría.&lt;/li&gt;
&lt;li&gt;Mientras tanto, pela y corta las cebollas en tiras gruesas. Ponlas en una sartén con un chorrito de aceite de oliva caliente y fríelas hasta que esté muy hechas, doradas y bien tostadas. &lt;/li&gt;
&lt;li&gt;Tuesta en una sartén también un buen puñado de frutos secos (piñones o almendras).&lt;/li&gt;
&lt;li&gt;Añade el arroz a las lentejas, y echa especias al gusto. Asegúrate de que tenga el agua justa para que el arroz acabe hecho y seco (lo mismo con la lentejas). &lt;/li&gt;
&lt;li&gt;Poner 10 minutos en la olla a presión al 4.&lt;/li&gt;
&lt;li&gt;Cuando el arroz esté ya cocido, remueve y comprueba el punto de sal y especias. &lt;/li&gt;
&lt;li&gt;Deja que repose unos minutos y sírvelo en el plato, cubierto por cebolla caramelizada, parte de los frutos secos, y con una cucharada generosa de yogur natural. &lt;/li&gt;
&lt;li&gt;También puedes servirlo con un huevo frito o escalfado.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Pollo con Salsa de Albaricoque</title><link>https://binomech.neocities.org/recipes/pollo-albaricoque</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/pollo-albaricoque</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 raciones)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 4 muslos de pollo (con o sin piel, según prefieras)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 200 g de albaricoques secos (pueden ser frescos si están en temporada)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cebolla grande, cortada en rodajas finas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 dientes de ajo, picados&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 taza de caldo de pollo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 taza de vino blanco (opcional)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharada de vinagre balsámico&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharadita de comino molido&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Una cucharada de harina de trigo.&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharadita de pimentón dulce (opcional)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal y pimienta al gusto&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 cucharadas de aceite de oliva&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Perejil fresco picado para decorar (opcional)&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Sazona los muslos de pollo con sal, pimienta, comino, y pimentón.&lt;/li&gt;
&lt;li&gt;Calienta el aceite de oliva en una sartén grande o una cazuela a fuego medio-alto.&lt;/li&gt;
&lt;li&gt;Dora los muslos de pollo por ambos lados hasta que estén dorados, unos 5 minutos por cada lado. Retira el pollo de la sartén y resérvalo.&lt;/li&gt;
&lt;li&gt;En la misma sartén, añade un poco más de aceite si es necesario, y sofríe la cebolla a fuego medio hasta que esté suave y dorada, unos 7-10 minutos.&lt;/li&gt;
&lt;li&gt;Añade el ajo picado y cocina durante 1-2 minutos más, teniendo cuidado de que no se queme.&lt;/li&gt;
&lt;li&gt;Echa una cucharada de harina y deja que se cocine por unos minutos.&lt;/li&gt;
&lt;li&gt;Incorpora los albaricoques secos (o frescos) a la sartén. Sofríe por unos minutos.&lt;/li&gt;
&lt;li&gt;Añade un poco de vinagre balsámico, y mezcla bien para que los albaricoques se impregnen de los sabores. Algunos cocineros le echan un poco de miel.&lt;/li&gt;
&lt;li&gt;Vierte el vino blanco en la sartén y cocina por unos minutos para que se evapore el alcohol.&lt;/li&gt;
&lt;li&gt;Añade el caldo de pollo y vuelve a colocar los muslos de pollo en la sartén, asegurándote de que estén parcialmente cubiertos por el líquido.&lt;/li&gt;
&lt;li&gt;Reduce el fuego, tapa la sartén y deja cocinar a fuego lento durante unos 30-40 minutos, o hasta que el pollo esté completamente cocido y los albaricoques estén tiernos.&lt;/li&gt;
&lt;li&gt;Si el líquido se reduce demasiado, puedes añadir un poco más de caldo o agua.&lt;/li&gt;
&lt;li&gt;Deja que repose antes de servir. Puedes agregar perejil fresco picado como decoración.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Ragoût de Berenjena</title><link>https://binomech.neocities.org/recipes/ragout-berenjena</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/ragout-berenjena</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 raciones)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cebolla grande, picada finamente&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 dientes de ajo, picados&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 pimiento rojo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 tomates maduros, pelados y picados (o 1 taza de tomate triturado)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharada de tomate concentrado (opcional)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 200 gr. de champiñones (opcional), en láminas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Un chorro de caldo de verduras&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 vaso de vino tinto (opcional)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite de oliva&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharadita de pimentón dulce o picante&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 cucharadita de comino&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 cucharadita de tomillo seco&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal y pimienta al gusto&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Perejil o albahaca fresca para decorar&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 taza de cuscús&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 taza de agua o caldo de verduras&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharada de aceite de oliva&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal al gusto&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;h3&gt;Ragoût&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;Lava y corta la berenjena en cubos. Ponla en un colador, espolvorea sal y deja reposar durante 20 minutos. Esto elimina el exceso de amargor. Luego, enjuaga bien y seca con papel de cocina.&lt;/li&gt;
&lt;li&gt;Calienta el aceite de oliva en una sartén grande o cazuela a fuego medio.&lt;/li&gt;
&lt;li&gt;Sofríe la cebolla, el pimiento rojo, y el ajo durante cinco minutos.&lt;/li&gt;
&lt;li&gt;Incorpora las berenjenas y los champiñones. Cocina durante 10 minutos, removiendo ocasionalmente.&lt;/li&gt;
&lt;li&gt;Añade el pimentón, el comino y el tomillo y sofríe por unos minutos.&lt;/li&gt;
&lt;li&gt;Incorpora el tomate (si lo quieres más fuerte y de un color rojo más vivo, puedes reforzarlo con una cucharada de tomate concentrado), el vino tinto, y el caldo de verduras.&lt;/li&gt;
&lt;li&gt;Cocina a fuego lento durante 15 minutos hasta que las verduras estén tiernas y la mezcla tenga una textura espesa. Salpimienta al gusto.&lt;/li&gt;
&lt;/ol&gt;
&lt;h3&gt;Cuscús&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;Hierve el agua o caldo con una pizca de sal.&lt;/li&gt;
&lt;li&gt;Retira del fuego, añade el cuscús y un poco de aceite de oliva, y tapa la olla. Deja reposar 5 minutos.&lt;/li&gt;
&lt;li&gt;Remueve el cuscús con un tenedor para separar los granos.&lt;/li&gt;
&lt;li&gt;Sirve una porción de cuscús y cubre con el ragú de berenjenas. Remueve si lo quieres todo integrado.&lt;/li&gt;
&lt;li&gt;Sírvelo caliente o templado y decora con perejil o albahaca fresca picada.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Sopas de Ajo</title><link>https://binomech.neocities.org/recipes/sopa-ajo</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/sopa-ajo</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (3 personas)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 3 o 4 dientes de ajo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 9 o 10 rebanadas de pan duro&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1L caldo de carne (natural o pastilla)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 huevo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Una puntita de pimentón&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Taquitos de jamón&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Se rehogan en un poco de aceite los ajos fileteados.&lt;/li&gt;
&lt;li&gt;Se retiran los ajos y se machacan en el mortero.&lt;/li&gt;
&lt;li&gt;Retirar la sartén y echar en el mismo aceite la puntita de pimentón.&lt;/li&gt;
&lt;li&gt;Se dan unas vueltas a las rebanadas en el aceite con pimentón.&lt;/li&gt;
&lt;li&gt;En una cazuela se hierve el agua con la pastilla de caldo hasta que se disuelva.&lt;/li&gt;
&lt;li&gt;Se vierte el caldo sobre el pan en la sartén, y se añaden los ajos machacados, el pan y el jamón.&lt;/li&gt;
&lt;li&gt;Se bate el huevo con muy poca sal y se vierte sobre la sopa hasta que se cueza, después servir.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Sopa de Cebolla Francesa</title><link>https://binomech.neocities.org/recipes/sopa-cebolla-francesa</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/sopa-cebolla-francesa</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 tazones)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 6 cebollas amarillas peladas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 55g de mantequilla&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 125ml de vino tinto&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 30ml de coñac o brandy&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 litro de caldo de pollo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 litro de caldo de res&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 15ml de harina ligeramente tostada&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 pizca de nuez moscada molida&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 200g de queso rallado&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 12 rebanadas de 1 cm de grosor, tostadas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 diente de ajo pequeño, cortado por la mitad&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Corte las cebollas en cuartos y luego corte cada cuarto en tiras cortas.&lt;/li&gt;
&lt;li&gt;En una cacerola grande a fuego medio, ablande las cebollas en la mantequilla durante 15 minutos, removiendo de vez en cuando.&lt;/li&gt;
&lt;li&gt;Continúe cocinando a fuego alto durante 15 minutos o hasta que las cebollas estén caramelizadas, removiendo constantemente y raspando el fondo de la cacerola. &lt;/li&gt;
&lt;li&gt;Desglasar con el vino y el coñac. Dejar reducir casi por completo.&lt;/li&gt;
&lt;li&gt;Añadir los caldos de pollo y res, la harina tostada y la nuez moscada. Mezclar bien.&lt;/li&gt;
&lt;li&gt;Llevar a ebullición y cocinar a fuego medio-alto durante 30 minutos, o hasta que la sopa se haya reducido a la mitad.&lt;/li&gt;
&lt;li&gt;Obtendrás aproximadamente 1,25 litros (5 tazas) de caldo. Sazonar con sal y pimienta.&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Para servir: &lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Colocar una rejilla de horno en el centro.&lt;/li&gt;
&lt;li&gt;Precalentar el horno a gratinar.&lt;/li&gt;
&lt;li&gt;Colocar tazones en una bandeja para hornear.&lt;/li&gt;
&lt;li&gt;Mientras tanto, frotar ligeramente cada crutón con los dientes de ajo partidos por la mitad.&lt;/li&gt;
&lt;li&gt;Verter la sopa en los tazones y añadir 30ml de queso a cada uno.&lt;/li&gt;
&lt;li&gt;Colocar 3 crutones encima de cada sopa y espolvorear con el queso restante.&lt;/li&gt;
&lt;li&gt;Hornear durante 5 minutos, o hasta que el queso se derrita y esté dorado.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(EN) Mulligatawny Soup</title><link>https://binomech.neocities.org/recipes/sopa-mulligatawny</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/sopa-mulligatawny</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredients (4 bowls)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 118ml cup chopped onion&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 stalks celery, chopped&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 carrot, diced&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 59ml butter&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 22ml all-purpose flour&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 7.5ml curry powder&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 946ml (3.7 vasos) chicken broth&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; ½ apple, cored and chopped&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 59ml cup white rice&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 skinless, boneless chicken breast half - cut into cubes&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 pinch dried thyme&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; salt and ground black pepper to taste&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 118ml heavy cream, heated&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Directions&lt;/h2&gt;
&lt;p&gt;45 minutes, approx.&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;p&gt;Melt butter in a large soup pot over medium heat.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Cook chicken until lightly golden.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Add onions, celery, and carrot and sauté until soft, 5 to 7 minutes.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Add flour and curry, and cook 5 more minutes, stirring frequently.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Add chicken broth, mix well, and bring to a boil (al 9).&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Reduce heat and simmer for about 20 minutes.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Cut chicken into cubes, peel and cube apples.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Add apple, rice, chicken, thyme, salt, and pepper.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Close cooker and set it to 5 until rice is tender, 10 minutes.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Just before serving, stir in hot cream.&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Tajine de Pollo y Verduras</title><link>https://binomech.neocities.org/recipes/tajine</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/tajine</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Ingredientes (4 personas)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1/2 Pollo troceado en piezas pequeñas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 Puerro hermoso = 1/2&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 Zanahorias = 1&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 8 Ciruelas pasas = 4&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 Calabacín = 1/2&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Ras el hanout&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 Cebollas medianas = 1&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 Tomates = 1&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 20ml Tomate concentrado = 1 cucharada&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 500ml Caldo de pollo = 2 vasos&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite de oliva virgen extra&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;p&gt;50min, approx.&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Ponemos las ciruelas en remojo para &lt;strong&gt;rehidratarlas&lt;/strong&gt;.&lt;/li&gt;
&lt;li&gt;Lavamos bien las verduras y las picamos en trozos pequeños, para que ninguna destaque frente a las demás.&lt;/li&gt;
&lt;li&gt;Repasamos el pollo, &lt;strong&gt;eliminando grasas, plumas y trocitos de hueso&lt;/strong&gt; y con todo listo, comenzamos a cocinar.&lt;/li&gt;
&lt;li&gt;En el fondo del tajine, ponemos 3 cucharadas de aceite de oliva virgen extra, y calentamos a fuego bajo.&lt;/li&gt;
&lt;li&gt;En el aceite, rehogamos las verduras bien picadas, y posteriormente las tajadas de &lt;a href=&quot;https://www.directoalpaladar.com/ingredientes/carnes-blancas/pollo&quot;&gt;pollo&lt;/a&gt; troceadas en piezas de unos 2 cm de lado. Podemos usar pechugas, muslos o mezcla de ambos.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Cuando el pollo tome color&lt;/strong&gt;, añadimos las &lt;em&gt;especias ras el hanut&lt;/em&gt;.&lt;/li&gt;
&lt;li&gt;Removemos y mezclamos bien las especias, y añadimos dos cucharadas del tomate concentrado.&lt;/li&gt;
&lt;li&gt;Seguidamente, cubrimos con un vaso de caldo de ave, y &lt;strong&gt;bajamos el fuego al mínimo&lt;/strong&gt;, poniendo la tapa al tajine y dejando que se cocine sin prisa.&lt;/li&gt;
&lt;li&gt;Al cabo de unos 20-25 minutos tenemos listo un plato en el que la carne está tierna, la salsa ha espesado y las verduras se conservan tersas y llenas de sabor.&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>(ES) Timbal de Macarrones</title><link>https://binomech.neocities.org/recipes/timbal-macarrones</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/timbal-macarrones</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h1&gt;Ingredientes&lt;/h1&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Macarrones - 200g&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Bacon - 4 lonchas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Huevos - 2&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Queso rallado - 2 cucharadas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Cebolla - 1 pequeña&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Brick de nata - 200ml&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Tomate concentrado - 2 cucharadas&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Orégano&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Albahaca&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Pimienta&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; (Salsa de tomate o queso azul, al gusto)&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;En una cazuela con agua hirviendo y sal coceremos los macarrones unos &lt;em&gt;15 minutos&lt;/em&gt;. Escurrimos y reservamos.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;En una sartén, pondemos 1 cucharada de aceite y doramos la cebolla.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Una vez dorada, salteamos el bacon junto a la cebolla.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Añadir los macarrones y el queso rallado a la sartén y mezclar bien.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;En un bol, batiremos los huevos junto al tomate concentrado y la nata.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Añadir sal, pimienta, orégano y albahaca a la mezcla de huevo.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Añadir los contenidos de la sartén a la mezcla de huevo. Mezclar todo uniformemente.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Meter el bol al microondas de 8 a 10 minutos. Tiene que cuajar.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>(ES) Tofu Frito con Pimientos</title><link>https://binomech.neocities.org/recipes/tofu-pimientos</link><guid isPermaLink="true">https://binomech.neocities.org/recipes/tofu-pimientos</guid><pubDate>Fri, 10 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h1&gt;Ingredientes (1 persona)&lt;/h1&gt;
&lt;ul&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 150g de tofu firme&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 mitades de pimiento (uno rojo y uno verde)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 dientes de ajo&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 2 cucharadas de salsa de soja&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharada de vinagre de arroz (o de manzana)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharadita de azúcar moreno&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; 1 cucharadita de maicena (opcional, para el tofu crujiente, o para espesar la salsa)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Aceite (girasol o de oliva)&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Sal y pimienta&lt;/li&gt;
&lt;li&gt;&lt;input disabled=&quot;&quot; type=&quot;checkbox&quot;&gt; Semillas de sésamo para decorar (opcional)&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Preparación&lt;/h2&gt;
&lt;p&gt;40min, aprox.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;Presiona el tofu durante 15-20 minutos para eliminar el exceso de agua (puedes envolverlo en papel de cocina y ponerle un peso encima).&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Corta en dados o bastones medianos.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Reboza ligeramente con maicena para un acabado más crujiente.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Calienta aceite en una sartén amplia o wok.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Fríe el tofu hasta que esté dorado y crujiente por todos lados. Retíralo sobre papel absorbente.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;En la misma sartén, añade un poco más de aceite si es necesario.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Sofríe los ajos laminados hasta que empiecen a dorarse ligeramente.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Añade los pimientos en tiras finas y saltea 3-5 minutos, que queden al dente.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Devuelve el tofu a la sartén.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Añade la salsa de &lt;strong&gt;soja&lt;/strong&gt;, &lt;strong&gt;vinagre&lt;/strong&gt; y &lt;strong&gt;azúcar&lt;/strong&gt;.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Mezcla todo bien a fuego &lt;strong&gt;fuerte&lt;/strong&gt; unos minutos para que se integren sabores.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>2026-04-09</title><link>https://binomech.neocities.org/journal/2026-04-09</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2026-04-09</guid><pubDate>Thu, 09 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;Attended the mental health information desk organized by my workshop.&lt;/li&gt;
&lt;li&gt;Met a guy who thinks Ockham&amp;#39;s nominalism was the downfall of western civilisation.&lt;/li&gt;
&lt;li&gt;Put away the clean dishes with minimal resistance.&lt;/li&gt;
&lt;li&gt;Showed up to the 3rd nutritionist meeting; was advised to eat slower to increase a feeling of satiety.&lt;/li&gt;
&lt;li&gt;Bothered my cat so she would leave my unmade bed and I could then make it.&lt;/li&gt;
&lt;li&gt;Failed to sit down to study because I forgot the info desk was today; I intended to use the time at the workshop.&lt;/li&gt;
&lt;li&gt;Got rejected from a transfeminist commission online for not being vocal enough about my activism on Tumblr.&lt;/li&gt;
&lt;li&gt;Brainstormed some ideas for this site; wondering if there&amp;#39;s a consistent way to implement them in both desktop and mobile without constant tweaking.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>toki pona</title><link>https://binomech.neocities.org/miscellanea/toki-pona</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/toki-pona</guid><pubDate>Mon, 06 Apr 2026 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;mi open e kama sona pi toki+pona lon tenpo mun nanpa &lt;code&gt;11&lt;/code&gt;&lt;/p&gt;
&lt;p&gt;       lon tenpo sike suno nanpa &lt;code&gt;2021&lt;/code&gt;&lt;/p&gt;
&lt;p&gt;mi alasa sona e ona tan ni&lt;/p&gt;
&lt;p&gt;      mi lukin e lipu wawa lon &lt;a href=&quot;https://sike.pona.la/&quot;&gt;sike pona&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; mi olin e nasin lili pona lon tenpo suli&lt;/p&gt;
&lt;p&gt;tan ni^ la mi wile pona e toki mi&lt;/p&gt;
&lt;p&gt;  taso mi awen sona tan ni&lt;/p&gt;
&lt;p&gt;       toki+pona li ante e nasin lawa mi&lt;/p&gt;
&lt;p&gt;ona li pana sona e weka lon sona mi&lt;/p&gt;
&lt;p&gt; li pona kin e weka ni^&lt;/p&gt;
</content:encoded></item><item><title>Yunara guide</title><link>https://binomech.neocities.org/miscellanea/yunara</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/yunara</guid><pubDate>Fri, 20 Mar 2026 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Laning phase&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Trade pattern: AA-Q (Extend Q if enemy trades back)&lt;/li&gt;
&lt;li&gt;Make sure to reset AA with Q; even when W and E are up.&lt;/li&gt;
&lt;li&gt;Sneaky autos are always good when viable.&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Midgame&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;All-in with R is core; play around it - otherwise non-committal.&lt;/li&gt;
&lt;li&gt;Trade pattern: &lt;ul&gt;
&lt;li&gt;Basic: E &amp;gt; R &amp;gt; AA(Q)&lt;/li&gt;
&lt;li&gt;Chase down: R &amp;gt; RE &amp;gt; AA(Q)  (dashing first is faster than 2 Q &amp;gt; RE &amp;gt; Q)&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Items&lt;/h2&gt;
&lt;ol start=&quot;0&quot;&gt;
&lt;li&gt;Doran&amp;#39;s Blade &amp;gt; Cull ASAP after crashing / Cull start.&lt;/li&gt;
&lt;li&gt;Kraken Slayer (Blade of the Ruined King &lt;em&gt;only&lt;/em&gt; against health tanks)&lt;/li&gt;
&lt;li&gt;Berserker&amp;#39;s Greaves&lt;/li&gt;
&lt;li&gt;Fiendhunter Bolts&lt;/li&gt;
&lt;li&gt;Infinity Edge&lt;/li&gt;
&lt;li&gt;Lord Dominik&amp;#39;s Regards/Mortal Reminder (move to &lt;code&gt;4&lt;/code&gt; if double tank)&lt;/li&gt;
&lt;li&gt;Runaan&amp;#39;s Hurricane&lt;/li&gt;
&lt;li&gt;Shieldbow/Guardian Angel&lt;/li&gt;
&lt;/ol&gt;
&lt;h2&gt;Runes&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Precision: Lethal Tempo&lt;ul&gt;
&lt;li&gt;Triumph (Absorb Life against a double poke lane)&lt;/li&gt;
&lt;li&gt;Bloodline (Alacrity if BORK start)&lt;/li&gt;
&lt;li&gt;Cut Down (Coup de Grace if BORK start)&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;Inspiration&lt;ul&gt;
&lt;li&gt;Triple tonic&lt;/li&gt;
&lt;li&gt;Boots (or Cashback against a double poke lane for earlier mobility)&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ol&gt;
</content:encoded></item><item><title>transfem!Mark vignettes</title><link>https://binomech.neocities.org/severance/transfem-mark-art</link><guid isPermaLink="true">https://binomech.neocities.org/severance/transfem-mark-art</guid><pubDate>Wed, 11 Feb 2026 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;img src=&quot;../../assets/images/transfem_mark.webp&quot; alt=&quot;A full page of marker sketches of Mark from Severance; she&amp;#39;s a trans woman partaking in gender affirming activities. Each vignette is described below.&quot;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A full page of marker sketches of Mark from Severance; she&amp;#39;s a trans woman partaking in gender affirming activities.&lt;/p&gt;
&lt;p&gt;In one of the vignettes, Helly holds Mark&amp;#39;s head as if she was a contemplating hairdresser and remarks &amp;quot;It&amp;#39;s all about bangs&amp;quot;; we see Mark is painstakingly clipping her hair back with a flower-decorated hairclip; she beams at the sight.&lt;/p&gt;
&lt;p&gt;In another vignette, innie Mark pats herself down, and is surprised and delighted to find the strap of a bralette under her suit.&lt;/p&gt;
&lt;p&gt;In another vignette, Mark is taking her shoes off (revealing flower-patterned socks) and swapping them for Helly&amp;#39;s short heels. She walks unsteadily in the ill-fitting shoes; Dylan comments from his workstation: &amp;quot;If she can make it to the kitchenette without breaking an ankle, I&amp;#39;ll give her 2 fingertraps.&amp;quot; Mark and Helly stand together in their swapped footwear, and Mark asks &amp;quot;How do you balance?&amp;quot;, to which Helly replies &amp;quot;Mark... I don&amp;#39;t know&amp;quot; while putting a hand on Mark&amp;#39;s thigh to help her get the shoes off.&lt;/p&gt;
&lt;p&gt;In the last vignette, a supervising Ms. Casey looks on in confusion to Mark and Helly, who have painted their nails with office supplies. While holding a black marker, Helly asks her &amp;quot;You want black sharpie or whiteout?&amp;quot;. Mark is joyfully distracted by her newly painted nails, sparkling white, with her hair still clipped back.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Art by Tumblr user &lt;a href=&quot;https://www.tumblr.com/oodlesodoodles&quot;&gt;oodlesodoodles&lt;/a&gt;; commissioned by me (binomech).&lt;/p&gt;
</content:encoded></item><item><title>2025-12-28</title><link>https://binomech.neocities.org/journal/2025-12-28</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2025-12-28</guid><pubDate>Sun, 28 Dec 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;My sleep schedule is all over the place these holidays. After the temporary move to my hometown, it seems my brain has decided my most intellectually active hours should be between 10pm and 4am and the rest of the time is ideally spent dozing or berating myself for wanting to doze. It&amp;#39;s impossible to get anything done without external routine markers, I have zero willpower.&lt;/p&gt;
&lt;p&gt;I was reinstalling Manjaro after a disastrous encounter with Windows 11 when &lt;a href=&quot;https://monocyte.bearblog.dev/&quot;&gt;Mono&lt;/a&gt; pointed me to &lt;a href=&quot;https://manjarno.pages.dev/&quot;&gt;ManjarNO&lt;/a&gt; and encouraged me to reconsider my distro of choice. I&amp;#39;m not hardcore enough to do vanilla Arch so I&amp;#39;m now running EndeavourOS and I&amp;#39;ve spent the past day Catppuccin-ing it up and trying to figure out how to downgrade VLC to play OPUS audio (unsuccessfully. Please help.)&lt;/p&gt;
&lt;p&gt;Succession re-watch is on pause for now, and the Aggretsuko one has slowed down to one or two episodes a day. I&amp;#39;ve cooked very little these past weeks, with family reunions in other people&amp;#39;s houses and occasionally takeout. I played the beginning of Pokémon Violet twice, one on the console and another in an emulator only to lose my saves on the move to Linux, so I&amp;#39;m considering taking a break just so I don&amp;#39;t have to play it a third time so close to my last attempt. I have &lt;a href=&quot;https://spiribia.tumblr.com/post/747209304536498176/&quot;&gt;pesto remorse&lt;/a&gt; from League and TFT, the latter particularly, after I spent a sleepless night rotating through them.&lt;/p&gt;
&lt;p&gt;I&amp;#39;m excited for the new year; the landmark of the date serves as an external wrangler of certain habits almost in a Pavlovian way. I do my corresponding tarot reading, I start preparing for the big dates at the beginning of the month, I feel like the funk that covers the limbo between Christmas and NYE goes away and I come out with renewed purpose.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I&amp;#39;ve been considering the idea of using my computer and phone as a source of entertainment without being connected to the internet. I feel a huge sense of relief when I toggle off the Wi-Fi, and I know I have some more control about my availability and the things I can get up to are limited to what I already have here.&lt;/p&gt;
&lt;p&gt;Is there anything I use my computer for that could be done offline?&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Gaming: Every game I have except League/TFT has an offline mode by default.&lt;/li&gt;
&lt;li&gt;Reading: I should set up my Obsidian clipper and EPUB reader, since RWR doesn&amp;#39;t seem to cache when it&amp;#39;s on browser.&lt;/li&gt;
&lt;li&gt;Watching: I can download movies and TV shows to watch while offline.&lt;/li&gt;
&lt;li&gt;Listening: Ditto about music and podcasts.&lt;/li&gt;
&lt;li&gt;Logging: I could keep my watch logs and to-do lists as notes on my vault.&lt;/li&gt;
&lt;li&gt;Chatting: I can switch to semi long-form, which I can write fully offline and then come online for calls and sending the messages I wrote.&lt;/li&gt;
&lt;li&gt;Social media: There&amp;#39;s no real workaround for this one, it has to be online. But luckily I can catch up on chronological feeds at a set time and call it a day.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The next step to this, of course, would be to start ditching digital tools and make the switch to analog, but I don&amp;#39;t think I can do that without first getting used to not having a connection up permanently. And I would need some digital streamlining, even if it&amp;#39;s online, since it&amp;#39;s the source of most of my social commitments and new-stuff-input.&lt;/p&gt;
&lt;p&gt;Something to consider for 2026, perhaps.&lt;/p&gt;
</content:encoded></item><item><title>2025-12-09</title><link>https://binomech.neocities.org/journal/2025-12-09</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2025-12-09</guid><pubDate>Tue, 09 Dec 2025 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;I have been binging Succession.&lt;/li&gt;
&lt;li&gt;I am trying to learn basic cooking principles, to cook from scratch and improve my recipe-following.&lt;/li&gt;
&lt;li&gt;I am watching Star Wars, one installment a week, and trying not to fall asleep.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m learning (painstakingly slowly) to build a tolerance for gross stuff to clean my household before it gets really bad.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m trying to balance excitement, frustration and inertia regarding the coming of a loved one from abroad to live here.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m (still, always) wrangling my watchlist and read-it-later list into something manageable.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m trying to get Mastery 10 in all mage and mage-adjacent supports in League of Legends.&lt;/li&gt;
&lt;li&gt;And also get out of Bronze.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m trying to quit social media and focus on my existing friendships.&lt;/li&gt;
&lt;li&gt;I&amp;#39;m looking for new TV shows to watch and music to listen to, if you want to send me any.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Irving&apos;s Eclipse</title><link>https://binomech.neocities.org/severance/irving-eclipse</link><guid isPermaLink="true">https://binomech.neocities.org/severance/irving-eclipse</guid><pubDate>Sat, 27 Sep 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;img src=&quot;../../assets/images/irving-eclipse.webp&quot; alt=&quot;A mural depicting outie Irving from Severance, looking wistfully to a side of the mural which shows his innie and Burt&amp;#39;s touching foreheads in the plant room, echoing their goodbye at the station. Behind him, out of his line of sight, are vignettes of his innie showing and being showed affection: Cradling Helly alongside Mark after the drowning attempt, Dylan&amp;#39;s face as his innie hugs him close, with his brow furrowed and his eyes worried, and Felicia from O&amp;amp;D, hugging innie Irving tightly in relief when he visits for the first time since Burt&amp;#39;s retirement party.&quot;&gt;&lt;/p&gt;
</content:encoded></item><item><title>Design Principles (2025)</title><link>https://binomech.neocities.org/miscellanea/design-principles</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/design-principles</guid><pubDate>Wed, 10 Sep 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;My blog is undergoing some CSS renovations, mainly centered around the desktop layout for my homepage. It&amp;#39;s been a nice chance to think about what the general principles behind my own aesthetics are, to keep a sense of consistency within the site and not tweak willy-nilly, since that takes up a lot of energy I could be using to write (or read, or watch, or listen) instead.&lt;/p&gt;
&lt;p&gt;These are the core principles which I articulate the design of this website around:&lt;/p&gt;
&lt;h2&gt;1. Function&lt;/h2&gt;
&lt;p&gt;The most important thing is having a design that serves the function of this site. Right now, those functions are:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Encouraging my writing and introspection, since they tend to fall by the wayside when I&amp;#39;m not feeling inspired, and I want to be consistent even when that spark of inspiration is missing.&lt;/li&gt;
&lt;li&gt;Helping me move away from social media; since the primary uses I give my socials (Tumblr, Mastodon) is to update my friends in the goings on of my life as well as collecting things that scratch my brain in various ways, those are the things I need my site to do.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Thanks to the embed post function and the per-tag RSS feeds, I can use the regular posting function to create three types of entries with their own topics that may or may not overlap, to have a fast way of adding statuses and images or quotes for my scrapbook, and then take my time to write longer entries without needing a separate space for them online.&lt;/p&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;Tag posts by type, not topic&lt;/li&gt;
&lt;li&gt;Keep the amount of types small&lt;/li&gt;
&lt;li&gt;Don&amp;#39;t re-sort old posts; focus on your current relevant types&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;h2&gt;2. Curation&lt;/h2&gt;
&lt;p&gt;In essence, what I mean by &lt;em&gt;curation&lt;/em&gt; here is to make a deliberate choice in what I&amp;#39;m showing and what I&amp;#39;m hiding, what I&amp;#39;m reducing friction for for vs. what needs an effort from the reader and from me. &lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The content of the post takes precedence over everything else.&lt;/li&gt;
&lt;li&gt;The majority of content of this site must be text.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;As someone with a visual impairment that occasionally relies on screen readers, these decisions come from a very personal place and are hardly universal maxims. Using semantic elements in my layouts and being sure to emphasize the content of the post rather than the frills both visually and functionally doesn&amp;#39;t have inherent meaning as a principle, you have to decide what&amp;#39;s frills and what&amp;#39;s at the core of what you&amp;#39;re showing.&lt;/p&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;Remove timestamps from everything but time-sensitive posts (like statuses)&lt;/li&gt;
&lt;li&gt;Choose the most poignant fragments of a scrap and link to the source&lt;/li&gt;
&lt;li&gt;Add alt text to every image; it will increase friction not to use them and make their use meaningful and accessible&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;h2&gt;3. Maintainability&lt;/h2&gt;
&lt;p&gt;Once I know my principles to determine the content of the site, I must make my own work legible to myself so that I&amp;#39;m not constantly going back to tweaking after noticing something needs to be fixed and falling down a rabbithole. This also helps if at some point I choose to change something, to pinpoint the exact bits that need changing without having to redo the whole site from scratch.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I want to keep the palette as small as posible, so that the automatic theming for light and dark mode remains smooth and I don&amp;#39;t have to run a ton of checks. Right now, this means sticking to grayscale.&lt;/li&gt;
&lt;li&gt;Keeping Javascript to a minimum is a must; I&amp;#39;m not very good at writing and tweaking it and relying on it too much can make the site break in browsers that don&amp;#39;t support or block it. Bearblog itself uses very little JavaScript for non-essential function, so I can&amp;#39;t get rid of it entirely, but I&amp;#39;d rather not use it on my end.&lt;/li&gt;
&lt;li&gt;Avoid custom fonts, since they increase loading time and are a pain in the ass to pick.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I will admit that I&amp;#39;d like an accent color in my sea of grayscale, but I still haven&amp;#39;t found anything that meets the criteria of me liking the shade and it working fine on both my dark and light mode palettes.&lt;/p&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;Use CSS variables to handle the site&amp;#39;s color palette&lt;/li&gt;
&lt;li&gt;Use a font stack with a series of pre-installed fonts from different operating systems&lt;/li&gt;
&lt;li&gt;Avoid Javascript to keep site bloat and rabbithole headaches to a minimum&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;hr&gt;
&lt;p&gt;When you&amp;#39;re organizing your blog, be it through CSS or through the content itself, do you keep any ideas like these in mind? I would love to know what everyone&amp;#39;s thought process is when they design their own corners of the web :)&lt;/p&gt;
</content:encoded></item><item><title>2025-09-06</title><link>https://binomech.neocities.org/journal/2025-09-06</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2025-09-06</guid><pubDate>Sat, 06 Sep 2025 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Slow bureaucracy&lt;/h2&gt;
&lt;p&gt;I currently have a series of ongoing bureaucratic odysseys happening in my life. At the moment, I&amp;#39;m awaiting&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Admission on a daytime hospital program, for long term treatment.&lt;/li&gt;
&lt;li&gt;Approval for a [redacted] prescription.&lt;/li&gt;
&lt;li&gt;Appointment with a forensics team for the acquisition of a disability certificate.&lt;/li&gt;
&lt;li&gt;Admission to a job board for minimum wage employment.&lt;/li&gt;
&lt;li&gt;A close family member&amp;#39;s major surgery and subsequent months of recovery.&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Learning how to cook better&lt;/h2&gt;
&lt;p&gt;I&amp;#39;m not entirely inept when it comes to cooking, but I live with people that cook far more often than I do and my skills are underdeveloped in comparison. I&amp;#39;m going to have to handle kitchen tasks for a couple of months this fall and I&amp;#39;m taking the chance to try out some new recipes and getting the hang of vibe-checking taste beyond following the instructions of a recipe.&lt;/p&gt;
&lt;h2&gt;Taming an out of control watchlist&lt;/h2&gt;
&lt;p&gt;I&amp;#39;ve accumulated a lot of pending movies throughout the past few months (the perils of being exposed to a lot of friends&amp;#39; watching adventures and recommendations!); with the colder weather, I&amp;#39;m going to try to tackle a movie or two a week to enjoy on my own. It&amp;#39;s an exercise in solo hobbying, which I&amp;#39;m outrageously bad at.&lt;/p&gt;
&lt;p&gt;As an update to the last time I added this endeavor to my now page, this summer I watched half of the total movies I&amp;#39;ve seen this year; it&amp;#39;s been going well, although they&amp;#39;ve mostly been social watches.&lt;/p&gt;
&lt;h2&gt;Finding an internet home&lt;/h2&gt;
&lt;p&gt;With Tumblr in shambles and the Fediverse being most active in the micro blogging format, which I dislike using for expressing myself, I&amp;#39;m on the lookout for a long-term internet home that allows for socialization, absorption of new information and interests, and a comfortable format for expressing myself. I&amp;#39;m going to try to focus on this site paired with an RSS reader to see what gems I can find on the small web for the next few months.&lt;/p&gt;
</content:encoded></item><item><title>Severance Major Arcana</title><link>https://binomech.neocities.org/severance/tarot</link><guid isPermaLink="true">https://binomech.neocities.org/severance/tarot</guid><pubDate>Thu, 28 Aug 2025 00:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;gallery&quot;&gt;

&lt;p&gt;&lt;img src=&quot;../../assets/images/0-fool.webp&quot; alt=&quot;Fool: A picture of Helly trying to break out of the Severed floor before she&amp;#39;s sent to the break room, lit red by alarm lights as she smashes the door with a fire extinguisher. She doesn&amp;#39;t yet know what torture awaits her, and her recklessness is a reminder to Mark of what innocence they beat out of him.&quot;&gt;
&lt;img src=&quot;../../assets/images/1-magician.webp&quot; alt=&quot;Magician: A close-up of Mark&amp;#39;s hands sculpting the tree where his outie&amp;#39;s wife, Gemma, died, encouraged by the smell of a contraband candle and the subconscious memory of a visit the night before.&quot;&gt;
&lt;img src=&quot;../../assets/images/2-highpriestess.webp&quot; alt=&quot;High Priestess: A drop of black ichor is trickling down the ceiling and onto Irving in one of his dreams, a message from above that to him is an incomprehensible prickle of muscle memory.&quot;&gt;
&lt;img src=&quot;../../assets/images/3-empress.webp&quot; alt=&quot;Empress: Milchick stands in front of a small square mirror, chastising himself for his rich vocabulary and urging himself to grow in increasingly rough tone, recreating the break room punishment.&quot;&gt;
&lt;img src=&quot;../../assets/images/4-emperor.webp&quot; alt=&quot;Emperor: Cobel stands before MDR as they return from conspiring with O&amp;amp;D, singing a hymnal to remind them of both the awe the figure of Kier is meant to evoke in them as well as shaming them for the betrayal of their duty.&quot;&gt;
&lt;img src=&quot;../../assets/images/5-hierophant.webp&quot; alt=&quot;Hierophant: Huang holds up Jame Eagan&amp;#39;s bust during a ritual that will allow her to participate in the Wintertide Fellowship, in which she must break a precious possession (in this case, her only toy) to show maturity, as is tradition.&quot;&gt;
&lt;img src=&quot;../../assets/images/6-lovers.webp&quot; alt=&quot;Lovers: Innie Mark turns away from Gemma, his outie&amp;#39;s wife, after getting her out of the testing floor. Gemma calls for him, desperate, to go home with her, but this is a stranger in her husband&amp;#39;s body. A choice is made, it&amp;#39;s not one without consequences, the conflict remains.&quot;&gt;
&lt;img src=&quot;../../assets/images/7-chariot.webp&quot; alt=&quot;Chariot: A picture of a big iceberg from Milchick&amp;#39;s office, a reminder that he keeps in the name of the Empathy reforms he was meant to lead. In this scene, reminded that he has given up his life for the sake of thankless, unempathetic work, he looks at it longingly.&quot;&gt;
&lt;img src=&quot;../../assets/images/8-strength.webp&quot; alt=&quot;Strength: A handwritten fragment of a letter from outie Dylan to innie Dylan, asking him to stay on the Severed floor after he attempted to quit and end his life, encouraging him to find something worth fighting for of his own as he promises to be better for Gretchen, their wife.&quot;&gt;
&lt;img src=&quot;../../assets/images/9-hermit.webp&quot; alt=&quot;Hermit: Irving wanders alone in Woe&amp;#39;s Hollow, lit up by a torch in the dark and frigid night. He&amp;#39;s trying to figure out what exactly is off about Helly and warn the team, but in his night walk he gets lost, almost freezes to death.&quot;&gt;
&lt;img src=&quot;../../assets/images/10-wheeloffortune.webp&quot; alt=&quot;Wheel of Fortune: The second switch used to activate the Overtime Contingency, just pulled by Dylan; with this action, the remaining innies are activated on the outside for the first time, unsure of where they will find themselves but with the hopes that their message will reach someone that will help regardless.&quot;&gt;
&lt;img src=&quot;../../assets/images/11-justice.webp&quot; alt=&quot;Justice: Irving is waterboarding Helena after finding out she has been pretending to be Helly for weeks, trying to negotiate with Milchick to bring Helly back to the body under threats to Helena&amp;#39;s life. Milchick eventually acquiesces, at the cost of innie Irving&amp;#39;s life.&quot;&gt;
&lt;img src=&quot;../../assets/images/12-hangedman.webp&quot; alt=&quot;Hanged Man: Gemma slides down to the floor of the testing floor elevator in agony, after successfully escaping but being turned back around by her severed floor innie, Ms. Casey, at Milchick&amp;#39;s order. She calls out Mark&amp;#39;s name, certain that he must be out there and her attempts to escape aren&amp;#39;t futile, but heartbroken at her entrapment.&quot;&gt;
&lt;img src=&quot;../../assets/images/13-death.webp&quot; alt=&quot;Death: Innie Burt says goodbye to each of his department members and Irving after being forcibly retired as a punishment for conspiring with MDR and his relationship with innie Irving. He looks sad and wistful, but is surrounded by vibrant watermelon: His death is an occasion for celebration, bringing music and food the innies otherwise would not have. His death is a beginning for both Irvings and his outie alike.&quot;&gt;
&lt;img src=&quot;../../assets/images/14-temperance.webp&quot; alt=&quot;Temperance: Helena Eagan&amp;#39;s breakfast, a hard boiled egg neatly cut into six slices, placed on a ritual plate with a child being restrained and sat down by figures dressed in 17th century American settler attire. A bite of a slice is all she eats, and this is still unsatisfying and rebellious to her father, watching her have breakfast, as Kier would eat his eggs raw.&quot;&gt;
&lt;img src=&quot;../../assets/images/15-devil.webp&quot; alt=&quot;Devil: In an act of desperation and profound hatred for her outie, who claimed Helly was not a person and did not have the right to make the decisions over their shared body, Helly prepares a noose to hang herself. She hopes to either harm her outie or kill them both, which would be the only way to free her from existing on the Severed floor that she has a choice over.&quot;&gt;
&lt;img src=&quot;../../assets/images/16-tower.webp&quot; alt=&quot;Tower: Mark starts remembering his innie memories chronologically upon reintegration. Here, he lies in his outie clothing in the conference table where his innie woke up on his first day of work after they underwent severance. Unfortunately for him, both severance and reintegration have consequences.&quot;&gt;
&lt;img src=&quot;../../assets/images/17-star.webp&quot; alt=&quot;Star: Ricken&amp;#39;s book, The You You Are, is sitting in a chair where Irving finds it, after Cobel has stolen it from outie Mark&amp;#39;s doorstep to check for messages and Milchick forgot it while rushing to stop one of Helly&amp;#39;s escape attempts. It&amp;#39;s contraband with Mark&amp;#39;s name on it, a sign and an invitation, that contains the first thoughts the innies are exposed to from someone outside, just as much a person as they are, with the same insecurities and hopes.&quot;&gt;
&lt;img src=&quot;../../assets/images/18-moon.webp&quot; alt=&quot;Moon: One of outie Irving&amp;#39;s paintings of the hallway that leads to the testing floor. The black oil paint is so thick that one feels like they could drown in it, and the painting is reproduced every night on a caffeine high, a message hoping to reach a dreaming listener.&quot;&gt;
&lt;img src=&quot;../../assets/images/19-sun.webp&quot; alt=&quot;Sun: Innie Dylan is being hugged by his son in the outside world after Milchick triggers the Overtime contingency for the first time. Dylan is shocked at the knowledge that overrides are possible at all, and basking in his son&amp;#39;s affection, family he didn&amp;#39;t know he had until those twenty seconds that would make all known perks seem meaningless.&quot;&gt;
&lt;img src=&quot;../../assets/images/20-judgement.webp&quot; alt=&quot;Judgement: Lorne, the department head of Mammalians Nurturable, is dressed in ceremonial garb holding Émile, a baby goat, to her chest. She&amp;#39;s smiling through a bloodied face from a hit she took to the nose while protecting innie Mark, and is now professing her thanks to him for having saved one of her charges from a bloody execution, an innocent life who could&amp;#39;ve died if not for his intervention, like many before it.&quot;&gt;
&lt;img src=&quot;../../assets/images/21-world.webp&quot; alt=&quot;World: Reintegrated Petey, bleeding profusely from his nose, stands in front of a convenience store, hungry and experiencing a severe stroke. He looks at Mark warmly, a bit confused, perhaps surprised to find his friend from work in this strange outside he only sometimes remembers. He&amp;#39;s lit up both red and blue by the ambulance lights, fully reintegrated seconds before his death.&quot;&gt;&lt;/p&gt;
&lt;/div&gt;</content:encoded></item><item><title>An Ancient Curse in the Modern Tradition</title><link>https://binomech.neocities.org/supercos/an-ancient-curse</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/an-ancient-curse</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FAn%20Ancient%20Curse%20in%20the%20Modern%20Tradition.mp3&quot; controls=&quot;&quot;&gt;
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&lt;p&gt;Iphigenia is dying for Troy,&lt;br&gt;
hands over mouth&lt;br&gt;
wishing she was a boy,&lt;br&gt;
and she&amp;#39;d curse you&lt;br&gt;
if she could curse you.&lt;br&gt;&lt;br&gt;
Heliocentrists write heretical texts;&lt;br&gt;
locking them up&lt;br&gt;
is what you think is best,&lt;br&gt;
but they&amp;#39;d curse you&lt;br&gt;
if they could curse you.&lt;br&gt;&lt;br&gt;
Screw you, you with your biased view&lt;br&gt;
What do I have to say to you&lt;br&gt;
to break through what&amp;#39;s untrue?&lt;br&gt;
Un-true.&lt;br&gt;&lt;br&gt;
Paradigm cracking of codes during war&lt;br&gt;
didn&amp;#39;t save Turing&lt;br&gt;
from violence as cure,&lt;br&gt;
and I&amp;#39;ll curse you.&lt;br&gt;
For him, I curse you.&lt;br&gt;&lt;br&gt;
Writing the workflow&lt;br&gt;
that lands me in Hell,&lt;br&gt;
forbidding the questions&lt;br&gt;
that could crush your cartel,&lt;br&gt;
and I curse you.&lt;br&gt;&lt;br&gt;
Reject that which is valueless&lt;br&gt;
What do I have to say to you,&lt;br&gt;
say to you to break through,&lt;br&gt;
to break through what&amp;#39;s untrue?&lt;br&gt;
A clearer mind?&lt;br&gt;
History finds you&amp;#39;re the killing kind!&lt;br&gt;&lt;br&gt;
Screw you, screw you,&lt;br&gt;
screw you, screw you.&lt;br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Benzene</title><link>https://binomech.neocities.org/supercos/benzene</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/benzene</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FBenzene.mp3&quot; controls&gt;
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&lt;/audio&gt;

&lt;p&gt;To see an arcane ring,&lt;/br&gt;
an endless string&lt;/br&gt;
where, in a dream,&lt;/br&gt;
a structure torques and twists.&lt;/br&gt;
And aromatic bonds&lt;/br&gt;
sing their carbon songs:&lt;/br&gt;
You spend too long&lt;/br&gt;
resisting what exists.&lt;/br&gt;
&lt;/br&gt;
In sleep, the dreaming mind&lt;/br&gt;
may spark an arc&lt;/br&gt;
through circuits blind&lt;/br&gt;
and running in the dark.&lt;/br&gt;
And, time after time,&lt;/br&gt;
when existing methods fail:&lt;/br&gt;
In dreams (oh, in dreams)&lt;/br&gt;
a snake will find its tail.&lt;/br&gt;
&lt;/br&gt;
To decrypt a mind,&lt;/br&gt;
untangle lines,&lt;/br&gt;
you will go blind unhinging&lt;/br&gt;
thought from sight.&lt;/br&gt;
And causation&amp;#39;s lost&lt;/br&gt;
when live wires cross:&lt;/br&gt;
Your brain&amp;#39;s embossed&lt;/br&gt;
electric through the night.&lt;/br&gt;
&lt;/br&gt;
At night, electrons bond&lt;/br&gt;
both shared and strong,&lt;/br&gt;
they&amp;#39;re resonant&lt;/br&gt;
and singing in the dark.&lt;/br&gt;
And, time after time,&lt;/br&gt;
when structures go unseen,&lt;/br&gt;
in dreams, oh, in dreams...&lt;/br&gt;
&lt;/br&gt;
In sleep, the dreaming mind&lt;/br&gt;
may spark an arc&lt;/br&gt;
through circuits blind&lt;/br&gt;
and running in the dark.&lt;/br&gt;
And, time after time,&lt;/br&gt;
when structures go unseen:&lt;/br&gt;
In dreams (oh, in dreams)&lt;/br&gt;
benzene will form its ring.&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Berlin</title><link>https://binomech.neocities.org/supercos/berlin</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/berlin</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FBerlin.mp3&quot; controls&gt;
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&lt;p&gt;Colored lights above a stranger,&lt;/br&gt;
piezo crystals, pickup dark;&lt;/br&gt;
circuits quiet in a soundboard&lt;/br&gt;
pull electrons into arcs.&lt;/br&gt;
&lt;/br&gt;
I’ll always see the line of the cityscape&lt;/br&gt;
lit up bright against dark sky;&lt;/br&gt;
streets that glaze with water reflecting&lt;/br&gt;
streetlights red and green,&lt;/br&gt;
transiting machines, incomplete routines—&lt;/br&gt;
rain that washes the city clean.&lt;/br&gt;
&lt;/br&gt;
Glutamate above a synapse,&lt;/br&gt;
long-term potentials make their mark;&lt;/br&gt;
ionic flux becomes a memory,&lt;/br&gt;
inscribing history into sparks.&lt;/br&gt;
&lt;/br&gt;
I’ll always see the line of the cityscape&lt;/br&gt;
lit up only in my mind;&lt;/br&gt;
nights that glaze with memory reflecting&lt;/br&gt;
self as slot machine bridged with dopamine,&lt;/br&gt;
hazes of caffeine—&lt;/br&gt;
&lt;em&gt;Come back to the mean:&lt;/em&gt;&lt;/br&gt;
Chemicals burn hot and clean.&lt;/br&gt;
&lt;/br&gt;
Are you sure the lights were green?&lt;/br&gt;
Are you &lt;em&gt;sure&lt;/em&gt; that the lights were green?&lt;/br&gt;
&lt;/br&gt;
Running down the aisles to click tracks,&lt;/br&gt;
Overdrive, clean-boost your part,&lt;/br&gt;
lay it down as neural pathways:&lt;/br&gt;
someone’s childhood pries apart.&lt;/br&gt;
&lt;/br&gt;
I can’t see the line of the cityscape,&lt;/br&gt;
dimming lights against dark sky;&lt;/br&gt;
nights that fade with memory reflecting&lt;/br&gt;
self as slot machine bridged with dopamine,&lt;/br&gt;
hazes of caffeine—&lt;/br&gt;
I don’t know what you mean,&lt;/br&gt;
&amp;quot;And were the stage lights green?&amp;quot;;&lt;/br&gt;
We watched behind the scenes.&lt;/br&gt;
&lt;/br&gt;
Memories don’t burn clean.&lt;/br&gt;
&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Burden of Proof</title><link>https://binomech.neocities.org/supercos/burden-of-proof</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/burden-of-proof</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio
    src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FBurden%20of%20Proof.mp3&quot;
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&lt;p&gt;Can you... can you see darkness?&lt;/br&gt; Outside your
windowpane,&lt;/br&gt; behind the reflection of rooms?&lt;/br&gt; Have you... Have you told others this?&lt;/br&gt; Have you tried to go
out there?&lt;/br&gt; Will you take them... take them too?&lt;/br&gt; &lt;/br&gt; Can you... can you see darkness?&lt;/br&gt; Patches on perfect
spheres,&lt;/br&gt; spots on the sun, little moons?&lt;/br&gt; Can you... can you see darkness?&lt;/br&gt; People who carry it?&lt;/br&gt; All
the ways, the places it moves?&lt;/br&gt; &lt;/br&gt; Have you... Have you told the others this?&lt;/br&gt; Have you tried to tell them
this?&lt;/br&gt; Have you tried to say that the earth moves?&lt;/br&gt; They won&amp;#39;t see it, they won’t see you,&lt;/br&gt; and they will
lock you into a room.&lt;/br&gt; &lt;/br&gt; In a room, they&amp;#39;re gonna leave you there&lt;/br&gt; without any telescopes,&lt;/br&gt; without
anything you could use.&lt;/br&gt; They&amp;#39;ll block exits, they’ll build you a tomb.&lt;/br&gt; Yes, they will build for you&lt;/br&gt; the
most beautiful, perfect tomb.&lt;/br&gt; &lt;/br&gt; They won&amp;#39;t see it,&lt;/br&gt; how, still, it moves,&lt;/br&gt; so they will lock you&lt;/br&gt;
into a room.&lt;/br&gt; &lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Central Dogma</title><link>https://binomech.neocities.org/supercos/central-dogma</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/central-dogma</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FCentral%20Dogma.mp3&quot; controls&gt;
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&lt;p&gt;You meet when it’s raining,&lt;/br&gt;
air pressure is waning,&lt;/br&gt;
wind speeds rise—&lt;/br&gt;
you’re inside.&lt;/br&gt;
You follow your central dogma,&lt;/br&gt;
a song and a fifth of vodka;&lt;/br&gt;
you confirm that it’s short term.&lt;/br&gt;
&lt;/br&gt;
Residue by residue,&lt;/br&gt;
it propagates inside of you.&lt;/br&gt;
Veridical and vertical,&lt;/br&gt;
it’s all you have that’s personal:&lt;/br&gt;
A code that you have&lt;/br&gt;
half-transferred to me,&lt;/br&gt;
transcribing word for word.&lt;/br&gt;
&lt;/br&gt;
Four years and five cities!&lt;/br&gt;
(He thought you were pretty.)&lt;/br&gt;
Time to go; quid pro quo.&lt;/br&gt;
No roots when you wander...&lt;/br&gt;
(Your child, your transponder!)&lt;/br&gt;
Improvise; cut your ties.&lt;/br&gt;
&lt;/br&gt;
A helix comes unscrewed&lt;/br&gt;
so you can be renewed.&lt;/br&gt;
Veridically and vertically,&lt;/br&gt;
literally and perfectly:&lt;/br&gt;
sequential code transfer&lt;/br&gt;
in you, in me,&lt;/br&gt;
transcription word for word.&lt;/br&gt;
&lt;/br&gt;
An altered translation&lt;/br&gt;
produced by temptation:&lt;/br&gt;
a work of art split apart.&lt;/br&gt;
Your genes in a remix,&lt;/br&gt;
reworking your limits:&lt;/br&gt;
An arced degree&lt;/br&gt;
spans you and me.&lt;/br&gt;
&lt;/br&gt;
Residue by residue,&lt;/br&gt;
it propagates inside of you.&lt;/br&gt;
Veridical and vertical,&lt;/br&gt;
it’s all you have that’s personal.&lt;/br&gt;
A helix comes unscrewed&lt;/br&gt;
so you can be renewed,&lt;/br&gt;
veridically and vertically,&lt;/br&gt;
literally and perfectly.&lt;/br&gt;
&lt;/br&gt;
Sequential code transfer&lt;/br&gt;
in you, in me, (in you)&lt;/br&gt;
in you, in me, (in you)&lt;/br&gt;
in you, in me:&lt;/br&gt;
transcription word for word.&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Chemical Transmission of the Nervous Impulse</title><link>https://binomech.neocities.org/supercos/chemical-transmission</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/chemical-transmission</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FChemical%20Transmission%20of%20the%20Nervous%20Impulse.mp3&quot; controls&gt;
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&lt;p&gt;Forward feedback&lt;/br&gt;
makes it everlasting;&lt;/br&gt;
très fantastique, excess,&lt;/br&gt;
flux-through caching.&lt;/br&gt;
Transmit this, transmit this:&lt;/br&gt;
Come get me, come get me.&lt;/br&gt;
&lt;/br&gt;
Go all, go all or none&lt;/br&gt;
where a voltage gate is a fired gun.&lt;/br&gt;
Go all, go all or none:&lt;/br&gt;
A voltage gate, a fired gun.&lt;/br&gt;
&lt;/br&gt;
Screaming, salt burns sliding,&lt;/br&gt;
down potential, stat-electric deltas:&lt;/br&gt;
transmit this, transmit this:&lt;/br&gt;
Come get me, I’m waiting.&lt;/br&gt;
&lt;/br&gt;
Go all, go all or none:&lt;/br&gt;
you can charge my gates&lt;/br&gt;
and pass them once.&lt;/br&gt;
Go all, go all or none&lt;/br&gt;
A voltage gate, a fired—&lt;/br&gt;
&lt;/br&gt;
Go all, go all or none:&lt;/br&gt;
Equilibrate by passing once.&lt;/br&gt;
Go all, go all or none:&lt;/br&gt;
Voltage gates, arcuate runs.&lt;/br&gt;
&lt;/br&gt;
Go all, go all or none:&lt;/br&gt;
A voltage gate, a voltage gun.&lt;/br&gt;
Go all, go all or none:&lt;/br&gt;
Equilibrate by passing once.&lt;/br&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Postpone the anatomy of summer, as
the physical pine, the metaphysical pine.
Let’s see the very thing and nothing else.&lt;/p&gt;
&lt;/blockquote&gt;
</content:encoded></item><item><title>Darkrise</title><link>https://binomech.neocities.org/supercos/darkrise</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/darkrise</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FDarkrise.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;West-rise, west-rise,&lt;/br&gt; west-rise, dark-rise,&lt;/br&gt; glass eyes, dark-wise,&lt;/br&gt; darkrise.&lt;/br&gt; &lt;/br&gt; Crystal-form lens,&lt;/br&gt; brass-cylindrical case,&lt;/br&gt; Bright-verted star,&lt;/br&gt; tele-scar-scope-field-scape,&lt;/br&gt; unfail.&lt;/br&gt; &lt;/br&gt; Crystal-form lens,&lt;/br&gt; brass-cylindrical case,&lt;/br&gt; Bright-verted star,&lt;/br&gt; tele-scar-scope-field-scape,&lt;/br&gt; unfail.&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Delirium (Ontology Rejects Reductionism)</title><link>https://binomech.neocities.org/supercos/delirium</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/delirium</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FDelirium%20%28Ontology%20Rejects%20Reductionism%29.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt; &lt;/p&gt;
&lt;p&gt;White-washed ceilings turn to sky,&lt;/br&gt; January in July.&lt;/br&gt; Does this mean I’m going to die?&lt;/br&gt; No one’s with me anymore;&lt;/br&gt; a technicolor spirit corps&lt;/br&gt; of empty, former cynosures.&lt;/br&gt; &lt;/br&gt; So have I closed my eyes,&lt;/br&gt; or have I opened them tonight?&lt;/br&gt; Am I listening? Is what I hear&lt;/br&gt; right here to hear?&lt;/br&gt; Have I lost myself&lt;/br&gt; in colored, rising lines&lt;/br&gt; as the echoes fade&lt;/br&gt; and memories die?&lt;/br&gt; &lt;/br&gt; Crisp Chablis and sun on seas,&lt;/br&gt; German streets where none should be.&lt;/br&gt; A novel neural frozen scene?&lt;/br&gt; I won’t speak my given name.&lt;/br&gt; &amp;quot;Won&amp;#39;t&amp;quot; and &amp;quot;can&amp;#39;t&amp;quot; become the same,&lt;/br&gt; works and days compress to frames.&lt;/br&gt; &lt;/br&gt; So have I closed my eyes,&lt;/br&gt; or have I opened them tonight?&lt;/br&gt; Am I listening? Is what I hear&lt;/br&gt; right here to hear?&lt;/br&gt; Have I lost myself&lt;/br&gt; in colored, rising lines&lt;/br&gt; as the echoes fade&lt;/br&gt; and memories die?&lt;/br&gt; &lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Dreaming Correctly</title><link>https://binomech.neocities.org/supercos/dreaming-correctly</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/dreaming-correctly</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FDreaming%20Correctly%20EP%2FDreaming%20Correctly.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt; &lt;/p&gt;
&lt;p&gt;[Voices chattering unintelligibly]&lt;/br&gt; &lt;/br&gt; Don&amp;#39;t take this flower for an ocean:&lt;/br&gt; a breeze is blowing over the sea.&lt;/br&gt; In a life that lies beyond us yet,&lt;/br&gt; the notes upon the blue guitar&lt;/br&gt; were things exactly as they are.&lt;/br&gt; &lt;/br&gt; Don’t speak of all our greatness:&lt;/br&gt; a torch is dying under the ground,&lt;/br&gt; our vaults and structures come crashing down.&lt;/br&gt; The Earth, for us, is something rare:&lt;/br&gt; half in shadow, all that’s there.&lt;/br&gt; &lt;/br&gt; Don’t dream of life under amber,&lt;/br&gt; of shells cracking, dry in the air;&lt;/br&gt; become a class of things that are:&lt;/br&gt; A blue guitar, a set of stars,&lt;/br&gt; or those exactly who they are.&lt;/br&gt; &lt;/br&gt; [Central Dogma, echoing]&lt;/br&gt; &lt;/br&gt; In you, in me,&lt;/br&gt; in me, in you,&lt;/br&gt; in me&lt;/br&gt; &lt;/br&gt; [En Règle (and Out), echoing]&lt;/br&gt; &lt;/br&gt; And consciousness&lt;/br&gt; and cognizance&lt;/br&gt; combine to dissonance.&lt;/br&gt; It&amp;#39;s a tough to translate&lt;/br&gt; psychological state&lt;/br&gt; that hates what I create.&lt;/br&gt; &lt;/br&gt; [An Ancient Curse in the Modern Tradition, echoing]&lt;/br&gt; &lt;/br&gt; Screw you, you with your biased view&lt;/br&gt; &lt;/br&gt; [LHC and Sea of Dirac, echoing in harmony]&lt;/br&gt; &lt;/br&gt; Su-per-con-ducting&lt;/br&gt; Su-per-collide&lt;/br&gt; Su-per-con-ducting (Now we&amp;#39;re sailing on the Sea of Dirac)&lt;/br&gt; Su-per-collide&lt;/br&gt; &lt;/br&gt; [Evangeline and An Ancient Curse, echoing in harmony]&lt;/br&gt; &lt;/br&gt; Algorithmically&lt;/br&gt; banish all your guilt&lt;/br&gt; Neurochemistry&lt;/br&gt; without flaws built.&lt;/br&gt; What do I have to say to you?&lt;/br&gt; &lt;/br&gt; [Sea of Dirac, echoing]&lt;/br&gt; &lt;/br&gt; How long have we been here?&lt;/br&gt; How do we get back?&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>En Règle (and Out)</title><link>https://binomech.neocities.org/supercos/en-regle</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/en-regle</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FEn%20R%C3%A8gle%20%28and%20Out%29.mp3&quot; controls&gt;
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&lt;p&gt;Meteoric and dysphoric,&lt;/br&gt;
soldered by hand:&lt;/br&gt;
A misleading worldview&lt;/br&gt;
that I can&amp;#39;t withstand.&lt;/br&gt;
The impressions, well,&lt;/br&gt;
they are all tested&lt;/br&gt;
but not central to me,&lt;/br&gt;
&amp;#39;cause the logic gives way&lt;/br&gt;
before practical needs.&lt;/br&gt;
&lt;/br&gt;
And consciousness&lt;/br&gt;
and cognizance&lt;/br&gt;
combine to dissonance.&lt;/br&gt;
It&amp;#39;s a tough to translate&lt;/br&gt;
psychological state&lt;/br&gt;
that hates what I create.&lt;/br&gt;
&lt;/br&gt;
Replicative methods&lt;/br&gt;
define what is true.&lt;/br&gt;
Subjective distress&lt;/br&gt;
at a mental review&lt;/br&gt;
of the rules that&lt;/br&gt;
I have unglued.&lt;/br&gt;
&lt;/br&gt;
Atmospheric, esoteric&lt;/br&gt;
I don&amp;#39;t understand&lt;/br&gt;
why natural selection&lt;/br&gt;
deals this kind of hand,&lt;/br&gt;
leaving spandrels,&lt;/br&gt;
not likely to end well,&lt;/br&gt;
they are causing disease:&lt;/br&gt;
My dysphoria is dealing out&lt;/br&gt;
death by degrees.&lt;/br&gt;
&lt;/br&gt;
And cognizance&lt;/br&gt;
kills confidence&lt;/br&gt;
in any providence.&lt;/br&gt;
It&amp;#39;s my tough to translate&lt;/br&gt;
psychological state,&lt;/br&gt;
subjective and ornate.&lt;/br&gt;
&lt;/br&gt;
The sky has been calling&lt;/br&gt;
for thousands of years.&lt;/br&gt;
Explorative risks&lt;/br&gt;
on a literal sphere.&lt;/br&gt;
It appears that I would volunteer.&lt;/br&gt;
&lt;/br&gt;
Incurring the costs&lt;/br&gt;
we&amp;#39;ll exchange for our benefits.&lt;/br&gt;
...Why is it we do not have them yet?&lt;/br&gt;
Just a null set of our own regret.&lt;/br&gt;
And I am upset,&lt;/br&gt;
pining my worth on my sobriquet,&lt;/br&gt;
tracing ennui with my cigarette,&lt;/br&gt;
wearing the unwanted coronet&lt;/br&gt;
of the space cadet.&lt;/br&gt;
&lt;/br&gt;
And cognizance&lt;/br&gt;
kills confidence&lt;/br&gt;
In any providence&lt;/br&gt;
it&amp;#39;s my tough to translate&lt;/br&gt;
psychological state&lt;/br&gt;
that hates what I create.&lt;/br&gt;
&lt;/br&gt;
Replicative methods&lt;/br&gt;
define what is true.&lt;/br&gt;
Subjective distress&lt;/br&gt;
at my mental review,&lt;/br&gt;
and the sky has been calling&lt;/br&gt;
for thousands of years,&lt;/br&gt;
explorative risks&lt;/br&gt;
on a literal sphere.&lt;/br&gt;
&lt;/br&gt;
I&amp;#39;ll pay down your costs&lt;/br&gt;
if you&amp;#39;ll take on my debt:&lt;/br&gt;
we&amp;#39;re trading for something&lt;/br&gt;
that we don&amp;#39;t have yet.&lt;/br&gt;
&lt;/br&gt;
It&amp;#39;s not clear who is&lt;/br&gt;
looking out of my mirror.&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Enchiridion</title><link>https://binomech.neocities.org/supercos/enchiridion</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/enchiridion</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FEnchiridion.mp3&quot; controls&gt;
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&lt;p&gt;Enchiridic, fatidic,&lt;/br&gt;
and ready-in-hand&lt;/br&gt;
heuristics run thickest&lt;/br&gt;
among what’s unplanned.&lt;/br&gt;
Perceptions are fictions,&lt;/br&gt;
not how I define&lt;/br&gt;
epistemological threats&lt;/br&gt;
from my mind.&lt;/br&gt;
&lt;/br&gt;
Anaclitic, proleptic,&lt;/br&gt;
misleading marquees&lt;/br&gt;
conceal trains of thought&lt;/br&gt;
that we don’t want to see.&lt;/br&gt;
Self-organising&lt;/br&gt;
behavioural goals&lt;/br&gt;
applying to workflows&lt;/br&gt;
outside our control.&lt;/br&gt;
&lt;/br&gt;
Ataraxic, empathic,&lt;/br&gt;
a tactical bind:&lt;/br&gt;
mirroring circuits&lt;/br&gt;
are poorly designed.&lt;/br&gt;
Locked down to voltage&lt;/br&gt;
and lacking a key,&lt;/br&gt;
The fluxing of ions&lt;/br&gt;
is all that I’ll be.&lt;/br&gt;
&lt;/br&gt;
So release your thoughts&lt;/br&gt;
into the chaos of the things&lt;/br&gt;
that you might have become.&lt;/br&gt;
So release your thoughts&lt;/br&gt;
into the cosmos, and let go of&lt;/br&gt;
where you were from.&lt;/br&gt;
&lt;/br&gt;
So release your thoughts&lt;/br&gt;
into the chaos of the things&lt;/br&gt;
that you might have become.&lt;/br&gt;
So release your thoughts&lt;/br&gt;
into the cosmos, and let go of&lt;/br&gt;
where you were from.&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Evangeline</title><link>https://binomech.neocities.org/supercos/evangeline</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/evangeline</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FEvangeline.mp3&quot; controls&gt;
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&lt;p&gt;Scrub away the things unseen, repeat,&lt;/br&gt;
and then we’ll reconvene and go.&lt;/br&gt;
Told them that your hands are clean,&lt;/br&gt;
a consequence of your routine (it shows).&lt;/br&gt;
Littoral branched coral ground up&lt;/br&gt;
will scrub you clean.&lt;/br&gt;
&lt;/br&gt;
Evangeline, oh, Evangeline.&lt;/br&gt;
Algorithmically&lt;/br&gt;
banish all your guilt,&lt;/br&gt;
neurochemistry&lt;/br&gt;
mentally rebuilt;&lt;/br&gt;
Binary trees&lt;/br&gt;
absent of leaves:&lt;/br&gt;
you’re trapped or free.&lt;/br&gt;
&lt;/br&gt;
Things encoded in your genes&lt;/br&gt;
will not regress you to the mean, you know?&lt;/br&gt;
Drafted structures unforeseen&lt;/br&gt;
make it hard to intervene, although...&lt;/br&gt;
Resistors, transmitters:&lt;/br&gt;
Thank god you’re a machine.&lt;/br&gt;
&lt;/br&gt;
Evangeline, oh, Evangeline.&lt;/br&gt;
Pharmacologically&lt;/br&gt;
bank your mind with silt,&lt;/br&gt;
line up all your thoughts&lt;/br&gt;
into circuit quilts:&lt;/br&gt;
Skeleton keyed,&lt;/br&gt;
chemical parsimony.&lt;/br&gt;
&lt;/br&gt;
Literal branching coral,&lt;/br&gt;
ground up, it’s from the sea.&lt;/br&gt;
Resist, transmit:&lt;/br&gt;
You must know you’re a machine.&lt;/br&gt;
&lt;/br&gt;
Algorithmically&lt;/br&gt;
banish all your guilt&lt;/br&gt;
Neurochemistry&lt;/br&gt;
without flaws rebuilt.&lt;/br&gt;
Trapped by your tree,&lt;/br&gt;
binary fate&lt;/br&gt;
unveiled by leaves.&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Hedy Lamarr</title><link>https://binomech.neocities.org/supercos/hedy-lamarr</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/hedy-lamarr</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FDreaming%20Correctly%20EP%2FHedy%20Lamarr.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;Shut down servers and go, &lt;/br&gt; I’ll give you my key back.&lt;/br&gt; Swapping coasts and oceans, &lt;/br&gt; I don’t think you need me now;&lt;/br&gt; Mechanisms showing how&lt;/br&gt; humans live and die are set aside.&lt;/br&gt; &lt;/br&gt; There is ash beneath the trees&lt;/br&gt; in a wood that’s Viennese,&lt;/br&gt; but I’ve offered everything up to the sea.&lt;/br&gt; Tectonic shifts create weak lines,&lt;/br&gt; submerged by miles,&lt;/br&gt; those metric tons of ocean&lt;/br&gt; won’t confine what will arise&lt;/br&gt; like an apocalyptical design.&lt;/br&gt; &lt;/br&gt; And if I die, &lt;/br&gt; I was a scientist in these times.&lt;/br&gt; But what if science cannot find&lt;/br&gt; a way to coexist or stay alive?&lt;/br&gt; &lt;/br&gt; Crawling out of the sea&lt;/br&gt; (story sounds familiar),&lt;/br&gt; breathing air and water.&lt;/br&gt; That is why I switched my field, &lt;/br&gt; empiricize the slow reveal: &lt;/br&gt; Quantum rifts are real, &lt;/br&gt; they should be sealed.&lt;/br&gt; &lt;/br&gt; There is ash beneath the trees &lt;/br&gt; in a wood that’s Viennese &lt;/br&gt; but I’ve offered everything pacifically.&lt;/br&gt; Tectonic shifts create weak lines,&lt;/br&gt; submerged by miles,&lt;/br&gt; those metric tons of ocean&lt;/br&gt; won’t confine what will arise&lt;/br&gt; like an apocalyptical design.&lt;/br&gt; &lt;/br&gt; And if I die, &lt;/br&gt; I was a scientist in these times.&lt;/br&gt; But what if science cannot find&lt;/br&gt; a way to coexist or stay alive?&lt;/br&gt; A way to stay alive…&lt;/br&gt; &lt;/br&gt; And if I die,&lt;/br&gt; I die a scientist in my prime. &lt;/br&gt; But what if I don’t leave behind solutions&lt;/br&gt; that exist or come in time?&lt;/br&gt; &lt;/br&gt; Take me back if I come&lt;/br&gt; and want my key back.&lt;/br&gt; &lt;/br&gt; Swapping life for theory.&lt;/br&gt; &lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Heliolatry</title><link>https://binomech.neocities.org/supercos/heliolatry</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/heliolatry</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FHeliolatry.mp3&quot; controls&gt;
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&lt;p&gt;Data mine, arrowed time,&lt;/br&gt;
thoughts combine unaligned.&lt;/br&gt;
Wittgenstein, shutters blind,&lt;/br&gt;
alpine climbs, open minds.&lt;/br&gt;
&lt;/br&gt;
Say goodbye, math may lie,&lt;/br&gt;
retry with fluorescein dye.&lt;/br&gt;
Crack bonds free, ATP,&lt;/br&gt;
one two and three&lt;/br&gt;
don&amp;#39;t agree, not with me,&lt;/br&gt;
you can&amp;#39;t foresee the coming debris.&lt;/br&gt;
&lt;/br&gt;
Caller ID with six degrees,&lt;/br&gt;
you&amp;#39;ve lost your key among debris.&lt;/br&gt;
&lt;/br&gt;
And in the dark night&lt;/br&gt;
there is no light&lt;/br&gt;
&amp;#39;til the Earth turns,&lt;/br&gt;
and your skin burns&lt;/br&gt;
and you ignite, ultrabright.&lt;/br&gt;
And in the sunlight&lt;/br&gt;
there is no night:&lt;/br&gt;
Planets revolve,&lt;/br&gt;
darkness absolves&lt;/br&gt;
lightless eyes.&lt;/br&gt;
&lt;/br&gt;
Abstract art, a la carte,&lt;/br&gt;
pulls apart, four-part heart.&lt;/br&gt;
Cognicide, circuits fried,&lt;/br&gt;
cast aside, have I died?&lt;/br&gt;
&lt;/br&gt;
Speak in clang, Sturm und Drang,&lt;/br&gt;
I can&amp;#39;t recall if you rang?&lt;/br&gt;
Come unglued, yellow hued,&lt;/br&gt;
surrealist mood, thoughts intrude.&lt;/br&gt;
&lt;/br&gt;
Getting reviewed will not preclude&lt;/br&gt;
continued feuds, schemas askew,&lt;/br&gt;
things that pursue someone like you&lt;/br&gt;
(coming unglued, coming unglued.)&lt;/br&gt;
&lt;/br&gt;
And in the dark night&lt;/br&gt;
there is no light&lt;/br&gt;
&amp;#39;til the Earth turns,&lt;/br&gt;
and your skin burns&lt;/br&gt;
and you ignite, ultrabright.&lt;/br&gt;
And in the sunlight&lt;/br&gt;
there is no night:&lt;/br&gt;
Planets revolve,&lt;/br&gt;
darkness absolves&lt;/br&gt;
lightless eyes.&lt;/br&gt;
&lt;/br&gt;
Coming debris full of ennui&lt;/br&gt;
with six degrees,&lt;/br&gt;
you&amp;#39;ve lost your key&lt;/br&gt;
and joie de vivre.&lt;/br&gt;
Continued feuds, schemas askew,&lt;/br&gt;
things that pursue someone like you:&lt;/br&gt;
Coming unglued.&lt;/br&gt;
&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Infinite Loops</title><link>https://binomech.neocities.org/supercos/infinite-loops</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/infinite-loops</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FInfinite%20Loops.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt; &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This song is mostly instrumental; these words echo throughout the song, distorted and blending with the synthesizer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Strange (...) while (...) for (...) strange.&lt;/p&gt;
</content:encoded></item><item><title>LHC</title><link>https://binomech.neocities.org/supercos/lhc</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/lhc</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FLHC.mp3&quot; controls&gt;
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&lt;p&gt;Beneath the ground,&lt;/br&gt;
a toroid ring creates a synchrotron&lt;/br&gt;
that can see unmade things.&lt;/br&gt;
And particles in curving paths&lt;/br&gt;
will meet so violently that&lt;/br&gt;
they will create mass.&lt;/br&gt;
&lt;/br&gt;
LHC, baby, LHC&lt;/br&gt;
LHC, baby, L-H-H-C&lt;/br&gt;
LHC&lt;/br&gt;
&lt;/br&gt;
Across the sea, an empty track&lt;/br&gt;
is buried far beneath&lt;/br&gt;
lonely fields of grass.&lt;/br&gt;
Sacked builds, abandoned still&lt;/br&gt;
and lying silently&lt;/br&gt;
in the place it was killed.&lt;/br&gt;
&lt;/br&gt;
Massive rings that could&lt;/br&gt;
rule out strings.&lt;/br&gt;
Massive rings tracking&lt;/br&gt;
unmade things,&lt;/br&gt;
unmade things.&lt;/br&gt;
&lt;/br&gt;
Bending charged particles&lt;/br&gt;
shows the way that matter is built.&lt;/br&gt;
You superconduct&lt;/br&gt;
and supercollide:&lt;/br&gt;
Conduct, collide,&lt;/br&gt;
and mass divides!&lt;/br&gt;
&lt;/br&gt;
Ideas die and resurrect;&lt;/br&gt;
if you live long enough,&lt;/br&gt;
theory and practice intersect.&lt;/br&gt;
Linear beams so atoms smash&lt;/br&gt;
Head-on energy collisions leave&lt;/br&gt;
pseudo-coloured trails&lt;/br&gt;
that one can trace through ash.&lt;/br&gt;
&lt;/br&gt;
Superconducting,&lt;/br&gt;
supercollide,&lt;/br&gt;
superconducting,&lt;/br&gt;
conduct, collide.&lt;/br&gt;
&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Plate Tectonics</title><link>https://binomech.neocities.org/supercos/plate-tectonics</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/plate-tectonics</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FDreaming%20Correctly%20EP%2FPlate%20Tectonics.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt; &lt;/p&gt;
&lt;p&gt;Lately, cracked up things&lt;/br&gt; seem like (mostly) all I bring.&lt;/br&gt; Cut rings (fucked-up strings) transit more.&lt;/br&gt; Baby, baby, baby,&lt;/br&gt; let me open your door.&lt;/br&gt; &lt;/br&gt; Maybe, if I wait right here &lt;/br&gt; (where else?) melting plates will&lt;/br&gt; fuse shut (bad idea!) ocean floors.&lt;/br&gt; Baby, baby, baby,&lt;/br&gt; let me open your door.&lt;/br&gt; &lt;/br&gt; Bridges break&lt;/br&gt; and slide into the sea.&lt;/br&gt; Cities shake,&lt;/br&gt; sliding down to waiting places,&lt;/br&gt; waiting for me, waiting for me.&lt;/br&gt; Death, like life,&lt;/br&gt; can come out of the sea.&lt;/br&gt; &lt;/br&gt; Baby, look for me, living&lt;/br&gt; (while it lasts) above the sea.&lt;/br&gt; I can’t (I really can’t)&lt;/br&gt; take much more.&lt;/br&gt; Baby, baby, baby,&lt;/br&gt; let me open your door.&lt;/br&gt; &lt;/br&gt; Lately, cracked up things&lt;/br&gt; Seem like (mostly) all I bring.&lt;/br&gt; Cut rings (fucked-up strings) transit more.&lt;/br&gt; Baby, baby, baby,&lt;/br&gt; let me open your door.&lt;/br&gt; &lt;/br&gt; Bridges break&lt;/br&gt; and slide into the sea.&lt;/br&gt; Cities shake,&lt;/br&gt; sliding down to waiting places,&lt;/br&gt; waiting for me, waiting for me.&lt;/br&gt; &lt;/br&gt; Death, like life,&lt;/br&gt; can come out of the sea.&lt;/br&gt; &lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Regeneration I</title><link>https://binomech.neocities.org/supercos/regeneration-i</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/regeneration-i</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FRegeneration%20I.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt; &lt;/p&gt;
&lt;p&gt;If I’m obsessed with things that creep&lt;/br&gt; toward restoration of the self,&lt;/br&gt; if I’m obsessed and cannot sleep,&lt;/br&gt; it’s in pursuit of something else.&lt;/br&gt; &lt;/br&gt; I’ve been possessed by dopamine&lt;/br&gt; and my thoughts blink like a pulsar lately.&lt;/br&gt; If I could sleep my mind to clean,&lt;/br&gt; then I’d finally have a breakthrough, maybe.&lt;/br&gt; &lt;em&gt;Fortune favours the brave, dude.&lt;/em&gt;&lt;/br&gt; &lt;em&gt;Let&amp;#39;s do it again.&lt;/em&gt; If I’m obsessed with things that creep&lt;/br&gt; toward restoration of the self,&lt;/br&gt; if I’m obsessed and cannot sleep,&lt;/br&gt; it’s in pursuit of something else.&lt;/br&gt; &lt;/br&gt; I’ve been possessed by dopamine&lt;/br&gt; and my thoughts blink like a pulsar lately.&lt;/br&gt; If I could sleep my mind to clean,&lt;/br&gt; then I’d finally have a breakdown, maybe.&lt;/br&gt; &lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Regeneration II</title><link>https://binomech.neocities.org/supercos/regeneration-ii</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/regeneration-ii</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FRegeneration%20II.mp3&quot; controls=&quot;&quot;&gt; Your browser does not support the audio tag. &lt;/audio&gt; &lt;/p&gt;
&lt;p&gt;This track is entirely instrumental.&lt;/p&gt;
</content:encoded></item><item><title>Sea of Dirac</title><link>https://binomech.neocities.org/supercos/sea-of-dirac</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/sea-of-dirac</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FSea%20of%20Dirac.mp3&quot; controls&gt;
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&lt;/audio&gt;

&lt;p&gt;We are sailing on the Sea of Dirac&lt;/br&gt;
How long have we been here?&lt;/br&gt;
How do we get back?&lt;/br&gt;
And you say you&amp;#39;re looking&lt;/br&gt;
for a hole in the sea,&lt;/br&gt;
but if you looked long enough,&lt;/br&gt;
you would see that it&amp;#39;s just me.&lt;/br&gt;
&lt;/br&gt;
Mass annihilation,&lt;/br&gt;
extend the Schrödinger equation.&lt;/br&gt;
When antimatter comes in waves&lt;/br&gt;
you should get out of the way.&lt;/br&gt;
I hate to die, but I think that you and I&lt;/br&gt;
might be destined to collide,&lt;/br&gt;
and nothing would survive:&lt;/br&gt;
you&amp;#39;re impossible to hate.&lt;/br&gt;
&lt;/br&gt;
But we are sailing on the Sea of Dirac&lt;/br&gt;
How long have we been here?&lt;/br&gt;
How do we get back?&lt;/br&gt;
And you say you&amp;#39;re looking&lt;/br&gt;
for a hole in the sea,&lt;/br&gt;
but if you look long enough,&lt;/br&gt;
you will see that it&amp;#39;s just me.&lt;/br&gt;
&lt;/br&gt;
Mass annihilation,&lt;/br&gt;
extend the Schrödinger equation.&lt;/br&gt;
Hand-in-hand to hand-in-glove,&lt;/br&gt;
voltage drops down from above a water lock&lt;/br&gt;
that you and I traverse en bloc.&lt;/br&gt;
Flowing step-wise towards the sea,&lt;/br&gt;
superconductivity:&lt;/br&gt;
I&amp;#39;m impossible to love.&lt;/br&gt;
&lt;/br&gt;
And we are sailing on the Sea of Dirac&lt;/br&gt;
How long have we been here?&lt;/br&gt;
How do we get back?&lt;/br&gt;
And you say you&amp;#39;re looking&lt;/br&gt;
for a hole in the sea,&lt;/br&gt;
but if you looked long enough,&lt;/br&gt;
you would see that it&amp;#39;s just me.&lt;/br&gt;
&lt;/br&gt;
Mass annihilation,&lt;/br&gt;
extend the Schrödinger equation.&lt;/br&gt;
I fit you and you fit me:&lt;/br&gt;
We&amp;#39;ll annihilate our sea, an open slot;&lt;/br&gt;
we failed our one and only shot.&lt;/br&gt;
And in the moment that we crash,&lt;/br&gt;
we’ll have turned our sea to ash&lt;/br&gt;
as our energy is released.&lt;/br&gt;
&lt;/br&gt;
Then we are sailing on the Sea of Dirac&lt;/br&gt;
How long have we been here?&lt;/br&gt;
How do we get back?&lt;/br&gt;
And you say you&amp;#39;re looking&lt;/br&gt;
for a hole in the sea,&lt;/br&gt;
but if you look long enough,&lt;/br&gt;
you will see… that we are sailing&lt;/br&gt;
on the Sea of Dirac,&lt;/br&gt;
how long have we been here?&lt;/br&gt;
How do we get back?&lt;/br&gt;
And you say you&amp;#39;re looking&lt;/br&gt;
for a hole in the sea,&lt;/br&gt;
but if you look long enough,&lt;/br&gt;
you will see that it&amp;#39;s just me.&lt;/br&gt;
&lt;/br&gt;
Mass annihilation.&lt;/br&gt;
Mass annihilation.&lt;/br&gt;
Mass annihilation.&lt;/br&gt;
&lt;/br&gt;
All is said and done,&lt;/br&gt;
the battle&amp;#39;s lost and won:&lt;/br&gt;
Never say it wasn&amp;#39;t fun!&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Strange Attractor</title><link>https://binomech.neocities.org/supercos/strange-attractor</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/strange-attractor</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FStrange%20Attractor.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt; &lt;/p&gt;
&lt;p&gt;It is strange to me that I cannot leave&lt;/br&gt; a surface real but widely unperceived.&lt;/br&gt; n-dimensioned space, vectors won&amp;#39;t escape;&lt;/br&gt; I can try to change, attractors stay the same.&lt;/br&gt; &lt;/br&gt; And so I remain:&lt;/br&gt; Glasses case, knowledge base,&lt;/br&gt; mental states mapped in phase&lt;/br&gt; where motive gets erased.&lt;/br&gt; Get my mind back on straight:&lt;/br&gt; Interface (don&amp;#39;t erase)&lt;/br&gt; the things I can&amp;#39;t replace.&lt;/br&gt; Displaced, disgraced,&lt;/br&gt; out of place, in your face,&lt;/br&gt; but I won&amp;#39;t win this race;&lt;/br&gt; Damn, your pull is strong,&lt;/br&gt; my strange attractor.&lt;/br&gt; &lt;/br&gt; If I get away from this mental maze&lt;/br&gt; I am afraid that I&amp;#39;ll be back this way.&lt;/br&gt; Fixed point, map sink,&lt;/br&gt; makes it hard to think I can still break free;&lt;/br&gt; attractors wait for me.&lt;/br&gt; &lt;/br&gt; And the release is brief:&lt;/br&gt; Turn the page, step onstage:&lt;/br&gt; fractal rage makes a cage&lt;/br&gt; that can&amp;#39;t be disengaged.&lt;/br&gt; Don&amp;#39;t reveal your age, you&amp;#39;re in range&lt;/br&gt; (that won&amp;#39;t change attractors turning strange.)&lt;/br&gt; Define domain and range,&lt;/br&gt; disengage, rearrange:&lt;/br&gt; I won&amp;#39;t escape this race,&lt;/br&gt; but you knew that all along,&lt;/br&gt; didn&amp;#39;t you, my strange attractor?&lt;/br&gt; &lt;/br&gt; I can&amp;#39;t complete what I can&amp;#39;t conceive;&lt;/br&gt; attempts unique, but failing by degrees.&lt;/br&gt; I can make a play, try to get away.&lt;/br&gt; I can throw the dice, sacrifice my life,&lt;/br&gt; is that enough?&lt;/br&gt; &lt;/br&gt; Turn the page, step onstage:&lt;/br&gt; fractal rage makes a cage&lt;/br&gt; that can&amp;#39;t be disengaged.&lt;/br&gt; Get my mind back on straight:&lt;/br&gt; Interface (don&amp;#39;t erase)&lt;/br&gt; the things I can&amp;#39;t replace.&lt;/br&gt; Displaced, disgraced,&lt;/br&gt; out of place, in your face,&lt;/br&gt; but I won&amp;#39;t win this race;&lt;/br&gt; Damn, your pull is strong,&lt;/br&gt; and baby, you define where I belong.&lt;/br&gt; I bet you knew! You knew that all along,&lt;/br&gt; my strange attractor.&lt;/br&gt; &lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Syncope</title><link>https://binomech.neocities.org/supercos/syncope</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/syncope</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FSyncope.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;Being yourself&lt;/br&gt; while being other people&lt;/br&gt; is harder than it looks.&lt;/br&gt; &lt;/br&gt; I work with precision:&lt;/br&gt; Concepts, heuristics and excision&lt;/br&gt; of my mistaken vision;&lt;/br&gt; Cognitive refrain&lt;/br&gt; driving me insane.&lt;/br&gt; &lt;/br&gt; I hate this division,&lt;/br&gt; I’ve got transmitted indecision&lt;/br&gt; of my mistaken vision;&lt;/br&gt; Syncopated pain&lt;/br&gt; rooted in the brain.&lt;/br&gt; &lt;/br&gt; And I can’t see,&lt;/br&gt; fighting syncope.&lt;/br&gt; Who’s driving this car right now?&lt;/br&gt; &amp;#39;cause I don’t think it’s me.&lt;/br&gt; No, I can’t see,&lt;/br&gt; this is syncope.&lt;/br&gt; Who’s living this life right now?&lt;/br&gt; &amp;#39;cause I know it’s not me.&lt;/br&gt; &lt;/br&gt; Mental persecution&lt;/br&gt; leads to problems&lt;/br&gt; with hypoperfusion&lt;/br&gt; and cognition dissolution.&lt;/br&gt; &lt;/br&gt; I hate this solution;&lt;/br&gt; I’m on the floor as resolution&lt;/br&gt; to nervous retribution.&lt;/br&gt; Neural amp and gain,&lt;/br&gt; circuits linked in chains.&lt;/br&gt; &lt;/br&gt; And I can’t see,&lt;/br&gt; fighting syncope.&lt;/br&gt; Who’s driving this car right now?&lt;/br&gt; &amp;#39;cause I don’t think it’s me.&lt;/br&gt; No, I can’t see,&lt;/br&gt; this is syncope.&lt;/br&gt; Who’s living this life right now?&lt;/br&gt; &amp;#39;cause I know it’s not me.&lt;/br&gt; &lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>Thankless Child</title><link>https://binomech.neocities.org/supercos/thankless-child</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/thankless-child</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSuperconduction%2FThankless%20Child.mp3&quot; controls&gt;
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&lt;p&gt;The spread of seeds, the fall of leaves,&lt;/br&gt;
a swarm of cells beneath the sea,&lt;/br&gt;
a carbon-based machine:&lt;/br&gt;
I&amp;#39;m you, you&amp;#39;re me,&lt;/br&gt;
we&amp;#39;re sharing half our genes&lt;/br&gt;
and nothing in between&lt;/br&gt;
but unlit kerosene.&lt;/br&gt;
&lt;/br&gt;
Take r-times-B: they&amp;#39;re less than C.&lt;/br&gt;
How many others could there be&lt;/br&gt;
before you wouldn&amp;#39;t leave?&lt;/br&gt;
Floorboards, dead trees,&lt;/br&gt;
our own phylogeny,&lt;/br&gt;
you think you will break free?&lt;/br&gt;
My little flame is clean.&lt;/br&gt;
&lt;/br&gt;
Turn your back, turn your back:&lt;/br&gt;
we fade to black.&lt;/br&gt;
Friction, drag; friction, drag:&lt;/br&gt;
the quiet scratch.&lt;/br&gt;
&lt;/br&gt;
Someone seals the latch:&lt;/br&gt;
You&amp;#39;re detached, we&amp;#39;re dispatched.&lt;/br&gt;
There&amp;#39;s a catch: You and I?&lt;/br&gt;
We&amp;#39;re attached.&lt;/br&gt;
I&amp;#39;ll release my burning match.&lt;/br&gt;
&lt;/br&gt;
But if I had a twin,&lt;/br&gt;
how would you behave then?&lt;/br&gt;
What if I had a twin?&lt;/br&gt;
How would you be—&lt;/br&gt;
There are things I can... can&amp;#39;t save.&lt;/br&gt;
&lt;/br&gt;
And I&amp;#39;m relieved you don&amp;#39;t believe&lt;/br&gt;
the trappings of society&lt;/br&gt;
has told you that you need;&lt;/br&gt;
you&amp;#39;re you, you&amp;#39;re free.&lt;/br&gt;
I&amp;#39;ve rearranged your genes,&lt;/br&gt;
now they belong to me...&lt;/br&gt;
Ignore that kerosene!&lt;/br&gt;
&lt;/br&gt;
You&amp;#39;ll outrun, you&amp;#39;ll outrun&lt;/br&gt;
all you have done.&lt;/br&gt;
Metaphor, metaphor&lt;/br&gt;
will keep our scores.&lt;/br&gt;
&lt;/br&gt;
In the dark I might tame&lt;/br&gt;
given names, waiting games.&lt;/br&gt;
We&amp;#39;re the same: You and I?&lt;/br&gt;
We&amp;#39;re deranged.&lt;/br&gt;
I&amp;#39;ll release my little flame.&lt;/br&gt;
&lt;/br&gt;
Benefits less than cost,&lt;/br&gt;
calculation of loss...&lt;/br&gt;
Or just math as a gloss?&lt;/br&gt;
Are we both lost?&lt;/br&gt;
There are things I can... can&amp;#39;t save.&lt;/br&gt;
&lt;/br&gt;
Two-four-eight, six-plus-ten:&lt;/br&gt;
Tell us where you have been.&lt;/br&gt;
Your invisible kin,&lt;/br&gt;
please select them to live.&lt;/br&gt;
But if I had a twin,&lt;/br&gt;
do you think you&amp;#39;d save them?&lt;/br&gt;
Don&amp;#39;t look, just begin.&lt;/br&gt;
&lt;/br&gt;
Do the math, turn your back;&lt;/br&gt;
You&amp;#39;ll ignore graphite traps,&lt;/br&gt;
I&amp;#39;ll release my little match:&lt;/br&gt;
Metaphor will wage this war.&lt;/br&gt;
&lt;/br&gt;
Two-and-eight, six-plus-ten:&lt;/br&gt;
Tell us where you have been.&lt;/br&gt;
Your invisible kin, please select them,&lt;/br&gt;
all the things I can... can&amp;#39;t save.&lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>The Correspondent</title><link>https://binomech.neocities.org/supercos/the-correspondent</link><guid isPermaLink="true">https://binomech.neocities.org/supercos/the-correspondent</guid><pubDate>Sat, 12 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;audio src=&quot;https://archive.org/download/supercos-discography/Supercos%20Discography.zip/Supercos%20Discography%2FSupercollision%2FThe%20Correspondent.mp3&quot; controls&gt; Your browser does not support the audio tag. &lt;/audio&gt; &lt;/p&gt;
&lt;p&gt;Iced-over streets and basement doors:&lt;/br&gt; Below forbidden upper floors,&lt;/br&gt; you&amp;#39;d hide beneath the seats to catch&lt;/br&gt; a lecture by Niels Bohr.&lt;/br&gt; &lt;/br&gt; For a short time between two wars&lt;/br&gt; you got to fight for what was yours:&lt;/br&gt; Colloquia with quantum themes,&lt;/br&gt; a friendly physics corps.&lt;/br&gt; &lt;/br&gt; Converting mass and energy,&lt;/br&gt; fission knocks electrons free.&lt;/br&gt; Uranium as effigy,&lt;/br&gt; decaying for eternity.&lt;/br&gt; Dividing atoms expertly,&lt;/br&gt; the chain reactions must proceed.&lt;/br&gt; &lt;/br&gt; Explosions at sea.&lt;/br&gt; Lise, you must hate your fate,&lt;/br&gt; your legacy was twice erased.&lt;/br&gt; &lt;/br&gt; Your reputation in your field&lt;/br&gt; was growing slowly more concealed;&lt;/br&gt; You left Berlin in &amp;#39;38&lt;/br&gt; upon a train, in fear.&lt;/br&gt; &lt;/br&gt; With correspondence from abroad,&lt;/br&gt; in pen, you tore down old façades:&lt;/br&gt; You split an atom like a drop&lt;/br&gt; and opened realms of thought.&lt;/br&gt; &lt;/br&gt; Mass-times-squared velocity of light&lt;/br&gt; defines stored energy;&lt;/br&gt; you must get out of Germany&lt;/br&gt; because of your identity.&lt;/br&gt; Doubled-fucking-jeopardy:&lt;/br&gt; An empty life is misery.&lt;/br&gt; &lt;/br&gt; Explosions at sea.&lt;/br&gt; Lise, let me hate your fate,&lt;/br&gt; your legacy was twice erased.&lt;/br&gt; &lt;/br&gt; You came to hate the things they built&lt;/br&gt; with the uranium they spilled;&lt;/br&gt; Your contribution was erased&lt;/br&gt; without a hint of guilt.&lt;/br&gt; &lt;/br&gt;&lt;/p&gt;
</content:encoded></item><item><title>We should get plural about reintegration</title><link>https://binomech.neocities.org/severance/reintegration-plurality</link><guid isPermaLink="true">https://binomech.neocities.org/severance/reintegration-plurality</guid><pubDate>Wed, 09 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;This was originally written on Discord for my flock-friend in an attempt to break the habit of critical analysis and engage in constructive theorizing, which I&amp;#39;m not great at doing. I like to call it &amp;quot;playing toys&amp;quot;, because that&amp;#39;s ultimately what this is: somewhat silly but enjoyable possibilities, not serious theories about the show.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I think I mentioned this during one of the watch parties we had, either Innie Supercut or the Cold Harbor live watch or post-watch, but for the longest time, I just assumed Petey&amp;#39;s reintegration failed because his innie was turned off by the company, but then you said something entirely correct, which is that Graner mentions there was a complete recoupling in the chip during the tests. Occam&amp;#39;s razor: he really did die because he didn&amp;#39;t follow Reghabi&amp;#39;s treatment plan, or she was not experienced, as they mentioned, which makes me worried sick for Mark (reading fan stuff about Mark getting reintegration literal death, even if it&amp;#39;s blatantly for shipping Helly and Gemma, really does make me feel physically ill. I love Mark so much.) &lt;/p&gt;
&lt;p&gt;A more convoluted alternative that I&amp;#39;ve been growing fond of since sweet vitriol confirmed Cobel&amp;#39;s place in Lumon is assuming that Reghabi doesn&amp;#39;t know the chips were her design; she thinks all her company bootlicking is zealotry instead of her having been promised more involvement and more control in the use of the chips and then used like a pawn. I think, now, that Cobel may have heard about Reghabi starting her own reintegration attempts since she had Graner gathering intel and started wondering if it was truly possible. When the tests from the chip came back, Petey had reintegrated; he was also dead. I suppose Cobel thinks the reintegration was done incorrectly, and it being her design means she could operate the chip herself, which she can&amp;#39;t while Lumon has the infrastructure. And suddenly, she has an innie Mark inside, with Helly in a possible mutiny and Gemma outside with Devon, fully aware of Mark&amp;#39;s reintegration process and capable of contacting Reghabi. &lt;/p&gt;
&lt;p&gt;They focused a lot on Gemma getting out, and while I think the romance angle was very significant for Mark Scout, and even though it spread out weirdly into S2, becoming the Season of Romance, the whole point is that Gemma&amp;#39;s chip has excised her into pieces so many more times than it was ever intended for. That&amp;#39;s a candy store for both Cobel and Reghabi in terms of understanding any modifications Lumon may have done to the original design to allow that. I assume Cobel did not have the knowledge for the security overrides, but we know Graner and Milchick do (Glasgow protocol undoing was a security order, the OTC switches and override list were in the security office). And Milchick is exhausted and in a position to double-agent quite nicely, provided that he mistrusts Cobel less than he mistrusts Lumon higher ups, provided that his resentment towards Helly is big enough to want to take down Helena as an Eagan. My thoughts on reintegration, then, hinge on the idea that there was an original chip design, and there have been modifications that allow the protocols. The original chip never contemplated reintegration, which is why it&amp;#39;s such a shock to Cobel and why she wants to know what they did with her invention. I wonder if she&amp;#39;d be a severance purist now and push for permanent severance with one innie and one outie, advocating for personhood because she intended the chip to be therapeutic, and that&amp;#39;s the point of conflict with Reghabi, who wants to push for reintegration because access to all memories is access to evidence and informed agency, or if Cobel has come to believe reintegration is proof of healing of the trauma of severance itself (the disabling aspects, the innies&amp;#39; entire existence, and tempering).&lt;/p&gt;
&lt;p&gt;Mark is inside, already slowly reintegrating, which so far mostly seems to be decontextualized re-contextualizing bound to spaces. A doorway that looks like the hallway to wellness in his house prompts a flashback to Ms. Casey; Helena&amp;#39;s face over the darkness of the diner&amp;#39;s hardwood puts her over the ORTBO pillow; and the position switch from bottom to top during sex at the ORTBO makes Mark see Gemma&amp;#39;s face. It&amp;#39;s fairly clean, all things considered, in terms of integration of people and memories. The fridge, too! But I don&amp;#39;t think that&amp;#39;s enough to make reintegration entirely singlet-oriented, because Petey also had these episodes, just oscillating far more frequently, and the difference was that he recognized the place but the person switched. Mark sees Gemma at the ORTBO but knows where he is and whom he&amp;#39;s with, doesn&amp;#39;t lose Helena in the vision, and recognizes Gemma even in the severed hallways with her wig and outfit. Which makes me think that there are still two distinct Mark consciousnesses, and it would seem that the implication is that it&amp;#39;s their bond to Gemma and Helly, respectively, that keeps them separate.&lt;/p&gt;
&lt;p&gt;I can spin this into a polycule, I can spin this into plurality, I&amp;#39;m ideally spinning it into both, and I can speculate about what the writers might do, which probably isn&amp;#39;t polycule or plurality, but I&amp;#39;d rather not do the latter and be surprised by whatever. So I&amp;#39;ll play with toys. I don&amp;#39;t think the Marks would do full switches; they seem too similar to me, with their anger and their care and the way their emotions were &amp;quot;tamed&amp;quot; in the same way, by shame. I don&amp;#39;t think there would be amnesia; I don&amp;#39;t think there would be clean fronting either because I don&amp;#39;t think either of them would realize it. I think Mark&amp;#39;s plural experience would have states where one Mark&amp;#39;s experiences and demeanor would be more prominent, but Mark would lack the self-awareness to identify them, so the result would be that people around her would be a little bit baffled because there is a visible memory continuity, but the voice and the tastes are somehow different. Internally, it would feel natural, simply following those state switches—and I think it would make for a very interesting dynamic with Gemma and Helly both in the reintegration positions I shared earlier, which are my personal canon until stated otherwise: Gemma is unable to attempt reintegration, sometimes switching under duress into an innie, with amnesic episodes and Helly fronting with Helena&amp;#39;s memories trickling back circumstantially, integrated or discarded to the best of Helly&amp;#39;s ability until the end result is still Helly, with some neuroses, but genuinely close to what Helena would have been without the coercion into certain habits and choices pushed upon her. &lt;/p&gt;
&lt;p&gt;I don&amp;#39;t think Helly would incur into traditionally understood plurality, I imagine it to be kind of like my own experience, except my parts are identifiable to me due to memory-based continuity and to her it would simply be a habit that she doesn&amp;#39;t remember forming, so it must be Helena&amp;#39;s, and then conscious engagement with it out of fear or even curiosity or compassion towards Helena. I think outie Gemma might find Innie Mark sweet but lacking the sarcastic edges that Mark has that I think she enjoys. I think she would be very didactic towards showing Innie Mark knowledge of all sorts. Innie Mark would get along swimmingly with Devon and get to be an earnest dork with Ricken, but I think sometimes the edge of sarcasm would shine through in defense. Maybe they&amp;#39;d help that mark shape her bite into something intellectually incisive; she definitely has the makings. I keep thinking about why we are still in the dark. speech and the quest to find Ms. Casey. I think reintegrated Mark could go back to teaching if it was safe and gently switch towards Innie Mark states the same way having Gemma in her life again might push pre-grief Outie Mark states more towards being playful, thoughtful, and romantic. Outie marks state would feel a little strange to Helly —too rough around the edges— but their sense of humor is the same. I think once they got past the awkwardness of &lt;em&gt;you&amp;#39;re not quite how I remember you&lt;/em&gt;, they&amp;#39;d get along like a house on fire. Helly and Gemma, too, who are both assertive and inquisitive and so incredibly dogged when it comes to their goals and values. I think Helly would absolutely join the hiking team and come to regard Ricken with the same long-suffering fondness as Gemma and take the torch of &amp;quot;how can you be married to this guy&amp;quot; from Outie Mark, except in the Innie state, Mark is so unabashedly delighted in her friendship with Ricken and his knowledge and verbosity that she doesn&amp;#39;t quite mean it. Gemma Innies as trauma responses are important meeting points for Helly and Innie Mark states, but I think Outie Mark states would be very amenable to taking care of Gemma innies. I wonder if Outie Mark State would pull on memories and mannerisms of Innie Mark to comfort her if she could do that without fully switching states.&lt;/p&gt;
&lt;p&gt;My polyhedron mostly looks like this (quasiromantic, meaning that they&amp;#39;re more overtly romantic in the other Mark state in terms of types of affection, but they still are close emotionally and intellectually in these): &lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Romantic iMark and Helly &lt;/li&gt;
&lt;li&gt;Romantic oMark and oGemma &lt;/li&gt;
&lt;li&gt;Romantic Helly and oGemma &lt;/li&gt;
&lt;li&gt;Quasiromantic iMark and oGemma &lt;/li&gt;
&lt;li&gt;Quasiromantic oMark and Helly &lt;/li&gt;
&lt;li&gt;Didactic iMark and the Gemma innies &lt;/li&gt;
&lt;li&gt;Friendship between Helly and the Gemma innies &lt;/li&gt;
&lt;li&gt;Caretaking oMark and the Gemma innies, at first with some confusion as to how much of Gemma they are, then in an effort to encourage their individuality; I&amp;#39;m thinking a lot about trench warfare trauma care.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And then there&amp;#39;s Irving, which I&amp;#39;ve been struggling to word for hours now because there&amp;#39;s a strong component of self-indulgence, and I always feel guilty about that. I&amp;#39;m trying to keep it rooted in canon as much as I can, but my brain is like, &amp;quot;Wow, you like a silly idea you came up with that you know isn&amp;#39;t how it will be handled because it&amp;#39;s hard to visually convey, and also it&amp;#39;s on a Turturro character? Guilt for a million years,&amp;quot; but I&amp;#39;m going to try anyway.&lt;/p&gt;
&lt;p&gt;I will assume here that Innie Irving is not fully erased from existence, just locked away, and I will put aside my thoughts that MDR Irving is not Irving Bailiff&amp;#39;s first excision because the more I think about Petey, the less I&amp;#39;m into the theory (Petey knows about exports, he could&amp;#39;ve shared elevator info, and I like the idea that Irving and Petey&amp;#39;s outies were friends or at least in the same political group, however scattered. Also, Judy Baca-isms in Irving, my beloved.) I know outie irving would contemplate reintegration to get the memories of loving and being loved by Burt back, but he&amp;#39;d probably consider it a technical impossibility. i don&amp;#39;t think he&amp;#39;d seek out Reghabi for reintegration, just for intel, and I imagine him to be central to the Burn Lumon alliance, perhaps Burt too, due to the information that they have and because it&amp;#39;s kill the company or die themselves, and it&amp;#39;s both an attack and a defense (the Irving special, the axe and the pen). &lt;/p&gt;
&lt;p&gt;My &amp;quot;Outie Irving meets the innies&amp;quot; scenario usually happens in this context, where they&amp;#39;re trying to learn more about the chip blockages and splits and the innies, upon learning that Irving is alive, demand contact both as proof of life and trust, and because they miss him and there&amp;#39;s this hope that there will be a degree of recognition. Irving agrees, surprised by the demand, willing to engage for the cause, and mostly &lt;em&gt;curious&lt;/em&gt; because he only knows about Burt; he doesn&amp;#39;t know the rest of his coworkers—names on a list, names without faces. And he&amp;#39;s suddenly in contact with these strangers that are so affectionate, so worried about him, like actual children, like a family that asks how you are after they know you&amp;#39;ve been through something difficult. I don&amp;#39;t think Irving would expect that, and I don&amp;#39;t think the rest of MDR would truly expect recognition, but in that visceral surprise, I think there would be a gap for a spark of emotion that isn&amp;#39;t familiar to outie Irving, a longing that he&amp;#39;d chalk up to that loneliness but that would be coming from an echo of innie Irving. He&amp;#39;d feel it with the negotiations, he&amp;#39;d feel it around Burt, he&amp;#39;d feel it around Radar, but it&amp;#39;s only when he starts feeling it around his own art, or movies, or music that he&amp;#39;d recognize a certain foreign quality to the emotion, because those are part of his routine; they don&amp;#39;t have a shine of longing to them, and he has them whenever he wants. And I think he&amp;#39;s smart enough to notice a pattern, smart enough to see a loose thread of Innie Irving hanging and pull. &lt;/p&gt;
&lt;p&gt;What happened to Innie Irving? Why did they sound so worried about him? He&amp;#39;d find out about his innie outliving Burt&amp;#39;s. He&amp;#39;d find out about being suicidal. He&amp;#39;d find out about having tortured Helena into giving Helly back. He&amp;#39;d find out about being executed, erased, and mocked even at his funeral by Lumon. Innie Irving is not resting in peace; Innie Irving is haunting him. he made him, he had a life, he now knows what that life was, and outie irving is angry about what was taken from them both. We know that Irving trusts expressionist beliefs in the subconscious enough to plot his whole informational strategy around them. there&amp;#39;s ways to use lucid dreaming and stream of consciousness exercises that are meant to put these parts of the self in conversation, usually with the intent to integrate them. It&amp;#39;s actually one of the trench trauma therapies that I was alluding to, and a lot of modern DBT for war vets even now uses similar techniques to manage cPTSD. &lt;/p&gt;
&lt;p&gt;In my dream scenarios, Irving is helping Gemma with panic-induced switches (I would like the therapeutic dynamic inversion, and I really love the &amp;quot;your outie is a friend to children, the elderly, and the insane&amp;quot; for textual and metatextual reasons) and decides to use the therapy tools himself. Maybe he grabs a canvas or a piece of paper, he thinks of the events that the innies told him. He imagines a snowy landscape, the feeling of paranoia, of disbelief, of grief (those he knows, for different people, in different places), and he comes back to a drawing of a campfire and Mark and Helena&amp;#39;s lit-up faces. Dylan&amp;#39;s worried face. Burt standing there, almost covered by the doorway to O&amp;amp;D. Memories that are proof that those lived experiences are still there, that Innie Irving is still there.&lt;/p&gt;
&lt;p&gt;But what about the present? Is he still there? He could track responses to different media. What music has begun to feel jarring, and what movies suddenly sound exciting despite having watched them a million times before? And there is a ghost, a haunting, that doesn&amp;#39;t think it&amp;#39;s all okay, that wants as much as Irving has wanted all his life, that only had life in a regiment to enjoy and still found love and meaning, that deserves those experiences he fought to get himself after Vietnam, that he fights to give children, the elderly, and the insane, to give them voice when they have none. I like to think Irving learns to trigger switches, at first just with himself. Write a note, emotionally position himself, and see if you come to and find a response. Outie Irving draws a lot, and Innie Irving writes in return. Outie Irving asks why words and not images; Innie Irving talks about the handbook and not being sure how to do it. But they both share skills.&lt;/p&gt;
&lt;p&gt;Outie Irving teaches Innie Irving enough to have artistic training wheels, an expressive outlet. They have different art styles. It&amp;#39;s a delightful and reassuring surprise. He eventually manages to trigger a switch for the innies. They both remember things in simultaneous first and third person, but it&amp;#39;s Innie Irving talking and moving; it&amp;#39;s their shared body. I think he&amp;#39;d be the only one of the four to both be incapable of a clean integration (unlike Dylan) and self-aware enough to have a conscious sense of cohabitation (unlike Mark). They&amp;#39;re very different people, the Irvings, but their joining points are very porous and very flexible, and they are both extremely respectful of others&amp;#39; autonomy at the point where we are. a little knock, a little sign that either of them wants to front, or that they don&amp;#39;t or can&amp;#39;t do something, teaching and learning from each other into their own expressions and loves. There&amp;#39;s a block that can&amp;#39;t be mechanically lifted because it&amp;#39;s still Lumon&amp;#39;s chip, and they don&amp;#39;t know what could happen to Irving if he was &amp;quot;technically&amp;quot; erased with his memories. But as long as the chip is keeping them separate, the memories can be shared as a recounting, and the life can be lived as a voluntarily triggered severing where there&amp;#39;s no spatial amnesia, just executive separation.&lt;/p&gt;
</content:encoded></item><item><title>A case for transfem!Hermann</title><link>https://binomech.neocities.org/miscellanea/transfem-hermann</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/transfem-hermann</guid><pubDate>Wed, 02 Jul 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;My friend EF heard me mention that I enjoy the exploration of Pacific Rim&amp;#39;s Hermann Gottlieb as a trans woman in my own headcanon sandbox and asked me for elaboration; these are the thoughts I shared, capitalized and punctuated.&lt;/p&gt;
&lt;p&gt;My case for transfem Hermann hinges a lot on admiration for Karla as an older sister to drive a few gender revelations.&lt;/p&gt;
&lt;p&gt;I&amp;#39;d imagine Karla to be a little bit of a black sheep in terms of general opposition to the military and the discipline in which they were raised, somewhat tying into misogyny and an antagonistic relationship to authority to match Newt&amp;#39;s. Meanwhile, Hermann has stars in his eyes about fighter pilots and astronauts and belonging (into a violently enforced hierarchy, yes, but &lt;em&gt;belonging&lt;/em&gt;), but he can&amp;#39;t be anything other than an outcast in those environments as someone with a physical disability.&lt;/p&gt;
&lt;p&gt;Hermann loves Karla so, so much but resents her capacity to simply reject those promises, who can afford to be angry and loud and rough and find community in that justified anger, and Karla, who loves her soft little sibling, with his sweaters and clean mathematics and elegant algorithm programming and a yearning for the stars that glimmer in the countryside that she despises. Hermann, who yearns for all the things that were forced on her that she&amp;#39;s kicking and screaming to be free of but never seems to get them, because humanity has to &amp;quot;toughen up&amp;quot; for the end of the world, and when mathematics and faith come in spades, it will be in a hierarchy with Hermann choking under its heel, as he always has been.&lt;/p&gt;
&lt;p&gt;I would imagine drifting with Newt, specifically a Newt who is transmasc, who grew up in the midst of academic hierarchies but never belonged, who was loud and unpleasant in ways that echo Karla&amp;#39;s own femininity but lose it without rejecting the rough aspects of it, might offer a belated wake-up call. Imagine experiencing the same dysphoria of your childhood, mirrored back to you, with echoes of your love for your sister and admiration for Newt. Of course, she&amp;#39;d have to untangle what is her own after the drift, whether that feeling of entrapment came from gendered expectation or institutional ableism, what is Karla and what is Newt&amp;#39;s, if that anger is hers or borrowed, and if the fear of that softness comes from an external expectation of it or the opposite. But given time, given nurture, given room for those elegant edges to trace themselves, she&amp;#39;d come to a happiness in her post-apocalyptic life. The shine of a recently polished cane, prismatic dangly earrings (that she&amp;#39;d put herself through an extremely squeamish hell for, much to Newt&amp;#39;s bodymodder delight), linen and silk and wool as well maintained as her notes, and particularly clean proofs on her grant submissions. A femininity that isn&amp;#39;t Karla&amp;#39;s, that Newt rejected for himself, but that suits her and is cherished by her loved ones as her own.&lt;/p&gt;
</content:encoded></item><item><title>2025-06-30</title><link>https://binomech.neocities.org/journal/2025-06-30</link><guid isPermaLink="true">https://binomech.neocities.org/journal/2025-06-30</guid><pubDate>Mon, 30 Jun 2025 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Recovering from a dip in mental and physical health&lt;/h2&gt;
&lt;p&gt;From March to June of 2025 I&amp;#39;ve been struggling with a resurgence of schizoaffective symptoms and pushing myself too far past the pain signals of my body (barely sleeping, barely eating, barely caring for myself and my physical environment in general.) I&amp;#39;m focusing on building a routine around meals, showers and not forgetting to take my medication so that I can use it as a foundation for more complex systems: getting back to my volunteer teaching and the job hunt, and nurturing my interpersonal relationships back to their baselines.&lt;/p&gt;
&lt;h2&gt;Rebuilding my Tumblr blog&lt;/h2&gt;
&lt;p&gt;I struggle keeping a Tumblr blog for periods longer than a year; part of it is my incapacity to look back at past versions of myself with any kind of compassion instead of shame, and there&amp;#39;s also the fact that as time goes on, my tagging systems become more unwieldy and disorganized.&lt;/p&gt;
&lt;p&gt;I&amp;#39;d like to make an effort to maintain my Tumblr space more mindfully, since it&amp;#39;s a great place to find new media to dig into and it lets me browse without algorithmic sorting. &lt;/p&gt;
&lt;p&gt;I&amp;#39;m building a boring but far more robust tagging system for frequent topics and thematic hauntings, and I&amp;#39;m slowly migrating posts from my old blogs to this new iteration as well as this personal site, for better archival.&lt;/p&gt;
&lt;h2&gt;Organizing and backing up my music library&lt;/h2&gt;
&lt;p&gt;I&amp;#39;ve been noticing that nowadays it&amp;#39;s impossible to comfortably browse music without paying exorbitant prices for a subscription service or physical media. I&amp;#39;m tired of relying on an internet connection plus the continued service of a private company to access my music library, so I&amp;#39;ve been collecting files for the songs and organizing them, backing them up and finding ways to play them offline from both my phone and my stereo.&lt;/p&gt;
&lt;p&gt;I&amp;#39;m also building a site and an archive for the Superconducting Supercolliders, a fan music project for Pacific Rim that I loved dearly back in 2015 and is slowly being lost to link rot, which I&amp;#39;d like to prevent.&lt;/p&gt;
&lt;h2&gt;Taking a swing at my pending reading and movies&lt;/h2&gt;
&lt;p&gt;My reading archive and my movie watch-list have grown completely unwieldy in the past year and they need a little trimming so that sitting down to read or choosing something to delight my eyeballs with on a weekday night are not insurmountably overwhelming choices.&lt;/p&gt;
&lt;p&gt;I&amp;#39;ve been pruning the lists themselves, trying to give myself some room to simply not spend my leisure time on something that&amp;#39;s not stimulating or enjoyable, and then sorting the remainder of the items by topic or mood to make the choice easier at any given point in time.&lt;/p&gt;
&lt;p&gt;I also wanted to back up my fanfiction recommendations as EPUB files and make a document that&amp;#39;s easily shareable with people who might have an interest in transformative works for the same media I do.&lt;/p&gt;
</content:encoded></item><item><title>lili pons</title><link>https://binomech.neocities.org/miscellanea/lili-pons</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/lili-pons</guid><pubDate>Mon, 23 Jun 2025 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;Small Responses to Great Queries&lt;/h2&gt;
&lt;p&gt;A series of annotations in response to the writing on &lt;a href=&quot;https://suliqyre.com/&quot;&gt;Fragmentarium&lt;/a&gt; by Suli Qyre.&lt;/p&gt;
&lt;p&gt;Is motion necessarily directional? I often feel like this motion is meandering, not exponential. Lately I have been distressed by the fact that in equating stopping with giving up there is simply no room for redirection, pause, plateau. The bigger picture is motion but it&amp;#39;s not progress, it&amp;#39;s just expanding in width, not in height. The roots can only grow when the surface expansion has settled, the branches need a certain degree of regularity and slow digestion to even begin to sprout.&lt;/p&gt;
&lt;p&gt;There is no attempt that exists in a vacuum, the value of the attempt lies in the repetition within changing conditions. The same motion will have different reactions in different contexts; it&amp;#39;s not the attempt that is different, it&amp;#39;s the surroundings that are in motion, a mixture of active agents and passively changing landscapes. Perpetual motion is a necessity purely physically; the emergent psyche traces different paths, not entropic but &lt;em&gt;in&lt;/em&gt;-tropic.&lt;/p&gt;
&lt;p&gt;Knowledge is a relay sport and there is a certain quality of awe and enjoyment at catching a glimpse of what is not yet known once we grasp a new piece of knowledge. The sharing, however, can happen in many forms and it is crucial the audience is met where they&amp;#39;re at with just enough room to grab their hand, to pass the baton. Great strides mean nothing if we don&amp;#39;t care for our teammates, if we aren&amp;#39;t ready to experience a slow lap, if we cannot stop to care for an injury and mourn a loss.&lt;/p&gt;
&lt;p&gt;To not turn away from discomfort and instead understand the suffering one is bearing witness to can be a core foundation for a more compassionate world, but I find myself quite often at an impasse, which is also mentioned in this entry:&lt;/p&gt;
&lt;p&gt;What is one to do when they have come to an understanding about a specific type of suffering that they do not have the material means to fix, nor the practical framework to obtain those means? My operative answer is to educate, to share my analyses in hopes that one day they will reach someone that does have the means to address the structural suffering that others are subject to, that in some cases I am subject to. This, however, is incompatible with an ataraxic acceptance of a world that is not ideal: To accept the world as it is is to see the reality of suffering and hold it. Radical acceptance in this reality we inhabit is a dialectical struggle, it&amp;#39;s not peaceful and the clarity does not come from letting go of the ideal, but a constant questioning of both the reality and the ideal. And yes, at times, the tension is physically and psychologically unbearable: in sharing it, we hope not to evoke empathy, we hope to evoke action. We share our experiences because we cannot change things alone. We share our utopias and our doubts because there is another to share the load with. Bearing witness for the sake of it means nothing without understanding, and understanding is not empathy, it&amp;#39;s education.&lt;/p&gt;
&lt;p&gt;I believe there is room for every piece in a narrative; I do not believe, however, that there is one universal narrative. This is not because there are archetypes of the soul, or essences that teleologically guide us to certain hauntings, but because the sheer complexity of symbolic and material relations on Earth at any given point in history results in a mutual eroding of the individual in a particular shape. It may somewhat resemble that which has been eroded by the same things in other times, in other spaces, or in the same, but the eroding agents are many.&lt;/p&gt;
&lt;p&gt;Does that mean that even a coherent story is partial? Yes. But it does not mean that there is only one story. Do not expect your own story to ever be complete, but seek coherency, and most of all, seek the grooves of other stories that attach to your own. How sad would this world be, if our stories were the only ones worth telling. How sad to get all the pieces to fit right on the first try.&lt;/p&gt;
</content:encoded></item><item><title>Starling: A Wikipedia poem</title><link>https://binomech.neocities.org/miscellanea/starling</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/starling</guid><pubDate>Sun, 22 Jun 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;A poem in wikipedia highlights, for a beloved bird.&lt;/p&gt;
&lt;h2&gt;&lt;em&gt;Starling&lt;/em&gt; on Wikipedia, The Free Encyclopedia&lt;/h2&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Starlings&lt;/strong&gt; are small to medium-sized &lt;a href=&quot;https://en.wikipedia.org/wiki/Passerine&quot;&gt;passerine (perching)&lt;/a&gt; &lt;a href=&quot;https://en.wikipedia.org/wiki/Bird&quot;&gt;birds&lt;/a&gt; known for the often dark, glossy iridescent sheen of their plumage; their complex vocalizations including mimicking; and their distinctive, often elaborate &lt;a href=&quot;https://en.wikipedia.org/wiki/Swarm_behaviour&quot;&gt;swarming&lt;/a&gt; behavior, known as &lt;strong&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Starlings#Murmuration&quot;&gt;murmuration&lt;/a&gt;&lt;/strong&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I think often of your habit of porch-sitting, of observing, like you&amp;#39;re perched and in contemplation.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Several European and Asian species have been introduced to these areas, as well as North America, &lt;a href=&quot;https://en.wikipedia.org/wiki/Hawaii&quot;&gt;Hawaii&lt;/a&gt;, and &lt;a href=&quot;https://en.wikipedia.org/wiki/New_Zealand&quot;&gt;New Zealand&lt;/a&gt;, where they generally compete for habitats with native birds and are considered to be &lt;a href=&quot;https://en.wikipedia.org/wiki/Invasive_species&quot;&gt;invasive species&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A haunting of your ancestry, your job essentially makes you a migratory bird, and it&amp;#39;s the movement and the flock that&amp;#39;s the native environment rather than the land.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Many species search for prey such as grubs by &amp;quot;open-bill probing&amp;quot;, that is, forcefully opening the bill after inserting it into a crevice, thus expanding the hole and exposing the prey; this behaviour is referred to by the German verb zirkeln (pronounced [ˈtsɪʁkl̩n]).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If you make a hole and find that your hole is someone else&amp;#39;s presence there comes an understanding of wholeness, not in absentia. You trace the circle, you draw it, you coax out presence out of the absence.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Starlings have diverse and complex vocalizations and have been known to embed sounds from their surroundings into their own calls, including car alarms and human speech patterns. The birds can recognize particular individuals by their calls and are the subject of research into the evolution of human language.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I associate you with mockingbirds and songbirds of mimicry; I like to associate this part with the sharing of knowledge and also of play, like clowns, like joker cards.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The longest species in the family is the &lt;a href=&quot;https://en.wikipedia.org/wiki/White-necked_myna&quot;&gt;white-necked myna&lt;/a&gt; (&lt;em&gt;Streptocitta albicollis&lt;/em&gt;), which can measure up to 50 cm (19+1⁄2 in), although around 60% in this &lt;a href=&quot;https://en.wikipedia.org/wiki/Magpie&quot;&gt;magpie&lt;/a&gt;-like species is comprised by its very long tail.⁠⁠&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I, too, have the capacity to perch, but I&amp;#39;m always yapping a call or looking for a gleam to peck at and hoard. Did you know that sometimes wanting to eat things that aren&amp;#39;t food is called &amp;quot;pica&amp;quot;, casually? It&amp;#39;s also the name of the magpie&amp;#39;s genus.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Less sexual dimorphism is seen in plumage, but with only 25 species showing such differences between the two sexes. The plumage of the starling is often brightly coloured due to iridescence; this colour is derived from the structure of the feathers, not from any pigment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Butch: It&amp;#39;s not the color you paint them that makes them shine, it&amp;#39;s the way they&amp;#39;re built when the light hits them.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;⁠⁠Other ornamentation includes elongated tail feathers and brightly coloured bare areas on the face.⁠⁠&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Costume and masks that you&amp;#39;d assume are not masks because they&amp;#39;re bare, but they&amp;#39;re just as bright and ornamental as the feathers on the tail. The world&amp;#39;s a stage.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The genus Aplonis has also spread widely across the islands of the Pacific, reaching Polynesia, Melanesia, and Micronesia (in addition one species in the &lt;em&gt;&lt;strong&gt;genus Mino&lt;/strong&gt;&lt;/em&gt; as reached the &lt;a href=&quot;https://en.wikipedia.org/wiki/Solomon_Islands&quot;&gt;Solomon Islands&lt;/a&gt;. Also, a species of this genus is the only starling found in northern Australia.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From &lt;em&gt;madanā&lt;/em&gt;, the 36 heroes and daimons of the realm of joy/excitement in the knowledge layer of the mandala of Heruka in Tibetan buddhism; their faces are a reflection of their names.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Some species of starlings are migratory, either entirely, like Shelley&amp;#39;s starling, (...) or like the &lt;a href=&quot;https://en.wikipedia.org/wiki/White-shouldered_starling&quot;&gt;white-shouldered starling&lt;/a&gt;, which is migratory in part of its range, but is resident in others.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Indirectly named after the poet, which is neat, and thus also indirectly related to Frankenstein, which is neater.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A persistent story alleges that &lt;a href=&quot;https://en.wikipedia.org/wiki/Eugene_Schieffelin&quot;&gt;Eugene Schieffelin&lt;/a&gt;, chairman of the &lt;a href=&quot;https://en.wikipedia.org/wiki/American_Acclimatization_Society&quot;&gt;American Acclimatization Society&lt;/a&gt;, decided all birds mentioned by &lt;a href=&quot;https://en.wikipedia.org/wiki/William_Shakespeare&quot;&gt;William Shakespeare&lt;/a&gt; should be in North America, leading to the introduction of the starling to the U.S.; however, this claim is more fiction than fact (...) Schieffelin and other members of the society did release starlings in Central Park.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I would like to know what Shakespeare play(s) mention starlings.&lt;/p&gt;
&lt;p&gt;The reason why it&amp;#39;s more fiction than fact is, most certainly, that Central Park isn&amp;#39;t real.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A highly social bird, most starlings associate in flocks of varying sizes throughout the year.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A production is a swarm is a flock is a temporary association that is capable of improvisation.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The sharp pushing, pulling, diving, pulsating and swooping of the flock in response to the individual movements may confuse and discourage predators such as falcons, providing a collective protection. The term &lt;em&gt;murmuration&lt;/em&gt; derives from the low, indistinct sounds of a dense flock&amp;#39;s wings — i.e., the &lt;em&gt;murmor&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;em&gt;Murmor&lt;/em&gt; or &lt;em&gt;murmur&lt;/em&gt; is onomatopoeic in all its etymologies, but in Ancient Greek, i have seen it used to describe the roaring of the waves at sea, their crashing.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;⁠⁠Researchers used a computer simulation to determine that each bird synchronized with its seven closest neighbors, creating overlapping groups that communicated their movements — focusing on three simple parameters: attraction, repulsion and angular alignment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;https://www.masterorganicchemistry.com/2017/02/23/rules-for-aromaticity/&quot;&gt;Rules for aromaticity in organic chemical bonds&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://nihilisticporcupine.com/tag/curse-of-the-magi/&quot;&gt;Curse of the Magi&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;A Pi never gives up.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;⁠⁠In &lt;a href=&quot;https://en.wikipedia.org/wiki/Denmark&quot;&gt;Denmark&lt;/a&gt;, where murmurations have been estimated to involve a million starlings, the phenomenon is called the Black Sun, or &lt;em&gt;Sort sol&lt;/em&gt; in Danish.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ouroboros, almost, an eclipse, but it is no sun nor is it self devouring: It&amp;#39;s a coming together of species to make art as motion, like a loom, like a dance, like sound waves.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Starlings imitate a variety of avian species and have a repertoire of about 15–20 distinct imitations. They also imitate a few sounds other than those of wild birds. The calls of abundant species or calls that are simple in frequency structure and show little amplitude modulation are preferentially imitated. Dialects of mimicked sounds can be local.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Sometimes you want to learn languages for the way they make you think, not the way they let you sound.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The Starling&amp;#39;s sociality is particularly evident in their roosting behavior; in the nonbreeding season, some roosts can number in the thousands.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;em&gt;I just want to find a friend, I don&amp;#39;t need another lover.&lt;/em&gt; This is love without lovers.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;⁠⁠Robins and starlings cause serious damage to ripening grapes in California and elsewhere.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&amp;#39;ve been looking at bird names for a while now, and I kept circling back to Robin, because a beloved friend is called that and it&amp;#39;s one of the few names that are recognizable in English and also a literal bird.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Starlings have been observed feeding on fermenting over-ripe fruit, which led to the speculation that they might become intoxicated by the alcohol.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;My cotton-headed wine connoisseur.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;⁠⁠In addition to consuming fruits, many starlings also consume &lt;a href=&quot;https://en.wikipedia.org/wiki/Nectar&quot;&gt;nectar&lt;/a&gt;. The extent to which starlings are important &lt;a href=&quot;https://en.wikipedia.org/wiki/Pollinator&quot;&gt;pollinators&lt;/a&gt; is unknown, but at least some are, such as the &lt;a href=&quot;https://en.wikipedia.org/wiki/Slender-billed_starling&quot;&gt;slender-billed starling&lt;/a&gt; of alpine East Africa, which pollinates &lt;a href=&quot;https://en.wikipedia.org/wiki/Megaherb&quot;&gt;giant&lt;/a&gt; &lt;a href=&quot;https://en.wikipedia.org/wiki/Lobelia&quot;&gt;lobelias&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Fellow pollinator, but you&amp;#39;re not the tragic hero offering the nectar in exchange for a blessing, you take it for yourself. You take the sweetness and the seed, you give light.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;⁠⁠The starling family Sturnidae was introduced (as Sturnidia) by French &lt;a href=&quot;https://en.wikipedia.org/wiki/Polymath&quot;&gt;polymath&lt;/a&gt; &lt;a href=&quot;https://en.wikipedia.org/wiki/Constantine_Samuel_Rafinesque&quot;&gt;Constantine Samuel Rafinesque&lt;/a&gt; in 1815.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A lover of the exiled and the migrants, dying of old pica with a plant that lets water slide off of it like duck plumage. I do love mentha s(pica)ta and spades is a beautiful suit, even when death haunts it.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The starlings belong to the &lt;a href=&quot;https://en.wikipedia.org/wiki/Taxonomic_rank&quot;&gt;superfamily&lt;/a&gt; Muscicapoidea, together with &lt;a href=&quot;https://en.wikipedia.org/wiki/Thrush_(bird)&quot;&gt;thrushes&lt;/a&gt;, &lt;a href=&quot;https://en.wikipedia.org/wiki/Old_World_flycatcher&quot;&gt;flycatchers&lt;/a&gt; and &lt;a href=&quot;https://en.wikipedia.org/wiki/Chat_(bird)&quot;&gt;chats&lt;/a&gt;, as well as &lt;a href=&quot;https://en.wikipedia.org/wiki/Dippers&quot;&gt;dippers&lt;/a&gt;, which are quite distant relatives, and &lt;a href=&quot;https://en.wikipedia.org/wiki/Mimidae&quot;&gt;Mimidae&lt;/a&gt; (thrashers and mockingbirds). The latter are apparently the Sturnidae&amp;#39;s closest living relatives, replace them in the &lt;a href=&quot;https://en.wikipedia.org/wiki/Americas&quot;&gt;Americas&lt;/a&gt;, and have a rather similar but more solitary lifestyle. They are &lt;a href=&quot;https://en.wikipedia.org/wiki/Morphology_(biology)&quot;&gt;morphologically&lt;/a&gt; quite similar too—a partly &lt;a href=&quot;https://en.wikipedia.org/wiki/Albinistic&quot;&gt;albinistic&lt;/a&gt; specimen of a mimid, mislabelled as to suggest an Old World origin, was for many decades believed to represent an extinct starling (see &lt;a href=&quot;https://en.wikipedia.org/wiki/Rodrigues_starling&quot;&gt;Rodrigues starling&lt;/a&gt; for details).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Scavenger and mimic of the dead-eyed variety (not really, but let&amp;#39;s bungle some etymologies).&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Usually, the starlings are considered a family, as is done here.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It doesn&amp;#39;t matter if the cross-species reproduction gives a negative, they share enough to be family.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As the fossil record is limited to quite Recent forms, the proposed Early Miocene (about 25–20 Mya) divergence dates for the &amp;quot;sturnoids&amp;quot; lineages must be considered extremely tentative. Given the overall evidence for the origin of most Passeri families in the first half of the Miocene, it appears to be not too far off the mark, however.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;We may not share our genes but we share something far more important: Starlings became distinct at the same time as hominids from apes.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As of 2007, recent studies identified two major clades of this family, corresponding to the generally drab, often striped, largish &amp;quot;atypical mynas&amp;quot; and other mainly Asian-Pacific lineages, and the often smaller, sometimes highly apomorphic &lt;a href=&quot;https://en.wikipedia.org/wiki/Taxa&quot;&gt;⁠taxa&lt;/a&gt; which are most common in Africa and the Palearctic, usually have metallic coloration, and in a number of species also bright &lt;a href=&quot;https://en.wikipedia.org/wiki/Carotinoid&quot;&gt;carotinoid&lt;/a&gt; plumage colors on the underside.⁠⁠&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Apomorphic is not aposematic. In birds bright markings are a sign of individuation, but in reptiles and amphibians they&amp;#39;re a sign of danger. And yet, aposematism can be considered a protective type of mimicry.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The Philippine creepers, a single genus of three species of treecreeper-like birds, appear to be highly apomorphic members of the more initial radiation of the Sturnidae. (:..) ⁠⁠Nonetheless, their inclusion in the Sturnidae is not entirely final and eventually, they may remain a separate family.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Or perhaps fear and protection, individuality and flocking, are not that different, since one of the first branches that split from that tree may remain separate.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Grosbeak_starling&quot;&gt;Grosbeak starling&lt;/a&gt; (&lt;em&gt;S. dubium&lt;/em&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You: The doubter.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Chestnut-tailed_starling&quot;&gt;Chestnut-tailed starling&lt;/a&gt; (&lt;em&gt;S. malabarica&lt;/em&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt; You: The juggler.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Madagascar_starling&quot;&gt;Madagascar starling&lt;/a&gt; (&lt;em&gt;H. auratus&lt;/em&gt;) &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You: Illuminated in gold.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Pied_starling&quot;&gt;Pied starling&lt;/a&gt; (&lt;em&gt;L. bicolor&lt;/em&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You: in technicolor hues invisible to the naked eye.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Socotra_starling&quot;&gt;Socotra starling&lt;/a&gt; (&lt;em&gt;O. frater&lt;/em&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You: Brother and fruit-eater.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Speculipastor&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You: A mirror, a shepherd.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Magpie_starling&quot;&gt;Magpie starling&lt;/a&gt; (&lt;em&gt;S. bicolor&lt;/em&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You: Kindred.&lt;/p&gt;
</content:encoded></item><item><title>Cybernaut&apos;s Tetrapharmakos</title><link>https://binomech.neocities.org/miscellanea/tetrapharmakos</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/tetrapharmakos</guid><pubDate>Fri, 20 Jun 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;em&gt;A compass for navigating the Internet Superhighway,&lt;/br&gt; after the Epicureans.&lt;/em&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;p&gt;&lt;strong&gt;Wax:&lt;/strong&gt; Your life is both the work of art and its reference; everything beyond that is necessarily a hypothesis.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;&lt;strong&gt;Pitch:&lt;/strong&gt; It&amp;#39;s not death staining you and scrubbing you clean in cycles; motion is a blessing reserved for the living.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;&lt;strong&gt;Resin:&lt;/strong&gt; If you only seek pleasure when it promises the end of pain, your moments of joy will start feeling like a locking tomb.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;&lt;strong&gt;Tallow:&lt;/strong&gt; Know that there is beauty and pleasure to be found everywhere, even in (and sometimes because of) the certain reality of pain.&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;hr&gt;
&lt;h2&gt;&lt;strong&gt;1. Wax:&lt;/strong&gt; &lt;em&gt;Be your own reference and creation, the rest of the world is hypothesis.&lt;/em&gt;&lt;/h2&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;A happy and eternal being has no trouble himself and brings no trouble upon any other being; hence he is exempt from movements of anger and partiality.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Emulate the happiness of the gods, within the limits imposed by human nature.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;This anxiety about death impedes the quality and happiness of one&amp;#39;s life by the theory of afterlife: the worrying about whether or not one&amp;#39;s deeds and actions in life will translate well into the region of the gods and the wondering whether one will be assigned to an eternity of pain or to an eternity of pleasure.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;The judgments of others are irrelevant in the making of my own.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Being too self-centered hinders any attempt to make meaningful improvements to the world around me and those I love.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I make my life on the internet and not my body, which houses both that life and a myriad of other things. Those words and images house my mind, but my mind is housed by a body that does not reflect myself as well as that art that I neglect as much as humanity neglects its body, the earth.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Why do I watch myself and try to guess what others see? When I share something about my life or about media, I feel like I am sharing it because it does not exist if it&amp;#39;s not acknowledged. And yet, it&amp;#39;s such an intensely solipsistic behavior: I can&amp;#39;t exist in the world, and the world cannot exist; it all folds back into myself.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;A curated exposition of one&amp;#39;s thoughts can make a good life update, but it&amp;#39;s always better to talk directly to people about your life than to share with an abstract audience.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;If it hurts to know they are happy, is it because you&amp;#39;re not happy with your own life? What do you need to be happy? &lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Only some situations require urgent responses; permanent availability is an expectation, and you can set it to be &amp;quot;I&amp;#39;m not at your disposition unless I want to be,&amp;quot; even with friends. Learn to not care about causing discomfort if the cause is just making someone think you hate them.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;You don&amp;#39;t need to share your every thought on the internet, publicly or in group chats. Sharing is the act of putting your thoughts on the table so that they can reach others, yes, but it&amp;#39;s also opening up the possibility of connection and feedback. If you don&amp;#39;t want something peer reviewed, judged, or to be the basis of your relationships, why are you sharing it?&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;No one knows what you don&amp;#39;t tell them. You don&amp;#39;t owe anyone full disclosure of your motives and thoughts. You don&amp;#39;t owe anyone your image or your explanations, just your integrity.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;&lt;strong&gt;2. Pitch:&lt;/strong&gt; &lt;em&gt;Loss will both stain and scrub you clean in cycles; motion is a necessity.&lt;/em&gt;&lt;/h2&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;While you are alive, you don&amp;#39;t have to deal with being dead, but when you are dead, you don&amp;#39;t have to deal with it either, because you aren&amp;#39;t there to deal with it.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Death is nothing to us, for there is no afterlife. Seeing that, when we are, death has not come, and when death has come, we are not.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;This anxiety about death impedes the quality and happiness of one&amp;#39;s life by the theory of afterlife: the worrying about whether or not one&amp;#39;s deeds and actions in life will translate well into the region of the gods and the wondering whether one will be assigned to an eternity of pain or to an eternity of pleasure.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;A fear of forgetting, losing things, because I got distracted by new input, because I didn&amp;#39;t deem them important. A fear of sudden disappearance of possibility: websites shutting down, losing information, and people.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The future is a direction, not a location: if I died right now, the state of what I leave does not matter to me. If I must remain alive, what is the next step that alive me needs? &lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;You&amp;#39;re not at the end yet, so don&amp;#39;t let it define this journey. You can&amp;#39;t experience the journey while hypothesizing about the qualities of its end, so just focus on the step you must take now. &lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;You are something that is moving towards a future but does not only exist in a future that might not come to happen&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Nothing that exists online will outlive you. It&amp;#39;s a means, not an end. Is it serving you? Is it making a real connection? Do you need to spend 8 hours a day browsing Tumblr or playing League to have any human connection at all? Take notice.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The value in social media is the people: the ones you talk to, the ones that made the things you like, and the human connection that is possible through this infrastructure.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Do not endure discomfort for no reason. &lt;em&gt;If it sucks, hit da bricks.&lt;/em&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;3. Resin: &lt;em&gt;If you expect pleasure to get rid of all pain, your unmet desire will trap you.&lt;/em&gt;&lt;/h2&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;There&amp;#39;s pleasure to be found in everything, but it will never satisfy the desire for no pain.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The magnitude of pleasure reaches its limit in the removal of all pain.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Sustenance and shelter— these things can be acquired by anyone (what are your pleasures?)&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;If one wants more than one needs, one is limiting the chances of satisfaction and happiness and therefore creating a “needless anxiety” in one’s life.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The minimum amount of necessity it takes to satisfy an urge is the maximum amount of interest a person should have in satisfying that urge.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;Are you having fun with what you&amp;#39;re doing? &lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Is it a distraction?&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Is it a chore?&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Are you scared of missing out? &lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Is it adding to your offline baseline quality of life or taking from it?&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Are you neglecting your living space? Your offline relationships? Your online relationships? When was the last time you asked someone how they&amp;#39;re doing?&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;&lt;strong&gt;4. Tallow:&lt;/strong&gt; &lt;em&gt;There&amp;#39;s pleasure to be found everywhere, even in pain.&lt;/em&gt;&lt;/h2&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;Continuous pain does not last long in the body; on the contrary, pain, if extreme, is present a short time.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Illnesses of long duration even permit an excess of pleasure over pain in the body.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Suffering is either &amp;quot;brief or chronic ... either mild or intense, but discomfort that is both chronic and intense is very unusual.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;Intense pain is brief, and pleasure follows; chronic pain is temperate and coexists with pleasure.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Be certain that the other side of pain is always pleasure, so there&amp;#39;s no point in hypothesizing about how long it will last, because you will find pleasure during it or after, no matter what the answer to that is.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Recognize your physical and mental limit, your pain threshold, without orienting your perception by the end (see Pitch).&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Things like disability or queerness are sources of much pain but also of the greatest joy as sources of new perspectives and community.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Acute pain is always brief and followed by pleasure; chronic pain makes room for new types of pleasure.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Sometimes discomfort is a means to an end. But also, sometimes we&amp;#39;ve forgotten what that end was, and it may no longer be relevant. Why do you do the things you do that aren&amp;#39;t joyful?&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Joy and fun are meaningful by themselves.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>pali pi ante toki</title><link>https://binomech.neocities.org/miscellanea/pali-pi-ante-toki</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/pali-pi-ante-toki</guid><pubDate>Sat, 31 May 2025 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;What is pali pi ante toki?&lt;/h2&gt;
&lt;p&gt;&lt;em&gt;pali pi ante toki&lt;/em&gt; (or &amp;quot;Thought Untangling Effort&amp;quot;) is a project I&amp;#39;m undertaking between June 1st and August 31st in which I try to write my personal notes toki pona-first.&lt;/p&gt;
&lt;p&gt;toki pona is a philosophical constructed language conceived in 2001. It is designed for talking about things by explaining them in simple concepts, with the total number of words in the language originally totaling 120. &lt;a href=&quot;https://sona.pona.la/wiki/Communities&quot;&gt;It has an active community of speakers&lt;/a&gt;, though, and as such it changes over time with use, like most natural languages: A lot of neologisms have been coined since Sonja Lang published the first toki pona book in 2014, and the original set of words has a variety of conventional and expanded meanings nowadays. In this project I have decided to mostly stick to the core set.&lt;/p&gt;
&lt;p&gt;toki pona&amp;#39;s limited vocabulary means it works by using terms that occupy a vague semantic space and then clarifying context for the terms that one is using in separate sentences. This forces the speaker to challenge their assumptions about the purpose or identifiable characteristics of everything, combining introspection (analyzing one&amp;#39;s internal landscape) with communication (conveying it to external parties with their own set of signifiers and assumptions).&lt;/p&gt;
&lt;p&gt;Let&amp;#39;s take &lt;em&gt;pali [pi] ante toki&lt;/em&gt; as an example.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;pi&lt;/em&gt; is a particle with a grouping grammatical function in clauses; it has no direct semantic translation, but it basically means that &lt;em&gt;ante&lt;/em&gt; and &lt;em&gt;toki&lt;/em&gt; operate together to apply to &lt;em&gt;pali&lt;/em&gt;.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;pali:&lt;/strong&gt; &lt;em&gt;work, build, labor, action, task, function, project, effort, performance, behavior&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;ante:&lt;/strong&gt; &lt;em&gt;change, different, alter, modify, edit, transformation, distinction, another, adaptation, adjust&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;toki:&lt;/strong&gt; &lt;em&gt;communication, conversation, hello, thought, speech, language, discourse, dialogue, expression, story, answer&lt;/em&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I could roughly translate &lt;em&gt;pali pi ante toki&lt;/em&gt; as &lt;em&gt;an effort to change thoughts,&lt;/em&gt; but that&amp;#39;s one of many ways to pin down the complete meaning of what I&amp;#39;m trying to express with these words. I want to convey that the project is something that takes energy, that is active, that serves a purpose, and that interfaces with something beyond myself. I want to express that the thing that is undergoing a sort of detangling isn&amp;#39;t just my thought patterns, internal and habitual, but also the ways in which I use language to convey them, the ways in which my language is used narratively and explores causality, and how I use language to interface with other people, whether that&amp;#39;s my internal thought process or the shapes it takes when expressed.&lt;/p&gt;
&lt;p&gt;I want to clarify that it&amp;#39;s not that it&amp;#39;s &lt;em&gt;tangled&lt;/em&gt;, as in, &lt;em&gt;confusing, unusable, messy,&lt;/em&gt; but that the act of detangling is simply understanding what threads are the same and what are different, separating them for the purpose of weaving them again in different ways so that they may read as different, or produce different results, or adapt to different contexts more flexibly.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Thought untangling effort&lt;/em&gt; has a lot of assumptions attached. &lt;em&gt;pali pi ante toki&lt;/em&gt; leaves room for ambiguity, which can be very enlightening.&lt;/p&gt;
&lt;h2&gt;Principles of pali pi ante toki&lt;/h2&gt;
&lt;h3&gt;wile sona (curiosity)&lt;/h3&gt;
&lt;p&gt;Artistic consumption is a process that combines introspection and communication with the creator of the art, since creation and projection are also points of contact between someone&amp;#39;s subjectivity and the subjectivities of others. In this way, it&amp;#39;s just like communication in toki pona. I want to apply the cognitive disruption of toki pona grammar and vocabulary to my interpretation of the symbolic expressions of others&amp;#39; subjectivities, but I need to strike a balance between challenge and enjoyment.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I don&amp;#39;t want to rewrite analyses or analyze source materials that I&amp;#39;m currently so obsessed with that the metaphorical tangle of neural pathways is raw and overstimulated. I want this project to serve as an encouragement to watch and read things that I haven&amp;#39;t experienced before or that I experienced a while ago because those are the pathways that are more susceptible to examination and in need of change: how to face the uncertain and how to uproot the certain.&lt;/li&gt;
&lt;li&gt;I think the only way to engage with media that I&amp;#39;m currently interested in, at least in the ways intended for this project, has to be through transformative works. I don&amp;#39;t want an excuse to revisit the source material, but I can see other fans&amp;#39; interpretations of the work and their own spins, which is a new subjectivity on the board. That&amp;#39;s why fanfiction comments are something I want to encourage, since it&amp;#39;s a good balance of familiar subjects and new forms.&lt;/li&gt;
&lt;li&gt;I enjoy reading poetry, not analyzing it. Also, I feel like the translation of poetry is a very delicate art, and I&amp;#39;d much rather read the originals in the natural languages I know than focus on conceptualizing them in toki pona.&lt;/li&gt;
&lt;li&gt;If I&amp;#39;m reading a technical or political text, I want to focus on understanding the concepts. The added pass of commenting on them in any way in a language that is meant to be auxiliary rather than a primary driver is a certain way to burn myself out.&lt;/li&gt;
&lt;/ul&gt;
&lt;h3&gt;alasa luka (interfacing)&lt;/h3&gt;
&lt;p&gt;I want to make the baseline of enjoyment of this project personal, not social, which means that there will be a focus on expressing myself in toki pona.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The main text of the entry (review, comment, journal) must be originally written in toki pona.&lt;/li&gt;
&lt;li&gt;All annotations in English are for the purpose of recording my thought processes primarily for my own reference, and if shared will assume baseline toki pona knowledge from the abstract reader.&lt;/li&gt;
&lt;li&gt;Proper names of people and places will not be phonetically tokiponized.&lt;/li&gt;
&lt;/ul&gt;
&lt;h3&gt;awen pali (sustainability)&lt;/h3&gt;
&lt;p&gt;I want to see this project through; 3 months of routine is more than I&amp;#39;m used to keeping, and this principle is about making this routine easier on me in the long term as well as encouraging technological sustainability by making the site accessible, compatible and easily maintained.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;No indexed lists of pages until the project is over. I don&amp;#39;t want to use a static site generator, which means I would have to handwrite every link list and tweak it any time I changed a link slug, and it would be simultaneously tedious and a very enticing time-waster. So I&amp;#39;ve decided I&amp;#39;m handwriting this code, and I&amp;#39;m just linking to the entries in the corresponding review, comment or post.&lt;/li&gt;
&lt;li&gt;The palette must be high-contrast black-and-white and adapt to user-end dark mode and light mode preferences. All the colors are set with CSS variables so that they switch automatically, and the stylesheet can be easily modified to make your own palette. I also tend to get lost in the sauce when it comes to tweaking style over substance, and this is a way for me to avoid that pitfall.&lt;/li&gt;
&lt;li&gt;No JavaScript to avoid bloat and ensure functionality in text-only interfaces&lt;/li&gt;
&lt;li&gt;Semantic HTML structure and elements will be the primary components of the page to make navigation easier on screen readers and browsers&amp;#39; reading mode. All styling must be applied to these elements.&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Words used in pali pi ante toki&lt;/h2&gt;
&lt;p&gt;To avoid unnecessary bloat and make maintenance easier on myself, I&amp;#39;ll link to the &lt;a href=&quot;https://linku.la/?categories=%7B%22core%22%3Atrue%2C%22common%22%3Atrue%2C%22uncommon%22%3Afalse%2C%22obscure%22%3Afalse%7D&amp;q=&quot;&gt;list of core and common toki pona terms on Linku&lt;/a&gt;, a community dictionary that formally polls the toki pona speakers periodically to gauge how widespread usage of each word is.&lt;/p&gt;
&lt;h3&gt;Disclaimer about &lt;em&gt;jan&lt;/em&gt;&lt;/h3&gt;
&lt;p&gt;I will be using it to refer to agents and use modifiers if it requires clarification for the species or role. As a head noun, it will refer to human beings. I have a preference for contextual head nouns, though, so the emphasis is on the agency rather than the species.&lt;/p&gt;
&lt;p&gt;Proper names in toki pona are usually made out of a head noun and a modifier. A head noun is a word that expresses what kind of thing the modifier is or what function it serves, while the modifier is the proper name as one would understand it in English.&lt;/p&gt;
&lt;p&gt;Usually the second part is phonetically transliterated into toki pona sounds, but I&amp;#39;ve decided to omit tokiponization in this project. In the following example, to showcase the usual format, I will tokiponize &amp;quot;America&amp;quot; as &lt;em&gt;Mewika&lt;/em&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;ma Mewika: (land, space, territory) America = USA, the country&lt;/li&gt;
&lt;li&gt;jan Mewika: (person, human) America = American, a person that lives in the US or that is a citizen of the US&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;There is an active debate among toki pona speakers on whether &lt;em&gt;jan&lt;/em&gt;&amp;#39;s original definition as bound to humans (as homo sapiens) is in line with the philosophy behind toki pona and the implications about personhood being equated to humanity both as anthropocentric and in conversation with the dehumanization certain groups of humans experience.&lt;/p&gt;
&lt;p&gt;I think it&amp;#39;s a very important conversation, and in toki pona-speaking spaces I avoid defaulting to &lt;em&gt;jan&lt;/em&gt; as a head noun unless explicitly requested and generalize the audience as &lt;em&gt;ale&lt;/em&gt;, &lt;em&gt;sina/ona&lt;/em&gt;, &lt;em&gt;ijo.&lt;/em&gt; For human fictional characters, unless their name in a specific sentence serves a purpose that would suit another head noun better, I will use a default &lt;em&gt;jan&lt;/em&gt; for purely linguistic clarity.&lt;/p&gt;
&lt;h3&gt;Disclaimer about &lt;em&gt;kili&lt;/em&gt;&lt;/h3&gt;
&lt;p&gt;While the standard widespread definition is simply &amp;quot;fruit,&amp;quot; &amp;quot;mushroom,&amp;quot; or the edible part of a plant, I find that the lack of terms to describe offspring without implying their youth or smallness in casual toki pona is a pain in the ass.&lt;/p&gt;
&lt;p&gt;I think &lt;em&gt;kili&lt;/em&gt; as the child/product/creation of &lt;em&gt;mama&lt;/em&gt; (whether that &lt;em&gt;mama&lt;/em&gt; is a plant, an animal, an intellect, or a machine) is a solid alternative.&lt;/p&gt;
&lt;h2&gt;Words omitted in pali pi ante toki&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;pu/ku/su&lt;/strong&gt;, meta words for interacting with the Toki Pona books: I&amp;#39;m not here to write &lt;em&gt;about&lt;/em&gt; toki pona, I&amp;#39;m here to write &lt;em&gt;in&lt;/em&gt; toki pona. Sorry, jan Sonja.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;jelo/laso/loje&lt;/strong&gt;, terms for colors with a saturation value (yellow-ish, blue-ish, red-ish): I&amp;#39;m keeping &lt;em&gt;walo&lt;/em&gt; (white, bright) and &lt;em&gt;pimeja&lt;/em&gt; (black, dark), but I want to challenge myself to write about color without combining words that may specify a shade to avoid cultural associations and to convey visual information verbally in a way that honors the medium of words over image. To think of translation as not mere localization, if you will.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;tonsi&lt;/strong&gt;, a term to express the concept of gender non-conformity or trans genders, as well as genders outside of the man/woman binary: To me, gender is constructed and performed; it&amp;#39;s something that you do or is done to you rather than something you are, some essence you possess. I find value in talking about trans identities in terms that aren&amp;#39;t easily flattened into a modifier, and I want to avoid this shortcut to do justice to my own understanding and experience of my trans existence.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Sound of Metal (2019) notes</title><link>https://binomech.neocities.org/miscellanea/sound-of-metal</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/sound-of-metal</guid><pubDate>Fri, 30 May 2025 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;guitar tuning as tinnitus&lt;/li&gt;
&lt;li&gt;muffled audience and muffled singer (audio cues as tone and time rather than&lt;/li&gt;
&lt;li&gt;gold-white-red light shift matches bass drum&lt;/li&gt;
&lt;li&gt;drummer as a choice - relevant career consequence or to explore the relationship between disability and artistic vocation?&lt;/li&gt;
&lt;li&gt;decibel mag. big mixing table and loudspeakers on the RV counter.&lt;/li&gt;
&lt;li&gt;dripping, whirring, whizzing almost sound waves on the blender up and down.&lt;/li&gt;
&lt;li&gt;use of camera focus to sight and touch and strings of sound.&lt;/li&gt;
&lt;li&gt;supportive of others&amp;#39; struggle with disabling conditions.&lt;/li&gt;
&lt;li&gt;music and dance as a common ground for comfort. busy hands.&lt;/li&gt;
&lt;li&gt;Jeff Goldblum in the fly :)&lt;/li&gt;
&lt;li&gt;BLACKGAMMON the band.&lt;/li&gt;
&lt;li&gt;focused image = sitelen kiwen vs. ko for fuzz/blur&lt;/li&gt;
&lt;li&gt;gauge sticker&lt;/li&gt;
&lt;li&gt;hand covering the up and down of the whirr blender upon hearing loss!&lt;/li&gt;
&lt;li&gt;close-up vs wide shot&lt;/li&gt;
&lt;li&gt;ruben STONE (ruben etym?)&lt;/li&gt;
&lt;li&gt;gorgeous shot overlapping the dissonant reflection from the ORLG onto him through the cabin&lt;/li&gt;
&lt;li&gt;Cigarette burn Chekhov&amp;#39;s gun of self destructive sentences kept at bay by taking care of others&lt;/li&gt;
&lt;li&gt;Lou resorts to practical steps, Ruben resorts to emotional comfort for both self and others&lt;/li&gt;
&lt;li&gt;Wishing for a different past breaks serenity? But what about the present, or the future?&lt;/li&gt;
&lt;li&gt;My body language is very similar I think&lt;/li&gt;
&lt;li&gt;Window as blurry raindrop no sound waugh&lt;/li&gt;
&lt;li&gt;Outside shot going from conversation to PURE SILENCE&lt;/li&gt;
&lt;li&gt;saturated blacks and reds. sudden white flashes. de-saturated green vs. brown - WHAT ELSE IS BROWN -- HEROIN AND BEER&lt;/li&gt;
&lt;li&gt;big pitiful eyes? not fearful. pitiful. preemptive grief. imagine my funeral.&lt;/li&gt;
&lt;li&gt;I need a gun in my mouth. I need to wreck speakers.&lt;/li&gt;
&lt;li&gt;I love the way the parting is framed as a healthy but incredibly painful choice, the stakes of double harm are hard but they&amp;#39;re real. It very often is like that. It&amp;#39;s not healthy but some people operate better under them.&lt;/li&gt;
&lt;li&gt;I love the way they use the frame of the taking off of the shoes. The hard soles, the fuzzy socks, like sound.&lt;/li&gt;
&lt;li&gt;darkness and sound, light and silence, darkness is silence if you can&amp;#39;t hear, light is image is meaning.&lt;/li&gt;
&lt;li&gt;Blurred sign language, too. No understanding. No sounds of banging. Wide shot adds sound. Ruben as a dark close up of silence.&lt;/li&gt;
&lt;li&gt;OWL EYES REAL (spts for alt meaning?) &lt;/li&gt;
&lt;li&gt;how is B fingerspelled in ASL i missed that&lt;/li&gt;
&lt;li&gt;I like that it&amp;#39;s addiction as coping&lt;/li&gt;
&lt;li&gt;FUCKING PROTONMAIL? LEFTISM.&lt;/li&gt;
&lt;li&gt;Have a peek at Joe&amp;#39;s tattoos.&lt;/li&gt;
&lt;li&gt;Get military disciplin&amp;#39;d ??? Can you sit the fuck still (oh dear god) (nightmare scenario) (at least he can write)&lt;/li&gt;
&lt;li&gt;NO DRAWING? writing. why?!&lt;/li&gt;
&lt;li&gt;body doubling. writing. if it gets hard - the words? or the sitting? or the living?&lt;/li&gt;
&lt;li&gt;Break it apart, put it together. You can put a loudspeaker together but you don&amp;#39;t want to.&lt;/li&gt;
&lt;li&gt;You can yell freely without bothering anyone which is pretty awesome. It does feel infantilizing. The fucking idiot is himself? Hip hop to heavy beat?&lt;/li&gt;
&lt;li&gt;OH THE WEIRD KID ACQUISITION. OUCH.&lt;/li&gt;
&lt;li&gt;Drums as play, beat as play, beat the table, beat the playground, beat the drum, it helps. Sometimes you have to converse in beats. Your hands become a speaking tool but it&amp;#39;s through beats, not words. He feels the vibration, you make it. And it goes both ways. Hand shots over face shots. wide shots of no sound when the vibration feels so loud on the hands and the cheek.&lt;/li&gt;
&lt;li&gt;He&amp;#39;s not a child but he needs to learn the basics and he needs to play as an outlet and he can lend a hand.&lt;/li&gt;
&lt;li&gt;god I miss LSE. i want language to be social and fun.&lt;/li&gt;
&lt;li&gt;not shaved. YAY BUTCH&lt;/li&gt;
&lt;li&gt;subtitles coming with Ruben&amp;#39;s understanding&lt;/li&gt;
&lt;li&gt;oh he knows how to tattoo&lt;/li&gt;
&lt;li&gt;he&amp;#39;s teaching drumming&lt;/li&gt;
&lt;li&gt;so the no drawing rule was to cope with loss....... oh dear god.&lt;/li&gt;
&lt;li&gt;he can sit. he can contemplate the lack of birdsong. he will see a bug. LIKE IN HIS NECK TATTOO. SAME BUG. WHAT BUG IS IT.&lt;/li&gt;
&lt;li&gt;feeling old. night owl. early morning. night owl becomes early bird. darkness is darkness, light is light.&lt;/li&gt;
&lt;li&gt;he gets a pack of cigarettes and an actual ashtray.&lt;/li&gt;
&lt;li&gt;crickets are louder than lou&amp;#39;s video at dawn, the shot is wide, the world is lit up. but it&amp;#39;s an horizon line. not all is clear. you have to get rid of the sound equipment. that&amp;#39;s not your life anymore. but the drum? you feel the drum. you feel the drum. it&amp;#39;s in the light of day. no flashes. it&amp;#39;s just you at dawn.&lt;/li&gt;
&lt;li&gt;you sell it for her. is the money for an implant? or for her to eat and live as comfortably as you do now? she&amp;#39;s your heart. you need other organs. it&amp;#39;s pretty nice.&lt;/li&gt;
&lt;li&gt;Restless boy real. Piano is too. Melodic. Not the kind of richness one needs. I love hand shots vs. wide shots. vs face shots side-3-quarters&lt;/li&gt;
&lt;li&gt;He&amp;#39;ll be back tomorrow, no worries. I feel like it&amp;#39;s a massive act of care towards others that ends with him walking back, soaked, fresh out of surgery.&lt;/li&gt;
&lt;li&gt;Saving your life is going back to the past. I have nothing. Does it matter, it just passes? Like, the past? If I disappear no one cares because that&amp;#39;s life, life passes.&lt;/li&gt;
&lt;li&gt;The world moves and it can be cruel, but the stillness, the SILENCE is the kingdom of god. And it&amp;#39;s in you and it will never abandon you. Stillness is the kingdom of god. Deaf culture is heaven on earth.&lt;/li&gt;
&lt;li&gt;All of us need to be reminded of it every day. Trust in the belief that silence can be peaceful. Trust that you will not go behind your back to get surgery. To get a fix. To get fixed.&lt;/li&gt;
&lt;li&gt;Rehab. Education. Boot camp. What is broken? What&amp;#39;s the fix? What&amp;#39;s not broken and doesn&amp;#39;t need fixing? Are we responsible for our addictions? We are responsible for our support.&lt;/li&gt;
&lt;li&gt;It&amp;#39;s high (but you lost your lows) - and your brain is not very good at pitch, where your ears are.&lt;/li&gt;
&lt;li&gt;Wide shot of plane vibration and following the plane visually where the stereo sound goes.&lt;/li&gt;
&lt;li&gt;In the stillness, the kingdom of god. Turn off the damn implant if you don&amp;#39;t feel it&amp;#39;s making something easier.&lt;/li&gt;
&lt;li&gt;Wild how all of the middle aged men in this movie are somewhat carbon copyish. Nose. Eyes. The tone.&lt;/li&gt;
&lt;li&gt;The paralleling of her waking&lt;/li&gt;
&lt;li&gt;No scratching. You look different. No track marks.&lt;/li&gt;
&lt;li&gt;Oh the party... oh, communication in noise. In silence? What&amp;#39;s the party for? Dad bday. Also language, french-english, you can&amp;#39;t lip read a language you don&amp;#39;t know. Song has no melody, no words, just the misery in her face. Their face, they both look profoundly sad and Ruben watches, distorted, distorted. Music is sadness. It&amp;#39;s a rotting past. A suicidal mother. A world you can&amp;#39;t go back to.&lt;/li&gt;
&lt;li&gt;Twilight dark-light, mixed light as noise, dawn with the crickets, this with the static from the poor implant input. Darkness must become silent again, light is capacity to read lips and&lt;/li&gt;
&lt;li&gt;The room is in muted greens and browns. It&amp;#39;s gentle and well lit, it&amp;#39;s duller, less intense, fuzzy&lt;/li&gt;
&lt;li&gt;The things your memory holds onto without you knowing. Like sound. Like music.&lt;/li&gt;
&lt;li&gt;All of us are going forward. None of us are going back.&lt;/li&gt;
&lt;li&gt;PLEASE KILL ME tattoo focused.&lt;/li&gt;
&lt;li&gt;It&amp;#39;s okay if you can&amp;#39;t go back to the way things were. You saved my life. We both changed. You made my life beautiful.&lt;/li&gt;
&lt;li&gt;We saved each other at our lowest, we don&amp;#39;t have to go back to our lowest to live.&lt;/li&gt;
&lt;li&gt;noise wide shot with stereo movement when he&amp;#39;s in the french bench, loud noise becomes disquieting (ha)&lt;/li&gt;
&lt;li&gt;turn that shit off. stillness is the kingdom of god. not the church bell ringing. not the church. the park and the children and the struggle and the flipping. the light, not the shadow, the trails and echoes, not the plane engines.&lt;/li&gt;
&lt;li&gt;Just sit.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Barton Fink (1991)</title><link>https://binomech.neocities.org/miscellanea/barton-fink</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/barton-fink</guid><pubDate>Sat, 12 Apr 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;My mother was the first person in her family of farm workers to attend university, where she got a degree in art history. When I was born, she realized her curator job didn’t pay well enough to feed a child, and she managed to find a job as an accountant, which she worked at for the rest of her life before retiring. She spent my whole childhood trying to discourage me from considering art-related activities as viable careers while simultaneously being the only source of art I had access to in our tiny rural town, through the music she played while she cooked and I did my homework and in the movies she rented for us to watch together every weekend. When I was 13, I told her that I’d started a poetry workshop at school and that I decided to upgrade my class notebook margin doodles to actual, deliberate attempts at drawing. Her response to this was renting &lt;em&gt;Barton Fink&lt;/em&gt; to watch that weekend. I can only assume the intention was to make me feel dread at the opposition earnest art was met with, at the idea of being so entrenched in your stories that it blinded you to the dangers of the world, at leaving your working-class family bereft (ambiguously dead) because you were deluded enough to think your creations would be good enough to make a difference. Unfortunately for her, it didn’t work as intended: I didn’t become a professional artist, but I went into what might be one of the most unemployable fields of study in academia these days, experienced some fairly violent worldly realities, and picked up schizoaffective thought patterns in the process. And I am, in fact, unemployed, so in that regard she was right about all of it. Fortunately for &lt;em&gt;me&lt;/em&gt;, my art was decent enough at some point to have some savings from commission work, and approximately five people are willing to listen to the stories I have to tell. So when I argue with her on the phone from the psych ward or the homeless shelter about how I need to get a real job to get real help to be a real adult, I still turn to Barton Fink (perhaps counter intuitively, but only perhaps) to feel less hopeless about my life and write overly verbose reviews for it on the internet, where I don&amp;#39;t need to grow out of believing in the power of fiction to find value in my thoughts. &lt;/p&gt;
&lt;p&gt;I am, somewhat predictably, extremely protective of this guy who is a little too limp-wristed for the working class and also too working class to make highbrow art, a little too worried about the alcoholics and the cries for help next door to shit out profitable screenplays on a strict schedule, who sounds a little… &lt;em&gt;y&amp;#39;know&lt;/em&gt;, a guy who can only talk about suffering through fiction, who thinks that these accounts of things that are too sickening to look at in the eye directly should be treated with the same dignity as the real thing because they are also a real thing, who gets told to man up, to grow up, because the real working class are people dying for the country. And are they wrong? Is he truly awake at last, or still dreaming? After all, he offered soft-spoken recognition to his hotel neighbor, and it might have painted a target on his family’s back. &lt;/p&gt;
&lt;p&gt;Audrey trusted Barton enough to tell him she was the ghostwriter behind most of Mayhew’s novels because he was the only one to offer an ear to a secretary and not just her wealthy male employer, but when he called her for help with his script, he awoke to a corpse. He tried to celebrate his own work with a dance, and he was told he had no right to these songs. The only work he can ever do for the people who need it happens in his head. They will not produce his film scripts until he writes about wrestling the right way: big men, physically and mentally, partake in regulated violence both in front of and behind the camera. Because it’s not the poor boys in the real wrestling ring and on the front lines making a difference, nor the fishmongers down on Fulton Street, still singing past the violence, still hoping to hear back from their child who longed for and feared skipping town and now won’t be allowed to come home until he grows up a little. It’s obviously not the cuckoo Jewish fags on Broadway, all of them annoying bloodsuckers that will loiter around your lights and disfigure your moneymaker mug. It’s the film producers in decorated uniforms that point to where the money goes both in Hollywood and in the military that have the means to make fiction a reality. It’s them that make the difference when they turn others’ suffering into best-selling glory. &lt;/p&gt;
&lt;p&gt;Life looks so violently solid in the light of day after the sweet deniability of night. But if you can direct the light of fact with the mask of fiction, it can illuminate the truth without blinding the audience. Cover your eyes from the sun: that’s a real woman at a real beach just as much as it is a picture in Barton’s hotel room and the title of his new script. Cover your eyes from the sun: sweat and gasoline are not all that different. Cover your eyes from the sun: our lives are the only story ever worth telling, and they’re all fruity scripts about suffering that will never be produced. The way we serve the common man is our head, which we can’t trade in for a new one. Our severed head, separated from the living body, can be conveniently packaged and passed on to someone else like a story that will always be meaningful, even when it needs to stay locked away lest the violence it reveals gets too unbearable to look at. Is a dream more real than a sleep-deprived psychotic breakdown? Is reality something more than the sum of our perceptions? All stories are someone asking you to believe them, and you do. The life of the mind is no stranger to the life of the body. If you don’t open the box, your story is as important as the violence of a severed head, and the violent reality of a severed head is as real as your story.&lt;/p&gt;
&lt;p&gt;The common man is a hotel clerk and an antisemitic cop. The common man is a ghostwriting secretary and a frustrated artist. The common man is a struggling wrestler and anti-intellectual cannon fodder. The common man is an insurance salesman and a serial killer. The common man is a tourist with a typewriter and a prisoner who wants to get off the merry-go-round. The common man is a victim and an accomplice. The common man remembers the shame of transactional humiliation when he’s at the other end of it. The common man’s struggle for existence cannot quite quell their longing for something higher. The common man could tell you some stories. If it’s not the build they hate, it’s the personality: the common men always have something in common.&lt;/p&gt;
</content:encoded></item><item><title>Romance in S2 of Severance</title><link>https://binomech.neocities.org/severance/romance-in-s2</link><guid isPermaLink="true">https://binomech.neocities.org/severance/romance-in-s2</guid><pubDate>Fri, 11 Apr 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Some thoughts on Severance S2 and the use of romance as a theme with @infestedguest on Tumblr: &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;infestedguest:&lt;/strong&gt; I think &lt;a href=&quot;/severance/love-actually&quot;&gt;that meta&lt;/a&gt; may have partially healed the hole the lack of focus on platonic relationships + MDR in general outside of Mark/Helly (especially Irv) this season has left in my heart. Like, most of your S2 metas do that at least a little bit anyway (especially that one about S2E4), but it’s especially potent in this one. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;infestedguest:&lt;/strong&gt; I might just be talking out of my ass, but in a way, Mark Scout trying to convince Mark S to end his life in the S2 finale is an inversion/perversion of that repeated theme of “loved enough to die for.” Mark S isn’t a person and thus is automatically not loved enough to not die for the sake of Gemma’s safety and Mark Scout’s happy ending. Mark Scout loves his wife enough to lead someone else to die for her. &lt;a href=&quot;/severance/two-marks-in-the-break-room&quot;&gt;But also Mark Scout still, at least in some ways, genuinely conceptualizes his innie as just a part of himself, and it’s there that there’s an element of the straightforward “loved enough to die for.&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; I’m very happy to hear that! I’ve been struggling with that too (for family abolitionist reasons and generally love for anything that exists outside of the permitted main text of what love can be under capital), but I think this was kind of deliberate from the script. other things, maybe not, but the fact that the both Marks are manipulated through their monogamous romantic interests, but also the Dylans (economically and as a way to pull him away from loving fellow innies as people), even Irving (he’s allowed to know about Burt because they need him out of the house and the point is to get him or both of them killed anyway; it’s never framed positively, but it’s still using the promise of romantic love as fish bait), but it doesn’t mean the rest isn’t there. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;infestedguest:&lt;/strong&gt; I think it’s likely that it was deliberate, and there are definitely interesting dimensions added by it, and I agree the rest is definitely still there, but I think the focus on romance at certain points distracts from many of the other themes of the show to the point where it becomes a hindrance in a way that does not feel purposeful. A major example of this is how Miss Casey’s entire presence in the S2 finale is reduced to a single joke, with zero acknowledgment of her personhood (or even a perceived lack thereof) by either the characters or the narrative of the episode itself, even though Mark S’s “people not parts of people” speech (where the audience was first explicitly introduced to the idea of innies conceptualizing themselves as their own people) was made to her, about her. There was a clear setup to do something interesting with her character, but they just chose to completely ignore it, which, while not unusual, feels very strange in this particular case to me because of the major role she plays in the finale + the setup that was already there + how incongruous just ignoring her feels with the thesis of personhood the finale makes clear. But she and Mark S are on the side of the Gemma/Mark square with the least romantic angst potential, and I don’t want to be cynical, but I think that may have contributed to the lack of focus they and, by extension, she gets in the finale (as well as in S2 as a whole). They might address this in S3, but in my opinion, S1 + S2 should be able to stand on their own, and not even hinting at it in S2 leaves a major hole in the themes of the show. Sorry, it probably sounds like I hate S2; I promise I don’t, it’s just really interesting to dig into why what doesn’t work for me doesn’t work. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; I’m 100% with you on this. I understand the individuation season needs, to an extent, that each character gets their own separate screen time with their own separate networks. I think that was an interesting choice. It just so happens that 90% of that was Mark S (and I love Mark S, I’m &lt;em&gt;extremely&lt;/em&gt; vocal about how much I love Mark S on this blog, but S1 already had Mark almost exclusively as the outie lens, and I really wish it had been more balanced in S2), and that eats up your budget and your screen time. And then you end up with Gemma and her innies being nothing (which I’m hoping they address in S3, but like you said, I feel like they should stand on their own, especially with S3 not being a guarantee during writing and filming). &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; I know that John Turturro wants to come back, and it’s insane to me how he was the only member of the cast, to my knowledge, that was like, “Well, I filmed this with the intention of it standing on its own, but I’m not going to be happy if I don’t get to make more of it because Irving deserves more than this” in public from the get-go. I’ve been seeing Britt Lower and Dichen Lachman also talk about it in these terms since the finale aired, which I appreciate &lt;em&gt;so much,&lt;/em&gt; but again. Love the cast, love the effort, but can we get more of this in the actual show? &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; So I’m pissed about what they did to Miss Casey in particular and Gemma in general, &lt;em&gt;and&lt;/em&gt; Helly as well! Sure, yeah, it’s very compelling to know more about Helena and Helly was the innie lens in S1, but wow. Helly was a plot device for Mark this season &lt;em&gt;even&lt;/em&gt; in the plotline about her own bodily autonomy, and it makes me miserable. and I loved Sweet Vitriol, but I need Reghabi and Milchick to get similar levels of attention in regards to their ties to the company, and while I think Milchick might, but I doubt Reghabi will. And that will be, once more, a Petey situation for me where I’ll live forever in my “what could have been” hole. I don’t think they can cleanly reintroduce Petey’s presence in S3 after S2’s complete and absolute sidelining of him (and June and the WMC). or if they do, it might be in the context of Irving Bailiff’s organizing, which &lt;em&gt;would&lt;/em&gt; make me happy but would not lessen the disappointment I feel at these choices in S2. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; It’s not bad television, I still love this show; but a big chunk of what made S1 so special and dear to me, which was the extension of solidarity and care between innies because they did not have that societal expectation of hierarchy in relationships (beyond department loyalty due to the quarterly goals being important to prioritize), or seen as people enough to love at all, is just… not there in S2. and it makes sense that in blurring the boundary of severance, societal expectation would suddenly enter the severed floor, but the only time it felt like it was presented in that context was in Dylan’s scenes with Gretchen. And &lt;em&gt;if&lt;/em&gt; S3 enters the conversation of why this was necessary but not unambiguously good, then I’ll be elated, but I don’t think I should be having to bargain with this conditional. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;infestedguest:&lt;/strong&gt; No, it makes perfect sense! Those are my feelings as well. Early in S2, it felt like the lack of innie solidarity was a way to demonstrate the way Lumon is dividing them. And I’m not saying it’s not important to highlight that, but its absence takes away the heart of the show and a major pillar of much of its themes, and that tradeoff just isn’t worth it for what we got, imo. Also, I haven’t really looked into BTS material beyond the S2 end of episode bonus features, so it’s cool to hear that some of the actors have at least vaguely similar opinions. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; Episodes 1 through 4 of S2 were very enjoyable to me. &lt;em&gt;Trojan’s Horse&lt;/em&gt; was slower by necessity to actively sit with the messes of reintegration and the ORTBO, and I think it did a solid job. I have to confess that &lt;em&gt;Attila&lt;/em&gt; and &lt;em&gt;Chikhai Bardo&lt;/em&gt;, while obviously relevant in terms of plot content, are the episodes I take up most issue with. When I watch them, I can think of exact lines in which the following scenes could have engaged with the surreptitious cruelties of Lumon more explicitly but then didn’t: Helena stalking Mark Scout at Zufu, Gretchen having become complicit in Dylan G’s alienation to the detriment of both him and her husband (and &lt;em&gt;herself&lt;/em&gt;), using Burt’s outie in particular to manipulate Irving Bailiff and potentially manage to get them to kill each other, Gemma’s relationship with being aware of severance, Mauer’s entitlement to all her innies and by extension her, &lt;em&gt;anything&lt;/em&gt; about how she ended up on the testing floor. I’m particularly displeased by the framing Mark Scout’s rose-tinted memories of her as the only parts of her worth remembering as something &lt;em&gt;romantic&lt;/em&gt; rather than the cruelty it is (especially when most of those moments for her were spent grieving and not having anyone to grieve with because Mark was partaking in his usual avoidant behaviors.) I assume that in sidelining that, the episodes came out cleaner in terms of reception and discrete parallel scenes. &lt;em&gt;Sweet Vitriol&lt;/em&gt; and the finale are unequivocal wins for me, but I would’ve liked &lt;em&gt;Sweet Vitriol&lt;/em&gt; to be… not a bottle episode, perhaps, because it threw off the pacing. &lt;em&gt;The After Hours&lt;/em&gt; is the one that I’m still trying to digest, because each individual scene was incredible, and I enjoyed it, but then when you put them all in a row, it feels like a “We have a million plotlines open; wrap them all up quickly for the finale” sprint. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; I don’t have access to any official materials, and I avoid actively looking up interviews/the podcast, but I was so visibly clawing at the walls that my friends who engage with this kind of thing sent me all the relevant quotes, which I find hilarious. But yeah, in any case, I was very reassured.&lt;/p&gt;
</content:encoded></item><item><title>Milchick, the unsevered Black employee</title><link>https://binomech.neocities.org/severance/the-unsevered-black-employee</link><guid isPermaLink="true">https://binomech.neocities.org/severance/the-unsevered-black-employee</guid><pubDate>Fri, 11 Apr 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Some thoughts on Seth Milchick and and the severed vs. unsevered Black employee with @sageshouldknowbetter on Tumblr. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;sageshouldknowbetter:&lt;/strong&gt; &lt;a href=&quot;/severance/get-hot-pot&quot;&gt;The food thing&lt;/a&gt; is so crazy, though. Like, who decides what cultures it represents? There is nothing authentic and little made by actual members of the cultures the food represents. It’s probably incredibly bland— some “spicy” options, of course, but almost perfunctorily. Let’s not stop at going outside— someone needs to write something about the innies being taken out for Thai food for the first time. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; I’ve posted &lt;a href=&quot;/severance/ahistorical-blackness&quot;&gt;some considerations about race&lt;/a&gt; before. While the vending machine snack update from the Lumon is Listening video, the almond allergy, and the weak enamel mentions are super revealing, it still shocked me to learn that Seth has also been getting his meals through the airline menu approach (as we saw on the performance evaluation.) I have to wonder how much he was groomed, how much of his childhood was already influenced by Lumon, how much his (presumably Black) parents, and all the Black history and culture in America that comes with that, including any kind of culinary tradition, were present. Eustice Huang has not lived in her parents’ home for the duration of the fellowship. How Cobel and Graner, who are white and get a little more leeway to act against direct orders than Seth and Eustice (even Natalie), are the only unsevered staff that can exist outside the actual headquarters without being in the process of running an errand for Lumon. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;sageshouldknowbetter:&lt;/strong&gt; This last post has etched “Wanna go see her together?” into my crystal head cube ever since I saw it. Because Dylan knows that Mr. Milchick will also get blamed for this— that he already stepped out of line by activating the OTC and not being able to prevent Dylan’s son’s arrival. But it’s not just about that. It’s about two Black men having potentially dangerous information about the other— both able to expose the other to their white woman boss, who undeniably uses that status as a weapon ([to] Natalie), but only at their own risk. The difference is that one of them has a lot to fight for and a lot less to lose. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; Yeah! And again, Seth Milchick knows he’s Black, but Dylan G doesn’t. There’s so much going on in that exchange. The way in S1, Milchick’s offering of perks to a very pissed-off Dylan reads as agonizingly infantilizing to the audience (not incorrectly, but very much how &lt;em&gt;Dylan&lt;/em&gt; understands it, which is not how Seth does), but as S2 progresses, it has become evident that Milchick is doing a lot of perk bargaining of his own, that when Dylan tells him &lt;em&gt;fuck you&lt;/em&gt; in the security office, it was a &lt;em&gt;fuck you&lt;/em&gt; to his one single goal of being the pioneer of the novel idea of treating innies somewhat more kindly. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; The second &lt;em&gt;fuck you&lt;/em&gt; from Dylan in Cold Harbor is still addressed to Mr. Milchick. He could’ve used his first name to pull him down, like Irving B did before Seth gave the call to turn him off, but he didn’t— it’s a sign of respect, but establishes a distance, which was intended all along, after all, when they never allowed the innies to know the staff’s first names. But this time it’s done on purpose because at last they’re on equal footing about first names, which is all Dylan had behind him the security room at his back, but now they’re actual, physical people. And it’s also a wake-up call about alienating this Black employee that he has more in common with than with Natalie Kalen. Imagine hearing, seeing all this resentment reflected back at you through all these Black people you’ve been telling yourself you’re helping with promises of little trinkets and five minutes of music and watermelons for funerals (which, again, can they say it much clearer?), funerals for people you &lt;em&gt;gave the direct order to get killed&lt;/em&gt;, and &lt;em&gt;you&lt;/em&gt;, not Jame Eagan, have been the one in front of them in the break room, breaking them. You’re finding yourself towering over a sea of Black faces from C&amp;amp;M that you trained into minstrelsy and bleeding like they probably bled for you, like a cornered animal that they reassured you you weren’t (unlike the severed innies), and they are staring at your complicity in the eye, but &lt;em&gt;they&lt;/em&gt; don’t know about race or racism, and the only other Black person you could extend and request recognition from is doing PR work for the Eagans on television and doing overtime and holds too much of their opinions on her mouth to express any of her own (you can see each other through the walls of your glass cages but never meet outside of them). &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; But Natalie is also rich enough not to be at risk of being appointed head torturer for the entirety of the severed floor. That’s the job for a Black man working security at the abattoir, who is “naturally” inclined towards violence because &lt;em&gt;of course&lt;/em&gt;. Use simpler words, apologize for your brilliance, you came here to be a jailer and a pair of manacles to yourself and others, those words are for white people. Watch Helly R (a white woman, the innie of Helena-&lt;em&gt;fucking&lt;/em&gt;-Eagan-CEO-in-waiting) invoke her dead friend (who spat your first name like a curse the moment he learned it and smirked at you in both pity and defiance before you put him down, whose love you saw and knew and killed twice over through both parties), touch the hearts of the people you’ve been trying to reach your whole life while you watch from a crack in a bathroom they locked you in. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;binomech:&lt;/strong&gt; The ways in which the promotion that supposedly gave him the freedom Cobel had means nothing because he’s Black, and the way it continues to be dangled in front of him like he dangled the coffee cozies and finger traps and family visits to Dylan even as Dylan started to spit back that it was not enough, and it never would be. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;sageshouldknowbetter:&lt;/strong&gt; Oh my &lt;em&gt;lord&lt;/em&gt;, C&amp;amp;M. Do you think Milchick has ever looked at his Black employees and just wanted to say everything he can’t say to Natalie. to have someone to &lt;em&gt;talk&lt;/em&gt; to about all of this. But a) it would be disrespecting Lumon, b) it would destroy his Smiling Cool-Headed Manager persona and c), he doesn’t know if they’d understand anyway. If they don’t, he’s sick at the idea of explaining it to them. If they do understand, he’s horrified about what that would say about the depth of racism and afraid to think about that too hard. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;sageshouldknowbetter:&lt;/strong&gt; “While you watch from a crack in the bathroom they locked you in” is &lt;em&gt;crazy&lt;/em&gt;. Milchick must feel all kinds of resentment toward Helly because she can be as defiant as she wants in her short existence. She can steal his walkie-talkie, hit him in the face with a trombone, even insult and laugh at the Dieter story (even though that was Helena, I think Helly R would have ridiculed it too, if only out of the genuine discomfort all of the actual innies had). But she, she who inhabits the body of a wealthy white woman, can’t be punished the way he can — paradoxically both because her body is valued (by both the outside world and the &lt;em&gt;white man&lt;/em&gt; they need to keep satisfied) and because her innie, to him, seems to have so much less to lose. She doesn’t need to worry about job security or what her boss wants her to do. She knows she can die at any moment, and she is willing to take chances with the time she has left. So while Milchick forces himself to jump through every hoop and try to go above and beyond to do &lt;em&gt;exactly&lt;/em&gt; what Lumon wants him to do, Helly can stomp around the severed floor, freely insult the corporation that spawned her, and even have sex in a makeshift tent on company time completely unpunished. And here Milchick is in the corner, having to perform absolutions for putting on a &lt;em&gt;paperclip&lt;/em&gt; “the wrong way.” No wonder he looked so dead-eyed at the end of season two!&lt;/p&gt;
</content:encoded></item><item><title>Two Marks in the Break Room</title><link>https://binomech.neocities.org/severance/two-marks-in-the-break-room</link><guid isPermaLink="true">https://binomech.neocities.org/severance/two-marks-in-the-break-room</guid><pubDate>Fri, 11 Apr 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;In the context of Miss Casey’s disobedience during Helly’s suicide watch and subsequent break room stint and his walking around with Helly, unsupervised, Mark S volunteers to do the break room time instead of Miss Casey just as he did with Helly’s first triggering of the code detector. Cobel asks him, “Who wouldn’t you go to the break room for?” One might wonder if the answer to that question is “his outie”, who put Mark S in this break room of an existence that turned out to be a life in its own right, drenched in love and grief just as much as Mark Scout’s. And yet, Mark S is going back to the proverbial break room that is the whole severed floor after having sabotaged the finalization of Cold Harbor for Mark Scout and his wife, Gemma, who is alive.&lt;/p&gt;
&lt;p&gt;Gemma is outside now, and so is Devon, and so is Cobel, and so is Irving Bailiff, and so is Reghabi. These people have enough information to destroy Lumon (and in doing that, shut down the severed floor and kill all the remaining innies without a second thought if they so wish). Mark S accepts that possibility when he doesn’t leave with Gemma through the fire escape. But this isn’t a selfless sacrifice for the sake of Mark Scout; this is a declaration of personhood, of being a self and therefore capable of being selfish, for every innie he knows and all that he doesn’t. He’s coming home to the equator; this building becomes a continent for himself, and Helly R and Dylan G and Petey K and Irving B and Miss Casey, who is a person, not part of one, and still can’t be alive at the same time as Gemma. Mark S uses the power Lumon gave him by making him indispensable for the completion of Cold Harbor (Dylan was right, page 197 slaps: “Your work needs you, not the other way around”), to help, not harm. &lt;/p&gt;
&lt;p&gt;And yet Mark Scout, despite his ostensible selfishness and because he thinks of Mark S as an extension of himself, sends him back to the severed floor even when their last words exchanged were Mark S telling him he doesn’t trust him. Mark Scout trusts his innie with this after two years of everyone else using using both of them by trying to make them each other’s worst enemy. Mark S returns the favor by using his one moment of real agency to give someone else their autonomy back. They’re both in the break room for everyone they know by the end of the Cold Harbor.&lt;/p&gt;
</content:encoded></item><item><title>Love actually is everywhere</title><link>https://binomech.neocities.org/severance/love-actually</link><guid isPermaLink="true">https://binomech.neocities.org/severance/love-actually</guid><pubDate>Wed, 02 Apr 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I understand why romantic love was put at the forefront of season two in contrast to the ensemble approach of season one. Mark Scout and Gemma’s, Mark S’ and Helly R’s, both Dylans and Gretchen George, both Irvings and the Burts they each met (including the strained guilty cage of a marriage Burt and Fields found themselves growing old in, including Helena Eagan’s abuse stemming from a lifetime of having zero agency over her own life and body but also an unacceptable amount of power and entitlement over Lumon’s employees, including Cobel and Hampton’s cynical revisiting of a teenage crush that was never allowed to exist in the context of child labor, including the glimpses into Devon and Ricken’s relationship through all of Ricken’s betrayals of the earnestness Devon loved about him). But I still hope that all of these relationships outside of monogamous love and the various successes and failures of the nuclear family are at the core of the story that Severance will end up telling. There’s things I think of that give me hope: &lt;/p&gt;
&lt;p&gt;I think about Mark S’ first minutes alive, consisting of a voice that became his best friend even when Mark vowed to find and kill him on instinct, cornered and afraid. Mark S, who wakes up every day in the same underground, windowless office choking on grief and anger he can’t explain and who tried to escape more times than Helly R, knowing that escape is by definition a suicide, and failed. Petey K, who greeted him upon arrival, was watched by a security camera and may have still offered words of comfort, just like Mark S, who broke protocol for Helly R when he picked up the torch of being department head because Petey K was gone. Petey K, who watched and worried and mapped the floor despite the express forbidding of it in search of a way out while Mark S was being tortured into being passively and functionally suicidal instead of threatening MDR’s productivity. Petey K, who found a way to reintegrate, went to his very good friend’s outie and showed him a recording of Mark S in the break room. I think about Mark Scout hearing his own voice coming out of that tape recorder, begging for forgiveness, and deciding to let this stranger crash in his basement (that he avoided for two years, that he couldn’t even fish a backup light bulb from) for a few days. I think about June Kilmer, whom Petey K never met in his two reintegrated weeks before death and still was so loved by his outie that even in two tangled lifespans, she remained a point of reference. And Mark Scout, who came home to find Petey gone and watched him collapse with one last reassuring look at him, must have looked like Mark S to Petey in his last moments, an anchor in a flood of memory just as much as June. Mark S was brought into the world because Mark Scout couldn’t live with the grief for Gemma and the life they never would’ve had, all 24 hours a day. Mark Scout, who attended Peter Kilmer’s funeral (even when the memory of Gemma dragged him to the bar) for a version of himself that was loved enough to die for. &lt;/p&gt;
&lt;p&gt;I think about a suicidal Irving B in front of that fire exit, having to break the first hug he’s initiated in his whole life as Dylan gets dragged away to the promise of a “real” family in his outie’s wife, even as he turns back in worry towards Irving, who says &lt;em&gt;perk&lt;/em&gt; when he means &lt;em&gt;family&lt;/em&gt;, because innies are not allowed to have that. The kid who made him proverbial dinner even when he was being a shitty dad by stealing a card from O&amp;amp;D and staying behind for him to go and find Burt G’s outie. Irving B, who learned the hard way that leaving is dying, and Dylan, who noticed Irving was sweet on Burt and only disapproved because he thought he’d get disemboweled for it, who encouraged the courtship, and who wants Irving to live just as much as Burt G did (and Burt Goodman does). Irving B, who, unlike Mark S and Helly R upon their arrival, was told that he would not be dragged back if he chose to quit as if it was an act of mercy and not a taunt about his disposability. Irving B turned his back to that exit because whoever was in Helly’s body was not her, and no one else had seemed to notice: it was up to him to try and get her back even if it was too late to do the same for Burt. He needs to figure it out for Dylan G, who loves him because even when he threatens to hurt people, he only does it to make a point and never follows through, and who isn’t listening because he has yet to experience the grief Irving B needed to realize that it’s not their world up there. For Mark S, with the weird sense of humor that only Petey appreciated, who hid Petey’s photo before Irving was ready to say goodbye, the kid that mocked his greeting and feared his zealotry but still went out and got them the proverbial dinner, took them all to O&amp;amp;D under the threat of torture the second he saw Irving berate himself for wanting to visit Burt. Mark, used by everyone inside and outside of the severed floor because he would go to the break room for anyone but won’t listen because he wants a love to call his own (that Helly gave him without him having to sacrifice anything, but it’s not their Helly he’s making goo-goo eyes at). For Helly, who wasn’t supposed to try to open the door at her orientation, who spent too long in the break room, whom he didn’t get to hide motivational handbook quotes for, who needs someone to chant her name for encouragement, who met quota on her first quarter anyway because she still believed there was a chance to get out alive and because she did, after all, find a family in MDR and fought to give them a chance at living. And Irving B does figure it out, because he knows now that dreams can be messages from friends, that darkness can be paint, and that even in the terror of incomprehension love will light up a way out. He got Helly back for all of them, for every innie whose entire world is the severed floor. Helly, who was never cruel, whose body he threatened with harm even if he didn’t follow through, hoping perhaps she’d come back and he’d have a chance to apologize. He gets to hold Helly close and comfort her one last time in the way he had wanted to for so long and wasn’t allowed to, using &lt;em&gt;his&lt;/em&gt; body to hug her like he did Dylan G, to tell Dylan and Mark that they are forgiven. He doesn’t get a seal of approval to kill himself this time around, but he’s feeling the warmth of the sun on his face for the first and last time in his life as he walks into the forest at peace with his choice, letting all three of them know that they are loved enough to die for. &lt;/p&gt;
&lt;p&gt;I think about Helly R, who respectfully penned requests for her outie to quit, not understanding why anyone would want to exist in the life she has, getting told through her own voice that she was not a person, and deciding that suicide was the best way to get out. Helly R, who was brought to the shrine for the family that made the only existence she got a living hell, because it served their ends, by Irving B, who was being swallowed by the gaping absence of a family and found comfort in being of use to these strangers. Helly, whose suffering and anger touched the other refiners so profoundly that the fear and shame they were all groomed into for years crumbled in mere weeks. Helly, who thought she would die in that noose and woke up in the same elevator, still alive and trapped, for whom Mark lied just to get a few minutes alone to talk to her about her suicide attempt, who also broke the rules to recreate Petey’s escape plan for Mark from Mark himself (even if he had been the one to shred it when she immediately recognized how much Mark loved and was loved by Petey, even if she’s not and will never be his replacement, even if she lied to him twice to get a chance at leaving, even when Mark had been doing everything in his power to spare her from the break room). Helly, who was told that they were glad she was still alive, even if that meant her outie sent her back to hell, and even if that was all Mark had to give at the time, still gave her the promise of putting up a fight for them to get anything better. Helly offered Dylan to stay behind in his stead to trigger the OTC because Dylan at least had a child who loved him, which was kinder than whatever life awaited her out there, which she knew would be filled with the same cruelty her outie showed her in denying her request for a resignation and sending her back with the evidence of a suicide attempt still visible on her skin. Helly, who didn’t even get to leave the Lumon building during the OTC, still had faith in the idea that the truth about the pain in their lives on the severed floor would reach someone outside with the means to help. Helly, who was tackled for her betrayal and woke up drowning, got to see the outside this time around, but at the cost of weeks of her life that crushed her hope for a life she could call truly hers, and her beloved Irving B, who did end up showing her that there was beauty in the life they made, that she had taught him they could have beyond a shrine to their masters, is real and worth living for no matter what their outies’ biological families did to them. Helly, who rallied a whole department she didn’t even know existed before that moment by mentioning Irving’s name, walked back into hell looking into Gemma’s eyes and having heard her outie’s father say he did not love his daughter, because it was through the love Mark Scout felt for Gemma and the care that Helena was denied that Helly found love and family on the severed floor, and all of them are worth fighting for. &lt;/p&gt;
&lt;p&gt;I think about Burt Goodman, who lost his job because a part of him he condemned to a life of forced labor as atonement fell in love with a man he will never meet, a version of himself with a love he believes he could never have after what he’s done for Lumon. I think about him recording a video for the formal execution of what he thought of as an innocent version of himself telling everyone at O&amp;amp;D that despite the conspicuous absence of their memories, he feels Burt G’s fulfillment from working with them. I think about how he recorded it under the assumption that Burt G’s lover would be there to watch it, even if Irving B’s presence was a clerical error that would lead to a crack in Lumon’s image so large it would set the foundation of its downfall as a company, but not before getting Irving B killed. Burt Goodman, who heard a desperate stranger at his door screaming his name and followed him for weeks, who invited him for dinner to facilitate the breaking and entering of a company higher-up into his house in search of excuses to kill him, who saw his own complicity in the death machine of Lumon penciled carefully alongside all the names of people Irving Bailiff was trying to help, and watched him say, &lt;em&gt;I know now that you’re not with them&lt;/em&gt;, even as he tensed in fear when Burt cornered him to offer a ride, which would read as more of a threat than a helping hand to this man whose home he broke into. Trusting him because his service dog (the only one that takes care of Irving Bailiff, the only one that Irving Bailiff can take care of, who probably smelled Burt G on his human’s work clothes and heard tentative joy in the spring of his steps for weeks, then found them both gone) was at ease. Burt Goodman, who was asked to drive his innie’s lover to his death, and Irving Bailiff, who knew this and still got in the car. Burt Goodman, who called two strangers (his own innie and Irving Bailiff) &lt;em&gt;buddy&lt;/em&gt; with every ounce of tenderness in parting. Burt Goodman, who loves Irving B and what he meant for Burt G even if he knows neither of them. Burt Goodman, who wants to save this stranger that isn’t afraid of muggers or knaves, that knew what he’d done and still went on a ride with him. Burt Goodman, who will burn if it means that, unknown and unknowable to the both of them, Burt G and his love for Irving B, Felicia, and the entire O&amp;amp;D department remain alive in a chip in Irving Bailiff’s brain. That Irving Bailiff gets a chance to build a heaven for them all in &lt;em&gt;this&lt;/em&gt; world is worth dying for. &lt;/p&gt;
&lt;p&gt;I think about Irving Bailiff and his single bed, his wardrobe mostly filled with formalwear for Irving B that he’d never wear outside himself, oil paint and maritime signal flags, and voicemail as one-way acts of love that can reach only their intended target, at the cost of the certainty of returned affection. Tall walls that need a literal watchdog and matching uniforms with a father that exists as one single photograph in the same trunk that holds years of violence from him, to him, to people like him, to people more vulnerable than him, and ways to use that proof of harm to help them all out. I think about Irving Bailiff’s sense of self held in dusty medal displays and out-of-focus trinkets and the soft presses of hands against fur and paint and cheekbones with such longing that they can’t be looked at directly for too long without them catching on fire and disappearing without a trace, only fleeting glimpses in the dark. Did he also come out of the elevator feeling loved, like Burt Goodman, and put a comb in his pocket instead of a key card? Did his hands gravitate to Marcus Aurelius the evening after Burt G’s retirement party without knowing why? Did he feel a prick of suspicion when he tracked the flight of that lone vulture, or is the loneliness such an expected fixture for him that it was the good days that felt like a fluke? When he apologized to Burt Goodman for showing up and startling him and his husband, did he think it was an act of love for Burt that got his innie killed in the end? Did he imagine a man with Burt Goodman’s face holding him with love, respect, and care in a hell neither of them wanted to be in, and in doing so finally let himself feel the hell of his life outside? I know that he did not think of Helly R, Dylan G, and Mark S. I know that he didn’t think of Felicia welcoming his innie with a hug and sharing one of her precious two daily vending machine snacks, reminiscing about the Burt they both loved. I know he didn’t think of Miss Casey, who told his innie about his dog in words he could not understand and immediately held him with as much love as Irving Bailiff does on the daily when he recognized the name in the tag, even if he had never seen an animal before. Miss Casey, whose first choice was as a person instead of a unilateral therapeutic mouthpiece, was telling Irving B that Burt G was in an unauthorized location instead of with their bosses. Miss Casey, who was there to offer hugs to Helly R and care for her in ways Irving B was not authorized to. I know he didn’t think of them because he doesn’t even know they &lt;em&gt;exist&lt;/em&gt;, much less that his innie loved them all (not just Burt G) enough to die for, and yet Irving Bailiff is left with a chance to live due to this collective generosity. &lt;/p&gt;
&lt;p&gt;I think about Dylan George’s &lt;em&gt;stop being nice [to me]&lt;/em&gt; to Gretchen because he didn’t get the door salesman job. I think about Dylan George, who forgot about the cookies but remembered to ask Gretchen if the time with his innie was nice. I think about Gretchen saying she kissed Dylan G because he reminded her of the way Dylan George used to be, and Dylan citing his precarious financial contribution to the household in the same breath where he threatens to quit so that this version of him (that he was, at some point, that he can’t seem to be anymore) won’t take Gretchen from him. I think of Eustice Huang watching and listening and growing quieter on the other side of a CCTV system, looking at this stranger she’s not supposed to think of as a person, who asked her if she was being forced to work here, looking at his children that he cannot meet, at this woman who is not his wife but knows all of him, with such longing and recognition, and growing quieter, more tolerant of breaches of information. I think about Dylan G proposing to Gretchen, even when he doesn’t even know the last name they share, because there’s nothing to be had inside the severed floor anymore—Mark S has barely been down there since the ORTBO and might not come back at all; they took Helly, and he didn’t even notice or listen to Irving’s suspicions that he was trusted with. How is he supposed to separate the guilt from the fear? What if it’s Helena Eagan that he’s snitching to about the elevator? How will he ever find the elevator now that Irving’s dead? Does he really have the strength of two men? Is he dumb? Is he a dick? Is he an asshole down here too? I think about the fact that Gretchen George &lt;em&gt;knows&lt;/em&gt; that she’s not all Dylan G has. How Dylan G must have told her about Irving B, about the funeral, about Helly and Mark, and about Petey and their jokes. How Dylan G quit even if she rejected the proposal, and it must’ve reached the George household through outie Dylan, who didn’t follow through on his threat of quitting and still found himself gone. How Dylan George doesn’t know that his innie’s last words before asking to be erased from existence were addressed to a teenager to try and absolve her from the guilt his death might cause her, a teenager who came to understand how the innies were undeniably people, despite a lifetime of propaganda, because she witnessed every act of care from Dylan G from behind security cameras, and even knowing that, he still extended that care to her. How Gretchen George must’ve told her husband about his innie’s loved ones, because he walks back into that elevator and tells Dylan G both &lt;em&gt;fuck you&lt;/em&gt; and that he gets it: Gretchen and their children outside are loved enough to die for, and he won’t take the choice to die for his loved ones from him. But he reminds Dylan G of what his innie’s very existence and love for Gretchen and their children reminded him of: &lt;em&gt;both&lt;/em&gt; of their families are loved enough to live and fight for. &lt;/p&gt;
&lt;p&gt;There is so much love in all of their lives, and the use Lumon gets out of exploiting their severed status is the reason all of them don’t know about most of it. It’s harder to attempt to fight the abuse if you think you’re doing it alone, and the people you’re in this with are not just your spouse or your biological children. I want all this love to burst through the hole that Petey K’s death left in this story. I hope it’s not too late.&lt;/p&gt;
</content:encoded></item><item><title>Ludwig Wittgenstein v Seth Milchick</title><link>https://binomech.neocities.org/severance/wittgenstein-milchick</link><guid isPermaLink="true">https://binomech.neocities.org/severance/wittgenstein-milchick</guid><pubDate>Tue, 25 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I find it very interesting that in philosophy of language circles we deliberately separate the “first Wittgenstein” from the “second Wittgenstein,” consistently, like they’re two different people, because his theses changed so much between the publication of the &lt;em&gt;Tractatus Logico-Philosophicus&lt;/em&gt; and the &lt;em&gt;Philosophical Investigations&lt;/em&gt; that analytical philosophy struggles to establish continuity between the first and the second, but really, it’s mostly because analytical philosophy thinks of itself as separate from history, decontextualized, and truth-seeking. Of course it’s uncomfortable with what the &lt;em&gt;Investigations&lt;/em&gt; have to say about our beloved &lt;em&gt;Tractatus&lt;/em&gt;: that our endeavors of mapping epistemological truth to language are futile, that they’re a maladaptive coping mechanism for the horrors of life.&lt;/p&gt;
&lt;p&gt;Wittgenstein wrote the &lt;em&gt;Tractatus&lt;/em&gt; in the midst of volunteering in World War I, being captured as a war prisoner because he had a suicidal crisis while at the front after his brother killed himself (the third of his brothers to go that way), having decided to give away all his earnings and possessions to his family when he was released, and dedicating himself to teaching in an elementary school. Of course he focuses on the clarity of communication and workings of propositional logic; he’s teaching children in the hopes that they will not make the same mistakes his generation did. He has to believe in the idea that there is some truth and that that truth is good. that if you teach the right lessons, that if there’s no room for ambiguity when you define truth, then there is no room for suicide or war.&lt;/p&gt;
&lt;p&gt;But the &lt;em&gt;Investigations&lt;/em&gt; were written during another world war that his teachings could not prevent. After the disillusionment with the idea of a universal, logically ruled universe where the idea of good was a constant that we could angle ourselves towards, he just thinks abstraction is bullshit. that philosophy can’t change the world in the ways he hoped it would because it’s too far removed from the subjects it analyzes. And yes, he volunteers in the war again, but this time he’s not a soldier; he &lt;em&gt;volunteers at a hospital&lt;/em&gt;. Philosophy was a comfort to the patients he nursed, those who knew death, who weren’t hypothesizing whether truth could save humanity from its own immolation. Of course the &lt;em&gt;Investigations&lt;/em&gt; are about language in history. About how the same propositions he tried teaching as great truths didn’t prevent his students from going to war, but they comforted the people that were dying. That hope was only true when you accepted that there was war, suicide, and death, and yet people continued surviving. living, even. that language was a leap of faith between speakers, not some great magnifier of universal reality, and that these games we played with words were the most important thing in life: attempting communication when there’s still a possibility of failure and learning from that failure so that context may inform further attempts. Still imperfect, yes, but ever increasingly clear. not a universal truth to save humanity for generations, just a game to save one soul for a few decades. That’s as good as it gets. and it’s pretty damn good.&lt;/p&gt;
&lt;p&gt;This ramble was entirely prompted by the framed duckrabbit in Severance, which is one of the thought experiments in Wittgenstein’s &lt;em&gt;Investigations.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I’m thinking a lot about how Wittgenstein’s ideological shift happened in the context of a failed attempt at educating children, his faith in the gospels unraveling, being practically disowned by his own family, in a house he emptied in search of clarity, seeing his students go to war and die the same way his generation did, and how he decided to refer to the contextualization of logic as language &lt;em&gt;games&lt;/em&gt;. how his maturity came through embracing the childhood folly he readily gave up to become a soldier, and how it was more of a kindness for those patients than any dogma.&lt;/p&gt;
&lt;p&gt;I have high hopes for Seth Milchick, whose office is empty and utilitarian except for the duckrabbit and a reminder of Svalbard’s coastal landscape, who tries to be kind despite handbook rules and the promised order in a chaotic nightmare, who is berated for using a linguistic register that was not meant for people like &lt;em&gt;him&lt;/em&gt;, and who rebels by playing with syllable count.&lt;/p&gt;
</content:encoded></item><item><title>The &quot;Mark is impulsive&quot; show</title><link>https://binomech.neocities.org/severance/is-mark-stupid</link><guid isPermaLink="true">https://binomech.neocities.org/severance/is-mark-stupid</guid><pubDate>Sat, 22 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Anonymous (on Tumblr) asked:&lt;/strong&gt; not to be a hater but innie mark is stupid only bc gemma could have absolutely been recaptured on her way out lol. and lumon is gonna beat his ass &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Regarding Gemma being recaptured: not off the table, although I doubt that Cobel and Devon aren’t prowling around the building. But it’s a fair enough concern; his ass did not consider logistics. Admittedly, Mark S. has never been outside a building for more than 3 seconds, ORTBO hike notwithstanding. Still, impulsive plans will continue to be poorly thought out, because that’s the Mark special. Regarding Lumon beating Mark’s ass: he knows. He knows because when he asked to be sent to the severed floor, she asked Devon if she loved her brother, and she said yes. Because Devon said that if Gemma got out, they would use any dirt she had on them to destroy Lumon. because when he asked, “So what happens to us innies?” he got an “I don’t know” from Devon, an “I’m already reintegrating” from Mark Scout, and a whole lot of nothing from Cobel and realized that whether he leaves and Mark Scout reintegrates or he stays and burns with Lumon, he believes himself to be on borrowed time. &lt;/p&gt;
&lt;p&gt;Mark S. goes back because he assumes Mark Scout will make it out, but chances are Mark S. probably won’t, not as he is now. He wishes he had more time; he knows his outie will live on in either scenario, so he makes a selfish (seemingly, although I don’t see it that way) decision to get what looks to be an impossibly short amount of time with Helly and Dylan and whoever may remain on the floor that could help or kill them, including Jame Eagan and Dr. Mauer. When Mark S. is forced to let go, Mark Scout can get out, go to Gemma, go to Devon, and go to all the people he has that love him. But these are his loves, right here in a building that became a continent, a whole world, that they cannot leave without dying in some way. a life not only “to be had,” a life that they have. Present. Whole and alive and dying like any living being that’s been born, ever, and cannot cease to exist unless it’s through death.&lt;/p&gt;
&lt;p&gt;I don’t think this reads as a carefree honeymoon; I think this is innie Mark’s moment of marching to his death with his head held high, like Irving B. did for them all, and hoping he won’t have regrets, whatever may happen to him, or to Helly, or to Dylan, wherever Irving B. and Burt G. are, where Ms. Casey and all the rest of Gemma’s innies are, or where Petey K. went after reintegration and death, whatever happens to their gone. He stood in a hallway that lit up the same red the first time Helly was sent to the break room and took her hand, and they both turned their backs to the world and ran headfirst into hell, whose flames can be a hearth too, and I don’t believe it was out of naivety.&lt;/p&gt;
</content:encoded></item><item><title>In defense of Ricken Hale</title><link>https://binomech.neocities.org/severance/ricken-apologism</link><guid isPermaLink="true">https://binomech.neocities.org/severance/ricken-apologism</guid><pubDate>Tue, 18 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Ricken was, according to &lt;em&gt;The You You Are&lt;/em&gt;, “the first baby born for theatrical purposes.” His mother’s pregnancy culminated in a stage play meant to be a commentary on how having children with the state of the world as it is borders on cruelty. Of course, he was still brought into the world, and hey, his whole purpose was to be a highbrow art piece. His parents would leave for weeks at a time; he wondered if they’d even wanted a child at all or if he was just a little project. He calls art his brother, which ultimately led him to try his hand at literature. And still his writing will never be as insightful and incisive as his parents wanted his whole existence to be, because he’s earnest to the point of absurdity. His parents will go through pregnancy and give birth on stage, and how can he ever make them proud when he’s so scared of making his child feel the same way his parents did him that he writes a whole chapter about it in the hopes that someone will validate his worry? &lt;/p&gt;
&lt;p&gt;He feels extremely ashamed about the fact that his comfortable life, his condo, and the fact that he can even dedicate himself to writing professionally come from his parents’ success. He’s thankful and resentful and wants to have his own life, to be some kind of self beyond being their son. But his own self is unmarketable, a little too intense, and absolutely shit at being something he’s not to the point where at times it feels like Devon is the only person he regularly interacts with that likes him. The people at the dinner talk in hollow platitudes and emotionally removed intellectualism; even Rebeck, who praises Ricken’s writing, is enamored with the academicism of it rather than Ricken’s oversharing. She asks him to not punish Eleanor after they break up the party after the OTC despite, ostensibly, having read the book where Ricken spends the entirety of it talking himself down from resenting his parents for making him the way he is so that he can reconcile his life as they expected with the way his life turned out to be. &lt;/p&gt;
&lt;p&gt;&lt;em&gt;The You You Are&lt;/em&gt; is jarring because it’s a diary selling itself as a manifesto (and, full disclosure, I believe it works as a manifesto for the innies because it’s a diary, because it talks about an outie’s fears that they see in themselves, reaffirming that they are entitled to full personhood). It makes the reader feel like a voyeur. It’s not some insight into any great structural truth; it’s, as Ricken’s parents put it disdainfully, “conventionalist art.” Ricken is writing about having wild amounts of awesome sex with Devon, about wrangling the memories of his childhood into something that feels nice to reminisce about, about how he’s terrified of being a bad parent, and about arguments with his brother-in-law. Most of all, he writes about the idea of self as a part of something, as a role, as an archetype. He writes about all these intimate and vulnerable things and drapes them in pomposity because he’s performing, like his parents did. He tells us about Gemma, her death, and her friendship with such warmth and such a lack of frills compared to the rest of the book, and then about how Mark weaponized her genuine warmth to mock him to the point where he’s now haunted by the idea that the last thing Gemma said about him was an insult. And he talks himself down from that resentment too; he understands where Mark’s insult came from. He tries to accept that he can never know if Gemma truly did mock his tape but that he knows what she directly said to him about the songs, which was kind. &lt;/p&gt;
&lt;p&gt;When Natalie Kalen offers him reliable royalties for a brand-approved edition of &lt;em&gt;The You You Are&lt;/em&gt;, Ricken sees an opportunity to stop being a coda to his parents’ own artistic legacy. To finally have money he can call his own and stop feeling guilty for relying on them, because no matter how much he performs a reconciliation in his writing, he resents the cruelty of his birth and their absences. He resents that he’ll never be sophisticated enough, that he’ll always “sound like a hamburger waiter,” that people who appreciate him like him pristine and intellectual, and that anyone who sees the oversharing, the inappropriate venting, the earnest admission that he’d like to get to know people better, and the guy who wants to show the delights of couloir skiing will dismiss him as a bumbling fool, like Mark did. Like, crucially, Devon and Gemma didn’t. &lt;/p&gt;
&lt;p&gt;Lumon exploits the shame and regrets of their employees constantly; they use them to promise peace and warp them into a cage through repeated punishment and tantalizing promises that can never come to be as long as the point is the company’s profit. Natalie praises Ricken’s writing; Natalie praises the emotional parts of it, the parts that Ricken is worried about and wants to obscure with pseudo-intellectual trash, because they are helping the innies. It’s a promise of economic safety and independence (isolation, which Lumon wants) from his own larger support network. He’s been waiting his whole life to have something to call his own, to stop performing and still be appreciated. What do you do when the you you are is someone you are ashamed of? What do you do when it’s easier to blame your parents for the person you have become? What do you do when you understand that you also got some good things from them? What do you do when you understand your parents are not the only people who made you into who you are at present? What do you do when you realize you can fail people in the same ways they failed you?&lt;/p&gt;
&lt;p&gt;Ricken’s in the same crucible as every other character in the show, trapped between expectation and reality, in some weird fucked-up relationship with the people that put him into the world, trying to decide where they end and he begins, trying to understand if there’s anything he is beyond the role he was given and that he gives himself.&lt;/p&gt;
</content:encoded></item><item><title>The After Hours, Turturro thematics</title><link>https://binomech.neocities.org/severance/turturro-thematics</link><guid isPermaLink="true">https://binomech.neocities.org/severance/turturro-thematics</guid><pubDate>Sat, 15 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I keep thinking about Illuminata (when do I ever stop, tbh) and John Turturro’s decision to adapt and direct a whole movie about the earnest and harrowing realities of the performance as labor. Putting himself in the role of Tuccio, who is too out there in his work to ever get what he wants and can’t help but compromise, even when it makes him miserable and makes him frustrated at his work. &lt;/p&gt;
&lt;p&gt;It’s also a movie where the whole cast were his friends in the business, including Christopher Walken. He played Umberto, a critic whose opinion matters enough to be a risk Tuccio takes, whose (explicitly homosexual) relationship with a member of the company ends with the latter’s edits once more unraveling Tuccio’s script. Tuccio’s work is entirely driven by love of performance, by the shared human subjectivity that joins both role and actor: there’s no superfluous fanfare in the play, and it’s agonizing that it results in no glory. To quote an unrelated lyric, “Being yourself while being other people is harder than it looks,” so the overlap between role-in-fiction and role-in-life is inevitable. I find myself thinking about how both the play in the movie and the actual movie faded into obscurity (like all the actors who don’t reach stardom, like the whores, like the faggots, like the badge-coves of performance art.) &lt;/p&gt;
&lt;p&gt;I feel there’s a continuation of this pattern in Turturro’s roles in Miller’s Crossing and Barton Fink in particular: The “clockable queer (never explicitly on camera, thematically relevant, alluded to in derision and/or metaphor) entrenched in a web of historical violence that continues into their present” is kind of a typecast for him at this point (not unwelcome for me personally, but nevertheless there). Christopher Walken is openly bisexual, and he was John Turturro’s choice to play Burt because he believed completely that the love he feels for Walken would come through his performance of Irving so clearly. All the anecdotes from the set I’ve caught are about commitment to the story, to the characters, but most of all to each other as people who’ve been friends for decades, who love each other dearly, who are getting older and are perfectly aware of it, and what it means for their life and for their career. &lt;/p&gt;
&lt;p&gt;A lot of queer men’s experience of their gender and sexuality is inseparable from repression and violence directed at themselves or others. I have a lot of friends over 60 in the scene that built both their sense of masculinity and its queering around (and within) the oppressive power structures they existed in (Franco’s fascist dictatorship for my friends, the US imperial military complex for Irving, and the Lutheran church and Lumon’s hitman jobs for Burt). There’s also a lot to be said about the dehumanization of anyone over 50 in both the acting industry and gay culture through either defanging any desire or painting it as predatory. In this plotline about two older gay men in the context of bodily autonomy, the nuclear family as an extension of capitalism, and the struggle to subvert inherited power relations, I’m 100% on board with the point where we’re leaving Burt and Irving in &lt;em&gt;The After Hours&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;But I don’t think that a sacrifice, an admission of desire, and a melancholy look out of a train window are all there will be to them. Life is never free of pain or grief or frustration, but that’s not proof of inevitable tragedy; I dare say that it’s kind of the point of Severance. That love takes work, that justice takes work, that you’re born with an expectation of the life you’re going to have, and sometimes you’ll fall into that and be miserable, but it’s never too late to change course; there’s no predestination. Good news about hell, yes, but also about heaven: Whatever humans can imagine, they can usually create. &lt;/p&gt;
&lt;p&gt;What I’m trying to get at is I can’t imagine John Turturro would want anything more than to make room through his role in Severance for all these things he and Christopher Walken have been denied by the industry they work in for personal and artistic integrity reasons. I don’t believe Severance’s writing would shy away from it, given the historical evidence of them listening to the cast and giving the less marketable realities of the characters that they share with their actors the weight they deserve. Budget and time constraints aside, I trust Dan Erickson and the writing team to do a good job with Irving’s plotline if there’s a third season. But most of all, I trust John Turturro to give Irving (and Burt, and by extension Christopher Walken and himself) a story most of us would give a piece of ourselves woven into our fictions.&lt;/p&gt;
</content:encoded></item><item><title>They need to go get Hot Pot</title><link>https://binomech.neocities.org/severance/get-hot-pot</link><guid isPermaLink="true">https://binomech.neocities.org/severance/get-hot-pot</guid><pubDate>Fri, 14 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Had a long, long conversation back in early February with M, D and J about how innies basically just get an airline menu approach to food (so does Milchick, according to his performance review scene). You check off your allergies; if you’re lucky, you get to choose between three or four options at the vending machine. &lt;/p&gt;
&lt;p&gt;Some meals are all the same because it’s enough work as it is: watermelons for funerals, pineapples for gift baskets, and eggs and waffles for the end of the quarter, and that’s that. There’s no cultural connection, there’s no personal history, you can’t know what your outie does, so you can’t risk home-cooked meals, and you can’t risk religious or ethical dietary restrictions. the waffles, you eat alone. The vending machine packages are token-required and tiny enough that even if you were to eat them with someone else in the kitchenette, you could stretch it to 15 minutes. A pointed out their surprise at seeing Felicia and Irving sharing food.&lt;/p&gt;
&lt;p&gt;The waffle party? It’s one person, alone, with their little waffle dish. The egg bar and the parting watermelons are the only food that is meant to be shared, and I’m not sure how much of that is a Milchick effort, and the egg bar has a time limit until they have to clock out on the last day of the quarter. &lt;em&gt;What’s for dinner?&lt;/em&gt; They’ve never had dinner, they’ve never had breakfast (aren’t the waffles so exciting?), and their fucking lunch is two tiny boxes of raisins or whatever piecemeal snack they want to give them, including the mocking new options from the &lt;em&gt;Lumon is Listening&lt;/em&gt; video. Let’s eat a rotting seal carcass because the marshmallows were never meant to be ours, and we’re starving. &lt;/p&gt;
&lt;p&gt;You have your family here with dividers splitting up your shared desk, and you can’t have a fucking meal together. You have no idea what foods you like or what there is to like at all. You’ve never been full in your life. You’ve never talked about what you’re eating or about how life’s going because this is your life, and all of you are witness to everything in each other’s existences, or at least are meant to be. They need to go get fucking hot pot (literally &lt;em&gt;and&lt;/em&gt; allegorically).&lt;/p&gt;
</content:encoded></item><item><title>Hope for Irving return</title><link>https://binomech.neocities.org/severance/irving-return-meta</link><guid isPermaLink="true">https://binomech.neocities.org/severance/irving-return-meta</guid><pubDate>Fri, 14 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Regarding the ongoing fandom conversation about Irving not coming back for S3 and the interview with John Turturro everyone’s been quoting: I believe what was implied wasn’t so much “I’m done with this show” but “I’m old; it’s always rough committing to anything because life itself feels precarious. When I do something, I want to do it well because I don’t know if I’ll be able to come back.” &lt;/p&gt;
&lt;p&gt;And Christopher Walken is in his 80s, and in interviews they do together, there’s just this overwhelming sense of affection but also urgency to express it. I get that that’s part of the work, that their friendship is driving the entire Irving performance, that it’s kind of the point to do things you like with people you love as often as you can because the looming threats of death or illness never fucking stop, and the older you get, the more pervasive they become. And lucky is not the word for it, because there’s nothing particularly delightful in its unpredictability, but it’s nice that you get 60+ years of someone you love; it’s nicer than getting less than that. So you take what you can get and mourn when you have to, not a moment earlier. &lt;/p&gt;
&lt;p&gt;I understand wanting to close out the season in a way that is both contained as a time period, as a collaboration, and as a gift to yourself, your friend, and any audience that might come along for the ride. I appreciate the honesty and respect for oneself it requires to grapple with the idea of a loved one’s health and your own, and why you’re doing things, and why you might want to continue doing them or stop in a way that gives you (as a person) and your character (as a projected narrative) some kind of closure. Of course I’m hoping we get a third season and that Irving is in it. But the cast and crew are people, and beyond the paycheck (which I hope is hefty and helpful), I think it’s their time and their life, and I’m just a passenger eavesdropping. I’m lucky to be privy to this. And I’ll mourn when I have to, not a moment earlier.&lt;/p&gt;
</content:encoded></item><item><title>Books (2015-2025)</title><link>https://binomech.neocities.org/bookmarks/books-2025</link><guid isPermaLink="true">https://binomech.neocities.org/bookmarks/books-2025</guid><pubDate>Tue, 11 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I hate quantitative appraisal of things that are meaningful to me, especially if they&amp;#39;re art. Still, here are a few published books that I like a lot.  &lt;/p&gt;
&lt;h2&gt;Multiple works per author&lt;/h2&gt;
&lt;h3&gt;Albert Camus&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;The Myth of Sisyphus  &lt;/li&gt;
&lt;li&gt;The Possessed (theater)  &lt;/li&gt;
&lt;li&gt;Resistance, Rebellion, and Death (all the essays here are amazing, but if you must read one, read Reflections on the Guillotine)  &lt;/li&gt;
&lt;li&gt;Neither Victims nor Executioners&lt;/li&gt;
&lt;/ul&gt;
&lt;h3&gt;Roland Barthes&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;The Pleasure of the Text  &lt;/li&gt;
&lt;li&gt;Camera Lucida  &lt;/li&gt;
&lt;li&gt;Mourning Diary (one of my favorites, perhaps because it&amp;#39;s so different from everything else on this list.)&lt;/li&gt;
&lt;li&gt;Empire of Signs  &lt;/li&gt;
&lt;li&gt;The Responsibility of Forms  &lt;/li&gt;
&lt;li&gt;What is Sport? (And although I&amp;#39;m cheating my self-imposed rule of only published ISBN&amp;#39;d books on this, I recommend the fiction series &lt;a href=&quot;https://www.sbnation.com/a/17776-football&quot;&gt;17776&lt;/a&gt; as a companion.)  &lt;/li&gt;
&lt;li&gt;Mythologies&lt;/li&gt;
&lt;/ul&gt;
&lt;h3&gt;Emil Cioran&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;The Temptation to Exist  &lt;/li&gt;
&lt;li&gt;The Fall into Time  &lt;/li&gt;
&lt;li&gt;The Trouble with Being Born  &lt;/li&gt;
&lt;li&gt;The Twilight of Thought&lt;/li&gt;
&lt;/ul&gt;
&lt;h3&gt;Lesley A. Sharp&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;The Sacrificed Generation: Youth, History, and the Colonized Mind in Madagascar  &lt;/li&gt;
&lt;li&gt;Strange Harvest: Organ Transplants, Denatured Bodies, and the Transformed Self  &lt;/li&gt;
&lt;li&gt;Animal Ethos: the morality of human-animal encounters in experimental lab science&lt;/li&gt;
&lt;/ul&gt;
&lt;h3&gt;James Baldwin&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Giovanni&amp;#39;s room  &lt;/li&gt;
&lt;li&gt;This morning, this evening, so soon (short story)  &lt;/li&gt;
&lt;li&gt;Notes of a Native Son (which adds like 20 essays with every new edition), and honestly, all of James Baldwin&amp;#39;s essay corpus is amazing. Not a single work in there that I would not recommend, and it&amp;#39;s a long list.&lt;/li&gt;
&lt;/ul&gt;
&lt;h3&gt;Franz Kafka&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Josephine the Singer (short story)  &lt;/li&gt;
&lt;li&gt;The Trial  &lt;/li&gt;
&lt;li&gt;In the Penal Colony&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Fiction (prose)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Invisible Cities&lt;/em&gt; by Italo Calvino  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Never Let Me Go&lt;/em&gt; by Kazuo Ishiguro  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;East of Eden&lt;/em&gt; by John Steinbeck  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Fictions&lt;/em&gt; by Jorge Luis Borges (and the prologues &lt;em&gt;specifically&lt;/em&gt; for the Library of Babel, which is one of the short stories featured in Fictions, although I don&amp;#39;t know if that&amp;#39;s been translated or how widely available it is)  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;How to Live Safely in a Science Fictional Universe&lt;/em&gt; by Charles Yu  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Monster Baru Cormorant&lt;/em&gt; by Seth Dickinson  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Dialogues with Leucò&lt;/em&gt; by Cesare Pavese  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Grapes of Wrath&lt;/em&gt; by John Steinbeck  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;This is how you lose the time war&lt;/em&gt; by Amad El-Mothar and Max Gladstone&lt;/li&gt;
&lt;li&gt;&lt;em&gt;When I Sing, Mountains Dance&lt;/em&gt; by Irene Solà  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Crime and Punishment&lt;/em&gt; by Fyodor Dostoevsky  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Good Omens&lt;/em&gt; by Terry Pratchett and Neil Gaiman (yes, I know. Not a word.)  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Discworld&lt;/em&gt; series by Terry Pratchett, but it&amp;#39;s massive, so here are my favorite story threads and novels within them:  &lt;ul&gt;
&lt;li&gt;Watch cycle (favorite installments: &lt;em&gt;Men at Arms&lt;/em&gt; + &lt;em&gt;Feet of Clay&lt;/em&gt;)  &lt;/li&gt;
&lt;li&gt;Industrial Revolution cycle (favorite installments: &lt;em&gt;Monstrous Regiment&lt;/em&gt; + &lt;em&gt;Going Postal&lt;/em&gt;)  &lt;/li&gt;
&lt;li&gt;Death cycle (favorite installments: &lt;em&gt;Reaper Man&lt;/em&gt; + &lt;em&gt;Thief of Time&lt;/em&gt;)&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Fiction (theater)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Waiting for Godot&lt;/em&gt; by Samuel Beckett  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Rosencrantz and Guildenstern Are Dead&lt;/em&gt; by Tom Stoppard&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Arcadia&lt;/em&gt; by Tom Stoppard&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Los árboles mueren de pie&lt;/em&gt; by Alejandro Casona  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Luces de Bohemia&lt;/em&gt; by Ramón María del Valle-Inclán  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Fuenteovejuna&lt;/em&gt; by Lope de Vega  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;La casa de Bernarda Alba&lt;/em&gt; by Federico García Lorca  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Escuadra hacia la muerte&lt;/em&gt; by Alfonso Sastre  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Flies&lt;/em&gt; by Jean-Paul Sartre  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;No Exit&lt;/em&gt; by Jean-Paul Sartre  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Angels in America&lt;/em&gt; by Tony Kushner  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Seven Against Thebes&lt;/em&gt; by Aeschylus  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Hecuba&lt;/em&gt; by Euripides  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Antigone&lt;/em&gt; by Sophocles  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Prometheus Bound&lt;/em&gt; by Aeschylus (kind of, you know how it is.)&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;These last three have translations by Anne Carson that I&amp;#39;m 100% supportive of. Actually, most Anne Carson translations of Greek tragedy are awesome; go check them out.  &lt;/p&gt;
&lt;h2&gt;Non-fiction (prose)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Capitalist Realism&lt;/em&gt;, &lt;em&gt;Hauntology&lt;/em&gt;, and (the salvaged fragments of) &lt;em&gt;Acid Communism&lt;/em&gt; by Mark Fisher. These go in a three-pack to me, so I&amp;#39;m listing them together.  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Ahí es nada&lt;/em&gt; by Jorge Riechmann  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;¿Vivir como buenos huérfanos?&lt;/em&gt; By Jorge Riechmann  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Identity and Friendship&lt;/em&gt; by Emilio Lledó  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Diario del cuidado de los enjambres&lt;/em&gt; by Antonio Orihuela  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;El tamaño de mi esperanza&lt;/em&gt; by Jorge Luis Borges  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Hope Without Optimism&lt;/em&gt; by Terry Eagleton  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Minima Moralia&lt;/em&gt; by Theodor Adorno  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Philosophy as a Way of Life&lt;/em&gt; by Pierre Hadot (as a general overview to the historical overlap of ethics-as-doing with the rest of philosophical thought, but if you can use it as a foothold to his hermeneutics work, please do)  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Idea of the Holy&lt;/em&gt; by Rudolf Otto  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Bonobo and the Atheist&lt;/em&gt; by Frans de Waal  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Can the subaltern speak?&lt;/em&gt; by Gayatri Spivak  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Pictures and Tears: A History of People Who Have Cried in Front of Paintings&lt;/em&gt; by James Elkins  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;La resistencia&lt;/em&gt; by Ernesto Sabato  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Dialogic Imagination&lt;/em&gt; by Mikhail Bakhtin  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Cyborg Manifesto&lt;/em&gt; by Donna Haraway  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Epistemic Injustice&lt;/em&gt; by Miranda Fricker  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Prison Notebooks&lt;/em&gt; by Antonio Gramsci  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Pedagogy of the Oppressed&lt;/em&gt; by Paulo Freire&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;Non-fiction (poetry)&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Grafitis para neandertales&lt;/em&gt; by Jorge Riechmann  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Crush&lt;/em&gt; by Richard Siken  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;La luz impronunciable&lt;/em&gt; by Ernesto Kavi  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;How We Became Human&lt;/em&gt; by Joy Harjo  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Good Thief&lt;/em&gt; by Mary Howe&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Eyes to See Otherwise&lt;/em&gt; by Homero Aridjis  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;Night Sky with Exit Wounds&lt;/em&gt; by Ocean Vuong  &lt;/li&gt;
&lt;li&gt;&lt;em&gt;I wrote this for you&lt;/em&gt; (series) by Iain Thomas (it&amp;#39;s a combination of poetry and photography and greatly benefits from a physical format).&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>Irving + Cobel throughlines</title><link>https://binomech.neocities.org/severance/irving-cobel-throughlines</link><guid isPermaLink="true">https://binomech.neocities.org/severance/irving-cobel-throughlines</guid><pubDate>Thu, 06 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I’ve been thinking about Irving a lot during this episode, funnily enough, and not even just in an “I miss my guy” way. I think the fact that him and Harmony are the two oldest members of the “main” cast definitely links them in some way in my mind, even with the 10 year age difference. &lt;/p&gt;
&lt;p&gt;I think the historical periods and socioeconomic circumstances that Irving and Harmony grew up in have a quality of structural desperation that contrasts with the personal desperation of the younger members of the cast, although assuming the reality of certain parts of US history remain in the Severance timeline, I would say that Milchick being born during the time period where the first generation of Black americans was entering the mainstream corporate and political sphere would be significant on the point I want to make. &lt;/p&gt;
&lt;p&gt;Irving would have been born right at the start of the Vietnam War, with a father in the navy right out of WWII, with Eisenhower interventionism off the charts, and the disaffect towards US internal and foreign policy would only increase in his youth, and it would go on for long enough for him to go to war himself, come back fully disenchanted to the golden years of the Civil Rights Movement and the AIDS crisis, a constant state of precarity between loss, disillusionment, anger and the hope that your fight is going somewhere with constant setbacks. &lt;/p&gt;
&lt;p&gt;Despite the 10 years between them, Harmony Cobel grew up in a working class town, already revolving around Lumon, with her mother probably being an employee at the ether mill at that point (which, sidenote: “was she hacking up a lung” in the context of Kier’s courtship of Imogen? Was Jame Eagan pursuing Charlotte Cobel, or Harmony herself? Thinking about the conversation between Harmony and Helena in the parking lot about how she has underestimated her blessings… ). Her mother got sick from the constant chemical exposure and her aunt swooped in to both take care of Harmony (by sending her off to an Eagan boarding school, which did spare her from more child labor at the mill, but also primed her for a career at Lumon) and care for Charlotte, who hated Lumon. The faith was comfort and escape in a life of economic precarity and illness, even if the cause for those things and the venerated figure were the same thing. Loss, disillusionment, anger, leaps of faith once more in the middle of the Nixon administration, with energy shortages, inflation and the slow death of industrial production giving way to the service-based economy that uneducated blue collar workers could not access, much less working class &lt;em&gt;women&lt;/em&gt;, but maybe brilliant Harmony with her chip designs could. &lt;/p&gt;
&lt;p&gt;Sissy’s house is isolated from the rest of the factory town, a reasonably long drive away. It reminded me of how in Irving’s map the Lenora complex was isolated in an icy nothingness away from the rest of the city center and other Lumon housing complexes, including Burt’s. It makes me think of how, in the severed floor, the distance between departments might be physically not that big, but the dizzying labyrinthic hallways make the isolation even more anxiety-inducing, more inescapable. And also how Irving was familiar with the way to Perpetuity without a map at the ready, knew how to locate the conference room, got back from Wellness with relative efficiency learned the way to O&amp;amp;D through Burt’s map in a cinch because he wanted to get rid of the crushing isolation. Sissy and Irving are old, they live alone, they are principled and disciplined, and their access to care and support is incredibly conditional, the highest honor is isolation. &lt;/p&gt;
&lt;p&gt;The scene at the shed at Sissy’s also reminded me a lot of Irving going through his outie’s storage room during the OTC (and Drummond doing the same while outie Irving’s at dinner with Burt and Fields.) Harmony flipping through the annuary with her classmates and Jame Eagan, like the picture of Irving’s dad next to the list of Lumon employees. &lt;em&gt;Who was with Lumon while I was there, in the Severed floor/at Myrtle Eagan school for girls?&lt;/em&gt; Harmony has been described as a &lt;em&gt;soldier&lt;/em&gt; by Reghabi, as someone who grew up surrounded by the company’s values, that will be loyal to those values no matter how much she pretends she isn’t. But she picks up Devon’s call, she encourages Mark to quit, she wants to learn what went wrong with Petey, she tears down her altar and spits in Sissy’s face that she doesn’t owe Lumon anything, that they took her ideas and twisted them, got the credit, got the money, and hurt people with them. I think about how Irving was definitely in the military, and it was probably because he grew up in a military household where his father set the tone, and it definitely shows in his innie, in the way his outie carries reminders (the medals, the sriracha sauce, ace of spades), but also how how every time we’ve seen him it’s not a soldier we see - he’s reading, he’s painting, he’s collecting information about people who’ve spoken out about Lumon’s cruelty, he’s calling people to update them on his innie’s status, he’s attending dinner at a stranger’s house and remaining relentlessly kind when confronted with a soul-charring amount of internalized homophobia from the people that invited him in the first place.&lt;/p&gt;
&lt;p&gt;They were raised to be soldiers in decades where that was sold as the only way to survive the state of the world, and it took them time and it was certainly not without consequence for them and for others, but I believe they’re trying to be something else.&lt;/p&gt;
</content:encoded></item><item><title>Salt&apos;s Neck, Compostilla, the corporate town</title><link>https://binomech.neocities.org/severance/salts-neck-compostilla</link><guid isPermaLink="true">https://binomech.neocities.org/severance/salts-neck-compostilla</guid><pubDate>Thu, 06 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;em&gt;Sweet Vitriol&lt;/em&gt; opens with Harmony Cobel driving past a sign that indicates that she’s leaving a population named Salt’s Neck, with an ominous soundtrack that sometimes veers into the main melody of the Kier hymnal that Cobel herself sang as a reminder to MDR after their escape to O&amp;amp;D that led to Dylan finding out about the OTC in the first place, but also from the instructional tape at the ORTBO, the only other episode that takes place outdoors far from MDR’s outies’ houses. Watching this episode, the Compostilla thermoelectrical factory in León (Spain) immediately came to mind. I want to give an overview of this real world situation, but I want you to consider the way Lumon operates in Severance while you read. &lt;/p&gt;
&lt;p&gt;The Compostilla I factory was inaugurated in 1949, 10 years after the Spanish Civil War ended and, consequently, 10 years into Franco’s fascist dictatorship, although at the time Compostilla did not exist. The building was intended to be an anthracite refinery in Ponferrada, a small village in the middle of one of Spain’s biggest coal basins halfway between Zamora and Asturias. It was a very expensive construction project and existed in the context of an attempt at autarchy from the fascist government, in the middle of the post-war famine that was hitting the populations in those colder regions extra hard, most of whom relied on their own crops to get by in the winter. The people working to build the factory, with the exception of a handful of paid workers, were slaves (unpaid workers threatened with violence, jail, or exile) and political prisoners from the Republican side of the Civil War. &lt;/p&gt;
&lt;p&gt;The factory itself was a striking behemoth among the small buildings in the surrounding towns, overshadowing the churches themselves, which at the time were the most ornate and imposing buildings in these villages. In the 5 years between the approval of the project and its actual finalization, the Fascist powers had fallen and Spain was one of the few countries that remained uncontested, in part because of the sheer amount of resources that went into our own Civil War before WWII even started didn’t make us much of a military threat. This project, that had been approved with the purpose of using Spanish raw materials to manufacture pieces and machinery for the German war apparatus, was obsolete before it even opened. To justify its existence, the government founded Endesa, a national electricity company that would both produce, transport and supply the whole country, with the factory in Ponferrada at the core of it. Contractually, the company could not sell more than one fourth of its assets to foreign countries, as it was a symbol of the attempt to establish full economical autarchy from the Fascist government. &lt;/p&gt;
&lt;p&gt;It was then that the town of Compostilla was built in the outskirts of Ponferrada, with the purpose of providing housing and facilities to the workers of the thermoelectrical central. They didn’t have to pay rent, they had access to fresh and cheap goods (through an economato, a regulated grocery store ran by Hunosa, a company that oversaw most provisioning in the coal basin of Asturias) in the middle of a harrowing famine, they had free electricity and reliable medical care. A lot of people moved to Compostilla at the height of the factory’s production, including my grandmother’s sister, to survive the aftermath of the Civil War. 105 families lived in the factory town from 1949 to 1965. As the rest of the old fascist powers settled into liberal, capitalistic democracy, with the benefit of international political alliancies with the western bloc during the Cold War, their industrial manufacturing surpassed in technical efficiency whatever we were doing over here, generally isolated in a world where, nominally, fascism was obsolete. &lt;/p&gt;
&lt;p&gt;In 1965, the central underwent reforms to accomodate desulphuring and filtering of pet coke, not just coal. The workers started experiencing the health issues that come with working in, essentially, a tar pit and living next to it when they were off the clock, and those who had family outside of the factory town took off. A lot of families had to stay because the post-war famine had killed anyone they had that hadn’t come to enjoy the commodities oh-so-generously Endesa had provided. In the next decades, age, illness, and the shift to natural gas as an energy source (that was cheaper to extract and refine for the company) had turned Compostilla into a ghost town, and by 2008 Endesa decided to start the process of shutting down the complex. &lt;/p&gt;
&lt;p&gt;In June 2020, there were only 76 workers in the central. None of them lived in the battered remains of the factory town. The factory was demolished in 2023. Endesa has been a private company since 1998, and was recently incorporated into Enel, an Italian multinational electricity provider. This might sound highly circumstantial and localized, but the crises of the business model that Ponferrada (and specifically Compostilla as a factory town) undewent apply to most companies that started out with industrial production and currently operate as multinational oligopolies over their original domain and a few more, vying for monopoly. &lt;/p&gt;
&lt;p&gt;Which brings us back to Lumon, and Salt’s Neck. The town Harmony arrives to is not Salt’s Neck, then. We learn that this population was created to house the workers at Lumon’s Ether factory, much like the municipality of Kier, where the MDR outies live, was created next to Ganz to build the housing complexes for the employees at Lumon HQ. In the jagged, icy landscape, the housing complex which were once properly insulated now rust and are barely patched over, I could see the ghost of the decrepit greenhouse Petey stayed in at Half Loop road, which also had belonged to Lumon at one point. There’s even a church, eerily similar to the one near Irving’s apartment.&lt;/p&gt;
&lt;p&gt;The people in Kier live in subsidized Lumon housing, eat at Pip’s which is a Lumon side business, go to Lumon fertility clinics, donate at Lumon blood drives, rely on Lumon for healthcare, food, employment and their continued livelihood, since they literally have a Lumon patented chip inside their brains with red tape all over its functions. When Dylan gets fired, it’s not just the prejudice against severance that is harrowing (because some people, like Dylan, cannot work unless they get severed, it was not a free choice), it’s also the knowledge that without Lumon’s protection and provisions, you will essentially die. Hearing the crunchy Kier hymnal in this episode just brought me back to the ORTBO, to “we’re starving, Mr. Milchick” and the reassurance that lumon will always provide, to “marshmallows are for team players”, because it is entirely conditional on how much money you’re making them. The factory town and the greenhouse were abandoned because there were more profitable ventures for the Eagans, and they left a trail of bodies behind, sick people, addicts whose addiction was a necessity to keep them productive, an addiction that guaranteed their loyalty. A small bar that gives away coffee, warm meals and vitriol whippets, because all the food and medicine left with Lumon, who provides until you aren’t useful. &lt;/p&gt;
&lt;p&gt;Harmony tells Sissy “Lumon destroyed this town, you owe them no loyalty”, but Sissy correctly points out that there was no town before the factory. Sissy was spared from the misery that wrecked the factory town because she gave them Harmony Cobel, her mind, her body, and her loyalty. Her survival was conditional on submission, and so everything that they have, they owe back to the Eagans as fealty.&lt;/p&gt;
</content:encoded></item><item><title>Shame is a Cage</title><link>https://binomech.neocities.org/severance/shame-is-a-cage</link><guid isPermaLink="true">https://binomech.neocities.org/severance/shame-is-a-cage</guid><pubDate>Thu, 06 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Throughout the whole show, shame has been used as a punitive tool: From the unsevered staff to the innies (the break room), from the outies to the innies (Mark’s gateway to reintegration being the shame he felt at carelessly letting his dog and Gemma leave, meaning it was at the root of his severance), from the outies to themselves (Seth Milchick subjecting himself to torturous correction through the paperclips, through his own speech of penance to himself in the mirror). Shame at all the ways we could’ve acted differently to be in a better place than we are now. &lt;/p&gt;
&lt;p&gt;It’s interesting how, when asked for the key to Charlotte’s room, Sissy refuses to give it because all Harmony will find there is pain. “Charlotte’s room stays shut until all who remember her sit with Kier” because the only way to be useful is to build yourself a cage of shame, because if you remember, if you grieve, you will stop being as easily manipulated into compliance. Cold Harbor stays shut until all who remember Gemma sit with Kier. Shame is a cage. Shame leads to denial, memory leads to grief.&lt;/p&gt;
&lt;p&gt;Harmony still looks for the key because she wants to feel that pain, because she wants to grieve a mother she wasn’t even allowed to see off when she died because she was serving the Eagans at school. Grief is a key out of this prison of repression. &lt;a href=&quot;/grief-greenery/&quot;&gt;I’ve talked before about the way vegetation, sunlight and darkness are used in Severance to denote grief and the healing that comes through processing it&lt;/a&gt;, so I would like to point out that the wallpaper all over the house is flower-patterned, if slightly damaged, and the key Harmony finds in Sissy’s altar is hidden away behind an arrangement of dried (or possibly artificial) flowers. The only item that was left in Harmony’s childhood bedroom is a worn plushie, well loved, perhaps a gift from a mother to a very small child. And in Charlotte’s room, in turn, a picture of her daughter, wearing the same braids she does at home even now, in the house where she keeps dolls in her bed and sings to newborn children that aren’t hers. One of the rare shots of warm sunlight in this show happens this episode as Harmony Cobel enters her mother’s bedroom, and a bright warmth cuts the empty deathbed in two. Harmony presses her her hands to the mattress, like Mark to the tree, like Irving to the paintings, and sucks on an endotracheal tube like a child feeds on breast milk. She sleeps peacefully in the darkening room. The scene transition is an aerial shot of ice floaters slowly turning into a shot of turbulent water, the split shards melted into wholeness, wild and dangerous though it may be. &lt;/p&gt;
&lt;p&gt;Pain, grief, letting yourself feel it, is the only true way to reintegrate. You can’t artificially do it through chip manipulation, but the possibility that one could turn off the severing block at will would mean that the person could have access to all their memories and would get the chance to truly grieve. Cobel watched outie Mark for signs of acceptance and innie Mark for signs of recognition, she wanted to believe in post-severance reintegration that didn’t end in death, a procedure her own ideas made possible in the first place. She was happy that Mark felt like he didn’t need to be severed anymore, at Ricken’s party, and encouraged him to leave Lumon. Mark surviving chip reintegration means he could grieve freely, after all. That her grief-fuelled creation won’t necessarily make the world into a cage of shame. Harmony says the Eagans’ mercy is murder, like how Sissy thinks it was an act of mercy to remove Charlotte’s respirator. Harmony had assumed her mother’s death was on her aunt, but Sissy admits with disgust that it was Charlotte who took out her own lifeline. It was her choice to die, and even to Sissy’s eyes, she looked grateful. Even when Sissy says her rage would’ve been less agonizing if she had faith, that doesn’t take from the gratitude. Because yes, she was angry, she had lost her faith and autonomy, she had lost her daughter, they took everything from her and death was merciful.&lt;/p&gt;
&lt;p&gt;Keeping people alive against their will to extract profit is &lt;em&gt;cruelty&lt;/em&gt;, not mercy. Gemma doesn’t get a choice. Hampton gives the people in the town choice: They can numb the pain with the drug, or just coffee, or just a warm place to be in, or they can die, but whatever choice they make is as free from Lumon’s control as he’s able to make it. It was kind, not merciful, to make a choice to end her own life (like Helly’s suicide attempt in the elevator, like Irving B.’s willing execution, going to their deaths fully aware of what they were doing, freeing themselves from grief and exploitation.)&lt;/p&gt;
</content:encoded></item><item><title>Unsanctioned relations (of the productive kind)</title><link>https://binomech.neocities.org/severance/unsanctioned-relations</link><guid isPermaLink="true">https://binomech.neocities.org/severance/unsanctioned-relations</guid><pubDate>Thu, 06 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Hampton resents Harmony for leaving to work in the Kier branch of Lumon, for four reasons that work in tandem: &lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;He knows Harmony came up with the designs for the severance chip, and that it was her work that allowed the Eagans to shut down the factory and restructure the company around the idea of a severed floor in a different, public facing building, which the ether factory could not be. &lt;/li&gt;
&lt;li&gt;That company restructuring resulted in the factory being shut down, people being out of jobs and the employees who worked there suffering the medical sequelae of having worked since childhood in the factory without any help from Lumon’s pharmaceutical products. &lt;/li&gt;
&lt;li&gt;He resents Sissy for encouraging Harmony to join the Myrtle Eagan school for girls, both because it took her away from him and because it ultimately led to the factory shutting down, with the whole town falling through the cracks except for Sissy, who was credited for Harmony’s upbringing. The only one still living by the nine (principles) after what Lumon did to them all. &lt;/li&gt;
&lt;li&gt;Harmony references their friendship and puppy-love through Lumon language (&lt;em&gt;chums&lt;/em&gt;), to which Hampton replies that [it was] &lt;em&gt;child fucking labor&lt;/em&gt;. As Harmony talks of Kier and Imogene meeting as colleagues in the ether mill and taking to each other still as colleagues, Hampton replies cynically and with complicity “was she hacking up a lung at the time?” (possibly implying that part of the reason Harmony was encouraged to leave was the respiratory issues exposure to the chemicals gave her mother.)&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;It’s Harmony’s admission that she is not working with Lumon, that was she did was bad enough to be surveilled, that ultimately earns Hampton’s trust and makes him keep watch while she’s at Sissy’s. Sissy mentions selling Harmony’s childhood belongings to the poor, making the poor pay for goods that were not theirs to have in the first place, to use their meagre salary to pay for someone else’s things she didn’t even get to enjoy. The way the laborer at the factory makes the product, and the client has to pay to enjoy it, but this separation between maker and user is necessary for the generation of surplus for the patron. But despite Harmony’s pretense of disdain when she says it’s shameful that he sells the vitriol, she kisses him for it. &lt;/p&gt;
&lt;p&gt;Hampton doesn’t sell drugs, he &lt;em&gt;gives them away&lt;/em&gt;. He doesn’t charge for the coffee, he doesn’t charge for the huff. Lumon gave him and Harmony vitriol as child laborers to get through 8 hour vat-stirrings, even as they mirrored Kier and Imogene. Vitriol is a Lumon product that Lumon can’t cash in being used to mitigate the damage working for Lumon did for the people of the town, it’s an anaesthetic. Harmony says to Sissy “you gave him his thirst for (the huff)”, and it was Lumon who created a dependency, who cut them off of their payroll and safety and substance access when they sent their staff to Kier.&lt;/p&gt;
</content:encoded></item><item><title>This is how transfem Mark can still win</title><link>https://binomech.neocities.org/severance/transfem-mark</link><guid isPermaLink="true">https://binomech.neocities.org/severance/transfem-mark</guid><pubDate>Mon, 03 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;The themes. The shattering of the woman-as-womb. The child does get a better life than the parent because she is capable of escaping the cage of the heterosexual nuclear family as a tool for perpetuation of capitalist accumulation of wealth. The autonomy in recognition, modification, care, identification, and use of one’s body. The haunted house is the white supremacist cishet patriarchal family structure’s gatekeeping of the body (IT’S A PHARMACEUTICAL), and with our construction of alternative class-conscious support networks, we’re setting it on fire.&lt;/p&gt;
&lt;p&gt;(Which is to say: He&amp;#39;s a good egg! Announcements person! It&amp;#39;s the fucking spouse!)&lt;/p&gt;
</content:encoded></item><item><title>What do we know about Irving Bailiff?</title><link>https://binomech.neocities.org/severance/what-do-we-know-about-irving-bailiff</link><guid isPermaLink="true">https://binomech.neocities.org/severance/what-do-we-know-about-irving-bailiff</guid><pubDate>Mon, 03 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Anonymous asked:&lt;/strong&gt; d&amp;#39;you ever think about irving waterboarding helena as a way to threaten her life without damaging helly too much in the process. how he must have known how long to keep her under and how much to let her breathe. and how irving bailiff was in the military. in the navy. &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I do think about this quite often. About waterboarding (because yes, that was torture, whatever the ends were). &lt;em&gt;Your outie can swim gracefully and well. Your outie values water. A photo of your outie with a trophy was once in a newspaper.&lt;/em&gt; The language he used (&lt;em&gt;she’s a mole&lt;/em&gt;!). Ahow Milchick calls him with “stand!” to send him to his death, and the staredown is mocking and irreverent. How in season 1, Irving stood to attention the second Milchick entered the office. About his “lats” brag and ramrod-straight posture. His two visible refined filenames so far have been Pacoima (which I’m assuming is a little nod to Judy Baca, and it makes me super happy) and Montauk in his dream in &lt;em&gt;Woe’s Hollow&lt;/em&gt; (Eternal Sunshine of the Spotless Mind reference). about tying Burt’s hands together to reassure Dylan on the way to O&amp;amp;D.&lt;/p&gt;
&lt;p&gt;Even when I frame the last one in the context of leather culture and bondage, a lot of gay men in the military and the police engage with kink subculture through power play, sometimes to subvert and deconstruct, sometimes because they can’t engage with their homosexuality without that mediation of violence as punishment, control, or affirmation of one’s place in an interpersonal dynamic, and (after)care as a polite expectation rather than an admission of need. We don’t know much at all about Outie Irving because the repression extends to the information we are given, and the single bed, the neat split between his Lumon clothing and his polish and leather gear, the encroaching blackness around him in every shot… It seems to me that this is an extremely lonely man. He isn’t necessarily alone (popular among dance attendees, it appears the Lumon investigation involves other people, and there’s a degree of familiarity in which he apologizes to the caller after the OTC, presumably because it triggered suspicion), but it’s wild to me how raw Innie Irving was in both joy and sorrow and how tall the walls rise around Outie Irving. having to drive to the other end of town during the OTC because there was simply no one else, not just because he sought out Burt; everyone else woke up surrounded by people, and he gets Radar (sweet, sweet Radar, aptly named for scouting his perimeter) and a photo of his dead dad hidden inside a uniform, and that’s that.&lt;/p&gt;
</content:encoded></item><item><title>You guys aren&apos;t even subtle regarding Dylan</title><link>https://binomech.neocities.org/severance/ily-dylan</link><guid isPermaLink="true">https://binomech.neocities.org/severance/ily-dylan</guid><pubDate>Sat, 01 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Most Severance fan meta has a shared appreciation towards Helly’s violence as a gateway to liberation (it’s awesome, I agree!). But somehow all memes and conversation about Dylan revolve around comic relief, his “sigma grindset” attitude in early S1 (that is discussed as a joke because he’s fat, his outie doesn’t win muscle shows, and he thinks waffle parties are so cool; the punchline is that he’s delusional).&lt;/p&gt;
&lt;p&gt;But Dylan also had a violent catalyst to class consciousness after the first blatant act of infantilization in Defiant Jazz, after he realized the shitty little office rewards were a bribe to keep him from finding out his outie has children, a family, and things he cares about that he’s being denied. His outie is severed because he can’t hold down a job because of disabling mental illness, needs health insurance, and wants to ease the financial load on his wife, who works night shifts. And you want him to get excited about two waffles?&lt;/p&gt;
&lt;p&gt;Dylan was radicalized through The You You Are right alongside Mark. Dylan chose to stay during the OTC against his start-of-the-season individualist characterization because he thought all of them deserved to know who they were. Dylan asked for a portrait of all of MDR, knowing they might not come back, to keep him focused during the switch operation. Dylan was the one to run after Irving when he was clearly distressed (worried about financial insecurity, even subconsciously) and tried to keep him from committing suicide; he was the first person (and one of the very few so far) to acknowledge his relationship with Burt as romantic and in a positive light. Dylan requested a funeral and gave a eulogy for Irving even when he wasn’t sure he could trust Helly to be herself and not an Eagan mole and called out how shitty Mark was for not even acknowledging Lumon killed Irving because it was both of them who didn’t listen. Dylan immediately worried about Gretchen’s happiness when they met. Dylan asked her if it was okay to hug; he acknowledged his outie’s relationship with her and his own sadness about the situation without shifting the blame onto Gretchen herself and basked in the genuine love he got in return.&lt;/p&gt;
&lt;p&gt;Tumblr user nataliekalen says:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I remember when people were just making fun of the fact that his glasses never fit his face. And it just made me go, Ohhhh, you guys are all white. You don’t even know that glasses are built for Eurocentric features; you think it’s just fucking funny.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The combination of Eurocentric neophrenology in 21st-century medicine and how vision aids are so financially (and geographically) gatekept, too! Irving adjusting his glasses specifically in the scene where Dylan acknowledges his right to grieve because his love was real, and it was for another man… It’s care through recognition of all of the things that make us undesirable to a capitalist, eugenicist, white supremacist society.&lt;/p&gt;
&lt;p&gt;Do you know how big these things are for someone with a history of relentless self-deprecation for not being able to financially provide (in a show where family and material relations are constantly intertwined)? How it manifests in the way Innie Dylan engages with rewards as proof of accomplishment and how big it was when he noticed they are not. And don’t even get me started on what “Dylan realizes perks are bribes and wants to get the fuck out” means for Milchick.&lt;/p&gt;
</content:encoded></item><item><title>o!Irving speculation</title><link>https://binomech.neocities.org/severance/oirving-speculation</link><guid isPermaLink="true">https://binomech.neocities.org/severance/oirving-speculation</guid><pubDate>Sat, 01 Mar 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Irving’s “you have betrayed yourself for nothing” turn-of-the-century tragedy swag is off the charts. A gay child goes to the Vietnam War for fatherly approval and comes back disgusted with war crimes he was complicit in, disgusted by his dad and the navy, and disgusted by the life he threw away to be the boot on people’s necks and getting severed so he can use his time for community organizing, therapy, and art while his innie is going to war for a corporate god-patriarch that will never love him and becoming disgusted by his complicity in the murder of his gay lover by the authorities he worshipped. &lt;/p&gt;
&lt;p&gt;The parallels with Helly and Jame Eagan in the parent-child cyclical trauma show… You will pry this theory and the “Irving is HIV+ and relying on Lumon for treatment” theory from my cold dead hands. “Let not weakness live in your veins.” Ace of Spades. &lt;em&gt;He broke the skin; he needs a full tetanus toxoid panel. Irving, no one’s ever thrown blood on you on your way into work? There is a nonzero chance that the two of you had unprotected sex, and so, I felt I had the right to ask. Are you done humiliating our guest?&lt;/em&gt;&lt;/p&gt;
</content:encoded></item><item><title>Why does infertility have to be such a big deal?</title><link>https://binomech.neocities.org/severance/infertility</link><guid isPermaLink="true">https://binomech.neocities.org/severance/infertility</guid><pubDate>Thu, 27 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;“Why does infertility have to be such a big deal?” &lt;/p&gt;
&lt;p&gt;In the show that is constantly framing childbirth as traumatic? In the show where you make a whole new person to carry your burdens through getting your skull penetrated with a drill and fertilized with a patented chip? The show that presents pregnancy being a huge commitment that needs work not to be made into a personal therapy for the parents? In the show where is one bourgeois family’s bloodline valued enough to feed on everyone else’s right to their lives and bodies? The show where the founder of the company and patriarch of said bloodline made up a fake twin that died a violent death because he masturbated instead of having reproductive-oriented sex? The show where the company heir feels so entitled to her metaphorical child’s life that she has sex with her lover (both of whom are employees for the company she’s set to inherit) and rapes them both in the process? The show that had this woman explicitly declaring to that same metaphorical child, in the episode about the things that make the innies’ their own people, that she wasn’t a person? In the show where the office building and parking lot shaped like a uterus? The show where old and gay people get fired for not being productive, whether it’s because they are not hitting their quarterly quota or can’t bear children? The show where they emphasize the “labor” part in “reproductive labor” so much that people getting severed to give birth is the first introduction to severance outside of the usual work-life balance metaphor? That show? &lt;/p&gt;
&lt;p&gt;&lt;em&gt;Why does infertility have to be such a big deal?&lt;/em&gt; Why is a miscarriage traumatic? Why does Mark get obsessed with having kids? Why does Gemma want to stop trying and focus on recovery? Why does Mark get severed when Gemma dies in a show where severance is literally always and unequivocally compared to giving birth to a person? Why is Gemma subjected to violations of her body through reluctant IVF shots that always end in natural abortions? Why is Gemma subjected to the same violations on the testing floor through the severing of dozens of innies that successfully serve the goals of someone else’s family? Why do all the innies keep asking why they were brought into the world? Why do the outies consistently feel entitled to the innies’ bodies and lives? &lt;/p&gt;
&lt;p&gt;Golly, I wonder.&lt;/p&gt;
</content:encoded></item><item><title>Hikari (2017)</title><link>https://binomech.neocities.org/miscellanea/hikari</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/hikari</guid><pubDate>Mon, 24 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;The thing about analyzing and recommending your favorite movies is that you have to use your words and trust the other party to understand what you mean instead of screaming into a pillow for several hours. Coincidentally, this is what the movie Hikari is about. &lt;/p&gt;
&lt;p&gt;When I first watched this movie back in 2020, what called out to me was Nakamori’s grief—I’m also a photographer, a painter, and a cinephile losing his sight. This perspective colored my entire understanding of the movie, but I’m delighted it’s just one of many ways the movie has to explore its themes.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Memory:&lt;/strong&gt; In the obvious form of Misako’s mother’s dementia and her obsession with her father’s disappearance (don’t forget the exact things that he had on him, don’t forget the few memories you have of him, he lives on in the trees), but also in Nakamori clinging to his identity as a cameraman and photographer, his work being proof of what his life was, not wanting to forget that this is a loss, and refusing to give up a part of his life that, even in absence, defines him. &lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Translation:&lt;/strong&gt; Not just in the layman’s notion of it but as an act of conveying the same meaning despite the difference in medium, whether that is a descriptive audio script and the film it is describing, a photographer’s gaze and its subject, a memory and reality, or one person’s understanding of an event and someone else’s.  &lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Trust:&lt;/strong&gt; Learning to accept that we are all observers and there are no neutral ways to experience or retell an event, and all we can hope is that we can get the point across with the tools we have. To trust the audio description to do justice to the images you filmed so deliberately. To trust that he will reach your apartment door safely, even if the last time you saw him he trembled at the feeling of a step. To trust that the last photo you took turned out alright, despite having completely lost your sight by then. To look at the sun without flinching, knowing that tomorrow you might be dead, and still reach towards the light.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I get a lot of joy out of people’s descriptions of the world around me and what they can show me not only about the topic but also about their gaze. Hikari wrestles with two ideas that appear in every conversation about art and access with refreshing straightforwardness: &lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Language is a small tool to express the boundless reality that we live in. No description will ever be fully accurate or land with every reader. There is no good way to describe anything, just the hope that the person on the other side will meet your attempt to connect when all you have is an abstraction of an audience. &lt;/li&gt;
&lt;li&gt;There are no neutral subjects because there are no neutral gazes. The person who created the image, the person who is describing the image, the person who is seeing the image, and the person who is reading the description are very different subjectivities (even when they’re the same person, at different temporal and spatial contexts and emotional states). This chasm grows larger when the creator, the describer, and the audience are separate. Unintended omission is often seen as the biggest issue with bias, but there’s no objectivity at all in clinically listing every visible thing with deceptively thought-of-as neutral adjectives. There is no shame in having a partial perspective, because all perspectives are partial, in art and in life.&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;One would assume the word “access” implies that there’s an entering to somewhere, an opening to a new experience, but most descriptions of art often feel like being told “there’s a door there” but finding the threshold bricked up. Bias is connection, it’s humanity, it’s what one looks for in art. The thing you’re being granted passage to is the person on the other side, the interpreter, the connection you’ve been offered. Translation, access, must be like putting a battering ram through that brick wall.&lt;/p&gt;
</content:encoded></item><item><title>Acts of Care (Spring)</title><link>https://binomech.neocities.org/miscellanea/many-more-springs</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/many-more-springs</guid><pubDate>Fri, 21 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;How many times have I felt so reassured during a moment of awkward terror about being alive and sick because a friend told me &lt;em&gt;Don’t worry, look at me, here’s my hand, that’s yours, let’s get through the next two minutes. And then we check in again.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Objectively speaking, the only reason I am still alive right now has been a series of acts of love. By my parents, at least back when I was a toddler. By doctors. By friends. By everyone down the supply chain of my food, clothes, and shelter. By all the computing infrastructure maintainers that make it possible for me to talk to people on the internet. By all the artists that keep making things that remind me the world can be beautiful. And yes, of course, some of the people who helped me are dead, or hate me, or are you just so far away emotionally or geographically that it’s extraordinarily easy for me to think that I’m going to fall with no one to catch me, but:&lt;/p&gt;
&lt;p&gt;It doesn’t make their help meaningless, and it doesn’t make my gratitude any smaller.&lt;/p&gt;
&lt;p&gt;I hope John Turturro and Christopher Walken are having the time of their lives on set and also outside of it with all of their loved ones. It’s a tough world. Glad we don’t have to endure it all by ourselves.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;../../assets/images/to_many_more_springs.webp&quot; alt=&quot;A pen sketch of actors Christopher Walken and John Turturro, two older men, cackling together around a table that has not been drawn. The lines are loose and sharp, trying to capture the motion of laughter. Walken is covering his face but leaving a wide grin visible underneath his palm, while Turturro bends down in a defeated wheeze, crow&amp;#39;s feet gathering on the corners of his eyes.&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;To many more springs&lt;/em&gt;, March 10th 2025&lt;/p&gt;
</content:encoded></item><item><title>[Exit JOHN TURTURRO]</title><link>https://binomech.neocities.org/miscellanea/exit-john-turturro</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/exit-john-turturro</guid><pubDate>Wed, 19 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;h2&gt;STAGE: conservatory auditorium&lt;/h2&gt;
&lt;blockquote&gt;
&lt;p&gt;This is a stimulating learning environment for creatively-minded youths; your child should be feeling a sense of accomplishment that performance provides.  &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Your child doesn’t want to perform for an audience.&lt;br&gt;Your child is crushing her own fingers with a grand piano’s fall board&lt;br&gt;in front of an audience.&lt;br&gt;Your child has been ordered to clean the blood off the keyboard;&lt;br&gt;it’s not her property to mangle.&lt;br&gt;Someone else has been ordered to clean the blood off your child’s hands,&lt;br&gt;they’re not her property to mangle.&lt;br&gt;Someone else scrubs the ivory clean.&lt;br&gt;Your child scrubs her own hands.&lt;br&gt;Your child is fleeing the auditorium&lt;br&gt;vowing to never step on a stage again.  &lt;/p&gt;
&lt;h2&gt;STAGE: hospital room&lt;/h2&gt;
&lt;blockquote&gt;
&lt;p&gt;This is a controlled environment for clinical trials of psychoactive drugs. The participants were asked to bring familiar stimuli as a sensory tether to reality should they experience distressing dissociative side effects. They are contractually free to leave but unlikely to find their way to the exit while the effects last.  &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Your test subject doesn’t know how to be a person without a script.&lt;br&gt;Your test subject is method acting a way out of his own life.&lt;br&gt;Your test subject must die for the sake of believable performance.&lt;br&gt;When you think a lover is strangling your test subject,&lt;br&gt;remember that his stunt double knew what he was signing up for.&lt;br&gt;If you can’t tell them apart, it means the treatment is working.&lt;br&gt;&lt;em&gt;&lt;a href=&quot;https://archive.ph/Wf1oS&quot;&gt;Told with genuine affection but without compassion, Turturro uncovers&lt;/a&gt;&lt;/em&gt;&lt;br&gt;someone else’s newspaper clippings&lt;br&gt;in your test subject’s childhood memories.&lt;br&gt;Your test subject can see the door.&lt;br&gt;Your test subject doesn’t want to leave.  &lt;/p&gt;
&lt;h2&gt;STAGE: subway carriage&lt;/h2&gt;
&lt;blockquote&gt;
&lt;p&gt;This transit network is at the service of the general public; it has been designated accessible by the city government, as every passenger should be able to exercise their autonomy regardless of physical ability.  &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Your passenger is trying to paint a home out of &lt;a href=&quot;/miscellanea/barton-fink&quot;&gt;a stranger with bloody hands&lt;/a&gt;,&lt;br&gt;bricks-and-mortar in his eyes&lt;br&gt;where the living room TV used to be.&lt;br&gt;&lt;em&gt;It’s so bright in here; why are your pupils still huge?&lt;/em&gt;&lt;br&gt;&lt;em&gt;The door is right there. Can’t you see it?&lt;/em&gt;&lt;br&gt;&lt;em&gt;I think this is serious; maybe you should go to the doctor.&lt;/em&gt;&lt;br&gt;&lt;em&gt;I think you should start looking into other hobbies before it’s too late.&lt;/em&gt;&lt;br&gt;&lt;em&gt;I guess you can’t watch as many movies as you used to.&lt;/em&gt;&lt;br&gt;It’s so bright in there; why are his pupils still huge?&lt;br&gt;&lt;a href=&quot;https://archive.ph/K8LAB#selection-1909.46-1909.73&quot;&gt;&lt;em&gt;He said he had a cataract.&lt;/em&gt;&lt;/a&gt;&lt;br&gt;Your passenger can’t see the door.&lt;br&gt;Your passenger wants to leave.  &lt;/p&gt;
&lt;h2&gt;STAGE: shared mythologies&lt;/h2&gt;
&lt;blockquote&gt;
&lt;p&gt;This is a retelling of an ancient myth about humanity’s acquisition of the light of storytelling from the gods; the audience should find themselves relating to Prometheus’ plight and feeling gratitude for his sacrifice in the name of art.  &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;An eagle pecks at Prometheus’ liver,&lt;br&gt;appointed-scripted-punishment that it doesn’t know it’s performing.&lt;br&gt;Prometheus weeps in truth no longer borrowed:&lt;br&gt;you can&amp;#39;t quell the hunger with light.&lt;br&gt;Still he pleads &lt;a href=&quot;https://archive.ph/K8LAB#selection-1919.151-1919.218&quot;&gt;&lt;em&gt;I need to buy my mushrooms.&lt;/em&gt;&lt;/a&gt;&lt;br&gt;Still the eagle must hear &lt;em&gt;Enjoy your meal.&lt;/em&gt;&lt;br&gt;Lights out, a man loses the props but not the hunger.&lt;br&gt;Lights out, the audience leaves with a stomach on fire.&lt;br&gt;They will be here again come tomorrow,&lt;br&gt;until the gods grow bored,&lt;br&gt;until their freedom can be a punishment&lt;br&gt;for someone else.    &lt;/p&gt;
&lt;h2&gt;STAGE: a series of electrical impulses&lt;/h2&gt;
&lt;blockquote&gt;
&lt;p&gt;This is a chemically induced coma to speed up recovery from an [unscripted stage exit]; your patient might be unresponsive to outside stimuli but activity in the pons is expected if he finds himself dreaming.  &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Your patient dreams that John Turturro&lt;br&gt;is refusing to sacrifice his life&lt;br&gt;for the sake of believable performance.&lt;br&gt;Your patient dreams that John Turturro&lt;br&gt;knows exactly where the exit door is&lt;br&gt;and makes a run for it under the halogens.&lt;br&gt;Your patient dreams that John Turturro&lt;br&gt;has a dinner of eagle liver waiting for him at home&lt;br&gt;and that hunger is enough to make a meal fulfilling.&lt;br&gt;Your patient dreams of giving John Turturro&lt;br&gt;a standing ovation for the times he wanted to flee the auditorium,&lt;br&gt;for the times it wasn’t his choice to return to a stage.&lt;/p&gt;
</content:encoded></item><item><title>Burt Goodman&apos;s Weird Week</title><link>https://binomech.neocities.org/severance/burt-goodman-weird-week</link><guid isPermaLink="true">https://binomech.neocities.org/severance/burt-goodman-weird-week</guid><pubDate>Thu, 13 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Imagine you’re a gay, married man who works at Lumon’s severed floor and therefore has no recollection of anything that happens during his 9-to-5, and one evening your boss comes to your house after hours to tell you you’re being fired because your worksona was being gay on company time. You are allowed to record a video for his retirement party, and you record yourself telling him and his unsanctioned workplace lover and friends that they are important to both versions of you. &lt;/p&gt;
&lt;p&gt;Of course, you don’t know the only reason said unsanctioned lover was even at the funeral or aware that your worksona was essentially getting executed was because he escaped his office (locked from the outside) to make sure you were not being tortured for helping him and his friends plan a coup. But that’s your worksona, and this is you, so you plan a trip to Milwaukee with your husband to reaffirm your relationship. &lt;/p&gt;
&lt;p&gt;The night you’re packing, a stranger shows up at your doorstep screaming your name and banging on the door, but when you come out, he’s driving away. Your husband thinks that’s your worksona’s lover and cancels the trip but encourages you to go look for him. You wait near the phone booth where the stranger sometimes comes to make clandestine phone calls, and when you finally make contact, he’s been fired too— but he was permanently suspended because he spotted the CEO-in-waiting pretending to be his friend to spy on the department and rape his other friend, and he &lt;em&gt;doesn’t know any of this&lt;/em&gt;, or about his unsanctioned erotic affair, just that his worksona is dead, and he worries it’s his fault. He doesn’t know you, and you don’t know him, and he apologizes for having hurt your marriage and having yelled at you for stalking him, but you offer him a space to talk and grieve. a community he doesn’t have outside of work, that he doesn’t even &lt;em&gt;know&lt;/em&gt; his worksona had at work, that was taken alongside his very existence as punishment. &lt;/p&gt;
&lt;p&gt;This happened to my good friend Burt Goodman.&lt;/p&gt;
</content:encoded></item><item><title>Grief and Greenery</title><link>https://binomech.neocities.org/severance/grief-greenery</link><guid isPermaLink="true">https://binomech.neocities.org/severance/grief-greenery</guid><pubDate>Thu, 13 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Lumon is a pharmaceutical that needs disease to exist for their economic profit while also claiming that their ultimate goal is balance, pulchritude, purity, and control. They base their whole promotion of severance as something that can cure a person’s grief through the amputation of it, as if death were the ultimate evil, as if grief were a septic miasma to drain. Conveniently, a lack of grief means a lack of attachment, and a lack of attachment makes for better workers. Darkness is used in the show to provide intimacy; it’s a right to one’s emotions without a purpose or an audience. Lumon’s halogens light up everything that transpires inside the building; your own grief can be repackaged and sold to an audience if edited well enough. Darkness is a shroud that takes away our sense of direction but also returns us to our body. &lt;/p&gt;
&lt;p&gt;Kier seems to be in perpetual winter; the tree branches are nude, and there’s no end in sight to fields of snow and blue light and hunger. Animals can’t thrive, and crops can’t thrive. Woe’s Hollow is much the same, insofar as it’s Lumon land. Dieter Eagan became one with nature; he wanted, he loved, and his rotting corpse haunts and entices. Sex and desire are constantly presented as a prerequisite for suffering and rot, because loving someone means losing them will bring grief, because bringing a person into the world (through childbirth or severance) means accepting that you will love them, and they will suffer, and they will die someday. To love is to accept death. Grief is suffocating, a black rot encroaching on the wood in our trees and the canvases we made out of them. We carry it with us wherever we go, and it’s heavy, but it’s this rot that will feed new life. &lt;/p&gt;
&lt;p&gt;We will sit at our green desks on a green carpet under a great big halogen light that primes all of our words of kinship and love for an audience to justify our suffering, but conspire in a dark supply closet where our grief and desire can be just ours, cramped and warm. Plants become a symbol for warmth, care, and grief. Plants die, plants rot, plants feed you, and you feed them. Green is for rot and for spring; the garden in perpetuity doesn’t even get real sunlight. Mammalians Nurturable’s field feeds the goats, and the goats feed it upon death. Burt and Irving’s little Eden is a mysterious storage room, but the plants are real. Gemma died, and the warmth of spring went with her, but Ms. Casey has a tree of her own in her office. Charlotte Cobel used a green intubator; it didn’t save her, winter came inexorably after each spring. But spring will come again. We will grieve, and in the warmth of the sun we will watch a sapling grow from the rotting remains of our old selves and loved ones.&lt;/p&gt;
</content:encoded></item><item><title>Have Irvposters lost the plot?</title><link>https://binomech.neocities.org/severance/irvposters-wtf</link><guid isPermaLink="true">https://binomech.neocities.org/severance/irvposters-wtf</guid><pubDate>Thu, 13 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Me when I find out they killed a version of me I brought into a hellish world out of grief for trusting the messages I gave him, and the man this version of me loved was killed for being gay, and we don’t know each other, but we were both alive in the 70s and know that this invitation of shared mourning goes beyond our individual circumstances...&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I&amp;#39;m seeing a lot of takes about whatever situation may unfold or whether they&amp;#39;ll have an affair or whatever, and memes are all good, but what we did get that I earnestly appreciate is connection in grief and community for an isolated ~70-year-old gay dudes. It was awkward and kind and real. &lt;em&gt;He was gay because I&amp;#39;m gay, and that killed him and his lover.&lt;/em&gt; --- Feeling a little weird about the “Irving Homewrecker Arc, Let’s Go Burving Nation” sentiment after hearing him earnestly apologize for having hurt their relationship in some way and being offered a place to grieve. &lt;em&gt;Sorry I came at you just now; sorry if you felt like that was predatory.&lt;/em&gt; Like, how many times has someone been ashamed of his mere existence? &lt;em&gt;You didn’t do anything bad. Come by; let’s talk about it.&lt;/em&gt; This acknowledgement of fear and establishing of boundaries is also the foundation on which their innies’ relationship was built. It’s about finding community where you had none. &lt;/p&gt;
&lt;hr&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Anonymous (on Tumblr) asked:&lt;/strong&gt; I was looking at John Noble&amp;#39;s IMDb (the guy who&amp;#39;s playing Fields) (and also the guy in LOTR who eats a tomato weird), and it says he&amp;#39;s in the next FIVE Severance episodes??? What are they doing where they&amp;#39;ll need Burt&amp;#39;s husband for the entire rest of the season, including the finale??&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I have no idea, but I am really hoping they go the “we as gay men share class interests, and they essentially killed our innies and discarded them like they would us, we can hit back together, we can build a support network for the people they loved, we can arrange ourselves into a shape that can support without breaking” route. I don&amp;#39;t know, man. &lt;em&gt;We value the nuclear family, we value the Eagan legacy, we value heterosexuality and birth, we value ataraxia, grief is unproductive, masturbation is unproductive, gay sex is unproductive, closure is what you need. Sell us your body and let a part of you be spared from your own life’s losses.&lt;/em&gt; In Lumon’s baseline narrative, getting AIDS crisis survivors to make room for everyone that is devalued by this model, letting people grieve and find their footing again, and dismantling the company that profits from their grief is my best-case scenario.&lt;/p&gt;
</content:encoded></item><item><title>Trojan&apos;s Horse post-episode notes</title><link>https://binomech.neocities.org/severance/s2e05</link><guid isPermaLink="true">https://binomech.neocities.org/severance/s2e05</guid><pubDate>Thu, 13 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I was not expecting the “slow” episode after those 2 high tension ones to feel like a hug but here we are. It&amp;#39;s not even a &amp;quot;happy&amp;quot; episode by any means, it&amp;#39;s just what seeing my own grief treated carefully feels like.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Free Devon 2025 remains tragically relevant.&lt;/li&gt;
&lt;li&gt;Helly’s isolation after coming back is hitting some personal rough spots, and the weight it’s being given as an act of cruelty towards her is flooring me. She doesn’t know she was raped. She doesn’t know Helena raped Mark S. The way it doesn’t even quite hit for Mark S. until Milchick corners him in the elevator over it before sending him up mid-panic attack… &lt;/li&gt;
&lt;li&gt;Mr. Milchick, don’t turn to reactionary violence against your comrades when the cognitive dissonance hits, you’re so sexy aha. (Natalie’s silence, Ms. Huang’s needling, all of it was just so appalling… Punch up, dude. Punch up and get the fuck out. You can’t reform Eugenics inc.) &lt;/li&gt;
&lt;li&gt;Dylan’s speech for Irving, like Mark’s private eulogy for Gemma in season 1, like Ms. Casey returning it at the end of this episode, like Dylan’s speech, like Irving Bailiff pressing his hand against his paintings like Mark did against the tree that took Gemma: &lt;em&gt;I loved this person, and now they’re gone. They were picky, and they were strange, wonderful people, and the tangling of our lives changed us forever in ways we could not predict. I love you. I miss you. I carry you in who I am after you.&lt;/em&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;blockquote&gt;
&lt;p&gt;I loved my friend.&lt;/br&gt;
He went away from me.&lt;/br&gt;
There’s nothing more to say.&lt;/br&gt; 
The poem ends,&lt;/br&gt; 
soft as it began:&lt;/br&gt; 
I loved my friend. &lt;/p&gt;
&lt;/blockquote&gt;
&lt;ul&gt;
&lt;li&gt;I’ve been dreading a string-of-fate plot for outie Irving and Burt, and this reveal has been possibly the most meaningful thing to me in their quadrant of the show. It was a kindness that warmed me whole. &lt;em&gt;I think the two of us down there might have loved each other. Mine got sacked a few weeks ago over it / Mine got fired as well (they’re dead; we made them, and we hoped they’d be happier than us, and now they’re dead). / Come by my place and have dinner with me and my husband. You don’t have to do this alone. You are a stranger, but I am choosing, deliberately, to offer you a community to lean on. We cared about those versions of us we never even met. They loved each other. They deserve this attempt at connection.&lt;/em&gt; &lt;/li&gt;
&lt;li&gt;Irving B., even while literally erased from physical record in the office down to the desk and the photos, leaves a message for Dylan, beating himself up for letting the company kill him, for not listening, and for not helping. Such an act of love. &lt;em&gt;You wanted me to live until I figured out exports, and I got myself killed before that, and I’m sorry. But you can still do this; you still have a place in this office and in the world. You stayed behind. You always do. You can find a way out for all of us.&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;Mollified by that last shot of Mark. I’ve mentioned the list of lovable idiosyncrasies as presented by Outie Facts, but it really hit me that… We just don’t know who Mark was before the grief for Gemma ate him away.&lt;/li&gt;
&lt;/ul&gt;
</content:encoded></item><item><title>A Doylist take</title><link>https://binomech.neocities.org/severance/doylist-severance</link><guid isPermaLink="true">https://binomech.neocities.org/severance/doylist-severance</guid><pubDate>Tue, 11 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Severance is in conversation with the film industry producing it. These actors are letting the character “borrow” their bodies, and we, as viewers, have to deliberately engage with this metanarrative, this false equivalency. We do not know these people. They are getting paid for this job. Whether it’s personally fulfilling for them or which parts they’re doing it for does not weigh in on the fact that they are selling their body in exchange for a salary.&lt;/p&gt;
&lt;p&gt;Who owns the body? Is it the actor or the person paying them? What kinds of bodies are profitable? How does one’s self settle into the body when one’s livelihood is based on performing as someone else? What is a good performance but a surgically precise awareness of one’s body served on a plate for an audience to consume, digest, and incorporate into ourselves? What is a good performance but a successful attempt at verisimilitude?&lt;/p&gt;
&lt;p&gt;You are a person, but your worth lies in how effectively you can pretend to be someone else. The better you shroud your body and personhood in smoke and mirrors, the more valuable your labor will be. How are we talking about the actors in this show? How much are we thinking about the body behind the action? How much are we conflating them with their character? How entitled do we feel to their intimacy? Are we also the ones watching surveillance footage and claiming their personal experience as rightfully ours, pretending they know us and we know them?&lt;/p&gt;
</content:encoded></item><item><title>Message ≠ Medium</title><link>https://binomech.neocities.org/severance/message-not-medium</link><guid isPermaLink="true">https://binomech.neocities.org/severance/message-not-medium</guid><pubDate>Mon, 10 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Anonymous (on Tumblr) asked:&lt;/strong&gt; Why do you get so frustrated about the focus on the sci-fi in Severance fan theories? &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Because it’s a show openly criticizing capitalist realism that has to up their marketability with the genre &lt;em&gt;du jour&lt;/em&gt; and also needs the mediation of metaphor to force you to feel the rage and disgust and urgency to change things, and theorizing for months about the specifics of Lumon tech as if that was the point is a “the wise man points at the moon, but we keep looking at the finger” situation. They integrate the world-building well, but it’s always there as a backdrop to the real world the viewer and the people working on the show live in. Media is a lens to clarify reality even when the artistry stands on its own (which, in this case, it also does). &lt;/p&gt;
&lt;p&gt;I think a lot of money, personal risk, hours of work, and deliberate efforts to meaningfully reach the viewer on the other side were poured into making Severance. I see the way in which they look at all of us in the gallows with bluntness and honesty and compassion and encouragement, and I can’t imagine another way to return the favor than by actively listening. The goats&amp;#39; mystery makes you uncomfortable, and trying to be the smart guy who figures it out before the characters is a way to avoid that discomfort. The characters feel the same dread and burning curiosity as the audience, and in finding yourself in the same spot, you are forced to confront the own realities of your place in material relations. It feels awful, and that’s real, and the power of metaphor is that the feeling is prompted by words/images but not contained by them, and it’s on purpose. &lt;/p&gt;
&lt;p&gt;Why do you think Star Trek is so beloved? Disco Elysium is magical realism, and I don&amp;#39;t see anyone missing the point so badly with as much frequency. Did Rulfo and Borges and Lynch make art for nothing?&lt;/p&gt;
</content:encoded></item><item><title>The Fucking Goats</title><link>https://binomech.neocities.org/severance/the-fucking-goats</link><guid isPermaLink="true">https://binomech.neocities.org/severance/the-fucking-goats</guid><pubDate>Mon, 10 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I think what gets me so riled up about the goat-adjacent theorizing part of the Severance fandom is that it’s always about what the goats do for Lumon instead of what the goats mean to the employees.&lt;/p&gt;
&lt;p&gt;They never even think &lt;em&gt;Oh, the goats sound like crying babies. The mammalian worker was so worried they were being taken before they’d even finished nursing. Oh, the goats are a herd, and the mammalian department acts like a herd, and they feel each loss as a group. Oh, we’re just animals. Oh, masturbation and homosexuality are punished because, like the goats, we’re just here to make more goats. Oh, the goats are alive and used as produce. Oh, Helly is scared she might be sending them to the slaughterhouse. Am I livestock? They’re not ready.&lt;/em&gt; It’s never about that. It’s always about cloning. It’s always about the company. It’s never about the worker. It’s always about the use. It’s never about the body. It’s always “What is Lumon doing with the goats?” and not “Who the fuck cares what their motivation is?&amp;quot; when the show is literally relentlessly just saying that regardless of motivation, we are witnessing abuse. Regardless of how much staff thinks they know better, the innies are under duress.&lt;/p&gt;
&lt;p&gt;They don’t think about the innies as children (as animals in an abattoir), about expectation, about the trauma of reproduction, or about being a body being dismissed in favor of using a body. Lots of “Cobel is a freak MILF” and Jorjorwellian maxims, but you can’t even look at her clutching a respirator after tearing apart a literal altar to a pharmaceutical that just fired her and her knowing how to help a baby latch despite ostensibly having no children of her own. You can’t fucking sit with why she’s spying and fucking with a widower to see what happens when he sees his dead wife at work after a lobotomy and why it still feels uncomfortable and invasive as hell. &lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Using &amp;quot;goat theorizing&amp;quot; as a shorthand for any kind of analysis where the work put into the show goes out the window because &lt;em&gt;ooh, dystopia&lt;/em&gt;, but the goats are a frequent subject of debate. [guy slapping a playing card onto a bar table meme] THE DYSTOPIA IS THAT THIS IS OUR WORLD UNDER CAPITAL RIGHT NOW, NO SCI-FI.&lt;/p&gt;
</content:encoded></item><item><title>Ahistorical Black bodies</title><link>https://binomech.neocities.org/severance/ahistorical-blackness</link><guid isPermaLink="true">https://binomech.neocities.org/severance/ahistorical-blackness</guid><pubDate>Sun, 09 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I’ve been thinking about Dylan and Milchick as Black men in this environment and where they differ and the few interactions they’ve had with other Black people and among themselves. Dylan applied for the door salesman job while literally mirrored in pose and body type by an employer that refused to hire him because he was too poor to reject a job offer from Lumon. Milchick threatening to report Dylan to Ms. Cobel after he bit him and Dylan hitting back with “Wanna go see her together?” Milchick is trying to bribe Dylan out of solidarity with perks constantly (promotion was what kept Seth himself going), but very specifically, with getting to see his family. his white wife. his progeny. Milchick is making excuses and doing the dirty job for Cobel, and he only gets a promotion when she gets fired, immediately gets gifted blackface portraits of Kier the incestuous eugenicist, and gets told by Natalie, another Black employee (a secretary, a mouthpiece, another person that has been discarded by Harmony Cobel’s white womanhood when she demanded to speak to the board with no intermediaries), that he should be grateful. Milchick at Burt’s retirement party, clearly aware of Burt and Irving’s gay and definitely non-Eagan-approved love, and keeping Irving in line by talking about shame to the family. They get a curt handshake and a reminder that being forgotten is what awaits all of them, believing himself to be exempt from that statement because he’s not severed.&lt;/p&gt;
&lt;p&gt;Also, as @whale-blanket pointed out in one of our conversations, Seth is the darkest-skinned Black character by a significant margin out of the recurring ones in the show, and I’ve been thinking about the minstrel show undertones of the MDE and him being in charge of (water/)melon bars that he can’t eat from. &lt;/p&gt;
&lt;p&gt;Natalie is a light-skinned Black aristocrat with a notably gendered job whose personhood is reduced to being an eagan mouthpiece and PR manager. Dylan is a working-class Black man in a heterosexual marriage (with a white woman) who has three kids. Seth is a lifelong middle manager who doesn’t get to have a family of any kind because he has no life outside his work, which could pass as white-collar to an external observer but includes so much actual physical labor that I’d hesitate to call it such, an alienated as fuck Black man. &lt;/p&gt;
&lt;p&gt;In Lumon they both have a paycheck, but there is no community, no frame of reference. and race is a historical construct, embodied— there can be no solidarity without a historical framework for the Black working-class body.&lt;/p&gt;
</content:encoded></item><item><title>o!Irving theorizing</title><link>https://binomech.neocities.org/severance/outie-irving-theorizing</link><guid isPermaLink="true">https://binomech.neocities.org/severance/outie-irving-theorizing</guid><pubDate>Sun, 09 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Irving B. brings Helly to perpetuity because she was being mean to Mark, and he thought she was having an existential crisis, so she came to show her how Lumon is a family too. His reaction to Milchick ending Helly’s non-introduction in the weird corporate pronoun circle with “I think she definitely has a family (in MDR)” is fondness and hope.&lt;/p&gt;
&lt;p&gt;The way he scolds Mark for the Eagan bingo in the exact same voice he uses to tell Helena that Helly was never cruel, turbochanneling “disappointed but not surprised” with an edge of actual fury because Helly had an existential crisis and it wasn’t a joke to him/Helly’s body was being used to hurt her and Mark. &lt;/p&gt;
&lt;p&gt;And I know this could be absolutely fucking nothing because Outie Irving lore is all speculation on isolated tidbits… But I keep looking at the Helly and Helena axes of the mirror. His dad was a marine, but Irving has medals and a uniform too. He has trouble sleeping. Radar behaves more like a service dog than a regular pet. He’s a friend to children, the elderly, and the insane. I think Outie Irving was a gay kid desperately trying to prove something by enlisting and came back traumatized and radicalized. He is severed and spends his whole outie existence engaging with art (painting, listening to opera and metal, reading, watching movies, and dancing), and I think the way he acts when he’s the scolded kid for feeling these tender things in the severed floor contrasts hard when you put it next to the times when he tries to care for the younger members of MDR. Irving is consistently being like, “I’m the seniormost refiner (always in innie years),” and trying to convey to the fledgling that he feels more grounded and less in existential crisis mode when he thinks about the Eagans as family (as an explanation for why he is the way he is) and shit like the nature vs. nurture theme present in the show in the form of the “why are people gay” question that a eugenicist circlejerk like the Eagans might ponder. &lt;/p&gt;
&lt;p&gt;The Vietnam War and the AIDS crisis overlapping chronologically briefly but linearly arranged, the Nixon-Reagan double whammy… I think a lot about the ways in which he and Helena are shown to be adults who were once children, through their innies, which is different than the same expositional parallel in Mark and Dylan because of how their outies are. Because Outie Dylan and Mark have families, Helena’s notion of family is the Eagans, and Irving is utterly isolated from what we could understand as the nuclear family, which ties to material relations of reproductive power, which he is inherently in the margins of in his queerness and his disdain for Lumon/capital.&lt;/p&gt;
</content:encoded></item><item><title>Consent is Personhood</title><link>https://binomech.neocities.org/severance/consent-is-personhood</link><guid isPermaLink="true">https://binomech.neocities.org/severance/consent-is-personhood</guid><pubDate>Sat, 08 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Irving B. had a crisis of faith because for the first time in his five years of existence, he was allowed to set boundaries. It’s an affirmation that his body is his and that there will be no punishment if he says no and that in being given that choice there is recognition and care the likes of which faith towards his employers have never given. Not even Irving Bailiff, who barely sleeps, and Irving B. gets punished for his exhaustion. Helena Eagan, with the power to make Helly’s body hers without her knowledge or consent, had sex with Mark S., who thinks she’s Helly. Mark S., who is so desperate to have a love of his own, reacts to Irving’s reminder of Gemma with a need to reaffirm that Outie Mark is not him, that it’s his body too. &lt;/p&gt;
&lt;p&gt;Irving waterboarded Helena and said he would kill her if they didn’t bring Helly back to this body and immediately apologized to Helly because he violated her right to do to this body what she wants with it. Because when she almost killed herself, it was one of the few choices she ever got to make about her life. He wanted and needed Mark to know that it was not Helly, that he was not consenting to what he was doing, and that Helena was using him because she felt she had a right to Helly’s body and her relationship with Mark. Knowing that he would be killed for the transgression but could not bear to see that profound violation of his friends’ bodies. &lt;/p&gt;
&lt;p&gt;When Irving confronts Helena, he knows that the consequence is death, at the cost of giving Helly her body back. And if Helly taught him anything, it’s that they’re not the only ones who have a right to decide what this body does, and sometimes all the options you are given are self-destruction. Mark is a person; he’s not some commodity Helena Eagan has a right to because she’s the heir to the company that both Mark and Helly work at and claims sole ownership of their shared body. Also, of course, Mark Scout is reintegrating because he wants to see Gemma with zero input from Mark S., and because she’s &lt;em&gt;his&lt;/em&gt; wife, and Mark S. only exists because she died, so if she’s not dead, then what’s Mark S. for? They’re the same, right? There is no other me! I am a person; he is not. &lt;/p&gt;
&lt;p&gt;Consent is an acknowledgement that the person in front of you has as much right to their body as you do to yours. And when you are told you’re a guest on someone else’s body, when your life is so disposable it can be erased from existence with the flick of a switch, that act of recognition has more weight than words can possibly express.&lt;/p&gt;
</content:encoded></item><item><title>Blessed is the Flame</title><link>https://binomech.neocities.org/severance/blessed-is-the-flame</link><guid isPermaLink="true">https://binomech.neocities.org/severance/blessed-is-the-flame</guid><pubDate>Thu, 06 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Prompted by the latest episode of Severance (S2E04 for readers in the future) and Irving B.’s effective sabotage of Helena Eagan’s infiltration into MDR and the continued struggle for liberation ending in a literal public execution.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I was talking to my friend hexmage about &lt;a href=&quot;https://theanarchistlibrary.org/library/serafinski-blessed-is-the-flame&quot;&gt;Blessed is the Flame&lt;/a&gt; last Saturday, which I had just finished my second read of. It’s a text about concentration camp resistance during the Holocaust. From a nihilist perspective (with a lot of focus on the notion of &lt;em&gt;jouissance&lt;/em&gt; and positive consequences of that sacrificial sabotage), the grimness and horror come from the actual existence of the camps rather than the punishment that came for the resisting inmates.&lt;/p&gt;
&lt;p&gt;It’s a devastating, powerful account of the price resistance paid within the Nazi camp complexes and the German war machine during the early 40s. I’ve been thinking a lot about the very real, very sickening risk of carrying out successful sabotage, one that means something; to mess with the production and distribution of weapons. To teach things that might make people aware and willing to join this sabotage. To blow yourself up if you take a few key oppressors in the process.&lt;/p&gt;
&lt;p&gt;In the climate of suffocating capitalist realism that we live in, liberalism will never be an effective political tactic. The interests of capital will continue to permeate every action and stop it at just the right spot before it meaningfully changes anything. I’m guilty of believing some of my actions are more structurally meaningful than they actually are, and it hits me sometimes how this praise of violence, this acceptance of death as a price worth paying, is so discouraged even by most self-described leftists.&lt;/p&gt;
&lt;p&gt;And I understand; I get that the cognitive dissonance of saying that death and/or permanent injury and/or disabling trauma (physical or mental) is necessary for it to not happen again. I think to myself, &lt;em&gt;I can do more things if I’m alive; the dead can’t really do much for the living.&lt;/em&gt; And then I think about the fact that there’s no way to effectively resist the capitalist boot at your neck that isn’t life-risking. You will lose your job. They will break your union’s resistance box, and you will go hungry. They will cut you off from all your friends. They will try to make you regret your actions and your thoughts. They will try to make an example out of you. If you can’t be subsumed into a capitalist agenda, you need to be snuffed out. Blessed is the flame, because it keeps on burning, even if it has to destroy the match to keep going.&lt;/p&gt;
&lt;p&gt;Blessed is the flame that takes oxygen and gives light.&lt;/p&gt;
</content:encoded></item><item><title>Woe&apos;s Hollow post-episode notes</title><link>https://binomech.neocities.org/severance/s2e04</link><guid isPermaLink="true">https://binomech.neocities.org/severance/s2e04</guid><pubDate>Thu, 06 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Irving, I love you! The way he held Helly... &lt;em&gt;You’re back. I know I’m going to die over this, but you left a mark on me even if they try to erase you, even if they try to erase me.&lt;/em&gt; His eyes. “Helly was never cruel.”&lt;/p&gt;
&lt;p&gt;Mark S. is about to have his body violated, his vulnerability exploited, by both having had sex with Helena without knowing she wasn’t Helly and Mark Scout’s arrival, and I am in shambles about it. In the end, the autonomy Helly got in S1 and what Irving did just now were so intertwined with destruction… The price of change cost them both their literal lives, not just part of them.&lt;/p&gt;
&lt;p&gt;Can Irving even reintegrate if his innie is dead? Where do those memories go? That’s a whole person. He had a whole life. Dylan, aghast as he yells, &lt;em&gt;I’m sorry! I should have listened!&lt;/em&gt;, who kept him from suicide, whom he made his family willingly through the care the uprising instilled. Mark is utterly paralyzed, his face soaked, cradling Helly, who just had sex with him and doesn’t know whose body he entered without real permission, still trying to process and retreating back into terror. Helly woke up after weeks, drowning in freezing water by the man who wanted to encourage her every time she hurt herself or she wanted to give up on MDR (as a department, as family.)&lt;/p&gt;
&lt;p&gt;Irving, looking back at them without saying a word. with pride and determination.. To remember? (&lt;em&gt;Do you remember the times of your life?&lt;/em&gt;, they played as they killed Burt G.) to reassure? Walking to his death with his eyes open and spit in his mouth and pride and a smirk. You can’t sanitize this. You can’t make this act into a motivational claymation. You will make him a villain; he will be a horror story around the campfire, and yet his friends get a chance to hang in there. a refusal to be commodified, at the cost of your whole existence. I suppose both Irvings had that in common in the end.&lt;/p&gt;
</content:encoded></item><item><title>(Unfinished) Mark S portrait</title><link>https://binomech.neocities.org/severance/mark-portrait</link><guid isPermaLink="true">https://binomech.neocities.org/severance/mark-portrait</guid><pubDate>Mon, 03 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;img src=&quot;../../assets/images/mark-color.webp&quot; alt=&quot;A digital bust portrait of Adam Scott as Mark S. It&amp;#39;s unfinished, the hard shadows not quite coalescing into a painting.&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;../../assets/images/mark-sketch.webp&quot; alt=&quot;The same portrait but in its sketch iteration, two sets of linework overlap.&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;../../assets/images/mark-draft.webp&quot; alt=&quot;The initial draft for the portrait, a general capturing of the features using the loomis method.&quot;&gt;&lt;/p&gt;
</content:encoded></item><item><title>Irving Bailiff, Outie of All Time</title><link>https://binomech.neocities.org/severance/outie-of-all-time</link><guid isPermaLink="true">https://binomech.neocities.org/severance/outie-of-all-time</guid><pubDate>Sat, 01 Feb 2025 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Irving Bailiff is such a character of all time. Marcus Aurelius, a reader that thinks self-induced insomnia through caffeine and Motörhead tapes is an effective tool to carry out an inside job. So certain that his stoic discipline will carry his grieving self and his innie through. He uses surrealist automatism (Not even muscle memory! The guy bets on the subconscious and dozing off!) because his art-guy pattern-finding ass thinks it’s the best way to reach his severed self. &lt;em&gt;Because&lt;/em&gt; he is the kind of person to excise himself and still have opinions about which parts of him are fixed points in the self.&lt;/p&gt;
&lt;p&gt;Meanwhile, Irving B. is falling asleep on the job he was created to do and having nightmares about black goo that he doesn’t even know is oil paint because his body is sleeping two hours a night, getting literally tortured because of it, feeling all-encompassing emotion about corporate propaganda, and developing a crush on the man who curates said propaganda. In a way, it also carries him towards an understanding of his own disposability and the kind of love that can’t be sold back to you in an allegory and art as a message, but &lt;em&gt;at what cost.&lt;/em&gt; I respect an utterly out of touch guy obsessed with themes and motifs with profound resentment towards corporations and authority (T/N: Love it when it&amp;#39;s a fictional guy; hate it when it&amp;#39;s me).&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;outie Irving in a clandestine phone call: I found a map with a name in my pocket; my innie got the message. &lt;/p&gt;
&lt;p&gt;innie Irving, realizing the man he fell in love with is truly dead and the bosses he worshipped killed him: I &lt;em&gt;need&lt;/em&gt; to kill myself &lt;/p&gt;
&lt;p&gt;me, covered in popcorn crumbs: Massive kudos for the task failed successfully. You might actually get where you wanted to in a way that will be indubitably aggravating for the both of you.&lt;/p&gt;
</content:encoded></item><item><title>Kim Kitsuragi, Scott Summers, Matt Murdock</title><link>https://binomech.neocities.org/miscellanea/kim-parallels</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/kim-parallels</guid><pubDate>Sat, 24 Aug 2024 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;This is another long meta post about Kim Kitsuragi. Mostly.  &lt;/p&gt;
&lt;p&gt;I just talk about shared themes with Scott Summers (X-Men) and Matt Murdock (Daredevil) because 1) I like those characters. 2) I really do think they’re a good parallel lens—feel free to engage, or not. I realize the overlapping audience for these three dudes is 0 people as far as I&amp;#39;m aware.&lt;/p&gt;
&lt;p&gt;I find myself once again haunted by the recurring themes of the characters that I like, and I worry that in my search for intertextual relations, I might accidentally tropeify and corner these beloved blorbos into a collection of traits separate from their circumstance and medium. which would be very un-historical-materialist of me. But this is a fandom post, so here’s a disclaimer about it.&lt;/p&gt;
&lt;p&gt;Things that I could have made into a shitty Venn diagram graphic but didn’t:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;They&amp;#39;re all repressed assholes.&lt;/li&gt;
&lt;li&gt;Whose repression is so big they’re only capable of getting into relationships with people that are mildly to severely psychic.&lt;/li&gt;
&lt;li&gt;eye-related trauma&lt;/li&gt;
&lt;li&gt;Their childhood was taken from them.&lt;/li&gt;
&lt;li&gt;Their personal and societal value comes from the ability to enact violence.&lt;/li&gt;
&lt;li&gt;Their moral code is held together with duct tape.&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;&lt;strong&gt;Scott + Kim&lt;/strong&gt;&lt;/h2&gt;
&lt;p&gt;Here&amp;#39;s a quote from Uncanny X-Men (2013) that haunts me.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[WHAT WAS THE REVOLUTION, SCOTT?] OUR LAST CHANCE. OKAY? We have nothing left but threats! We fought for them, and they hate us! We fought alongside them, and they killed our children in the streets! We pack up and move to an island, and they destroy it! We move to another island, and the fucking Avengers storm the fucking beaches. We’re supposed to be the next step in human evolution, yet we’ve become an endangered species. We’re everything they are not, and we’re a shadow of our former selves. All we have left is threats. The threat of revolution. The threat of a fight we hope they dont want. So, yes, I got in front of any camera that would show my face, and I looked their world in the eye and told them—they better leave us alone. I stood on the bridge of the helicarrier, and I threatened them. because nothing. else. has. worked.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Thinking about the RCM in Le Retour as a sort of liberal intermediary between Revachol and the Coalition, being sort of like the X-Men mediating between humanity and the Mutant Brotherhood, and generally how both Kim and Scott are &lt;em&gt;finally&lt;/em&gt; fucking ready to admit that maybe their own contributions defanged the negotiation. By cooperating with the liberal mediator, they took all the leverage the revolutionaries had to liberate all of the mutants/Revachol.&lt;/p&gt;
&lt;p&gt;I have mentioned before that I think Kim&amp;#39;s itchy trigger finger is an overcompensation: “If I work hard enough, my eyesight won’t make me a target. If I have a lethal weapon, I can hit back”—and he’s in a permanent state of alert about everything and everyone because he has painted a target on his back (through his enlistment) only to be able to say, &amp;quot;I told you so.&amp;quot; And then Scott being left behind because of his disability denying him control over his own destructive power. Both Xavier and the RCM recruit with the promise of control and the upper hand, and Scott and Kim, respectively, destroy their sense of self over and over for the cause because the cause is synonymous with personal worth and safety from their own failings.&lt;/p&gt;
&lt;p&gt;User &lt;a href=&quot;https://tmblr.co/MJ1uNm2_ZG4m61ei75_Zdcw&quot;&gt;@askaniritual&lt;/a&gt; has &lt;a href=&quot;https://www.tumblr.com/askaniritual/733619932530606080/&quot;&gt;expressed an idea&lt;/a&gt; that I find relevant as well, very eloquently:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I think the people [Scott] attracts to him tend to be people who like him. believe themselves to be monsters and see how hard Scott is trying and how much he cares about doing the right thing. and tend to pin all their hopes for salvation onto him. like i think jean and emma and logan all believe that if they follow scott, and if they help him achieve his goals then they’ll achieve some sort of partial redemption by association. (…)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Kim and Scott being isolated from the world, yes, but also from their own desires in their sublimation of their selfhood for the X-Men/the RCM. &lt;em&gt;Only a mind reader can see my true self. The only self I have is what is reflected to me by the mind reader. The reflection is dehumanizing, and it fits poorly into my sense of self. Oh god, I&amp;#39;m hollow; there is no real me.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;And of course, the obvious reading of Harry is someone who in many ways believes Kim to be a beacon of justice and kindness and in that way dehumanizes him and feeds into the ‘my self is an empty hall of mirrors.’ But also, I think, it&amp;#39;s different because Harry can come to understand Kim as someone flawed who’s trying to do good, breaking the illusion of saintly behavior and pushing through the friction. Maddy is a flawed parallel to Jean, and Harry is a flawed paralel to Ambrosius Saint-Miro: it’s their flawed humanity and not the psychic quality that allows for genuine connection.&lt;/p&gt;
&lt;h2&gt;&lt;strong&gt;Matthew + Kim&lt;/strong&gt;&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;Note for the hypothetical daredevil fan reading this:&lt;/strong&gt; I do not think Catholicism is a core of Matt&amp;#39;s moral code, much like I don&amp;#39;t think moralism is at the core of Kim&amp;#39;s adult morality. I think both of them spent enough time under spaces that valued it to realize its limitations, which is precisely why they turn to violence as a means and view it like some kind of slightly cringe-but-fond memory. I think the important remainder of its influence lies in their incapacity to reconcile their mistakes with their capacity to do good—when I say they think of themselves as just, I don&amp;#39;t think they believe themselves to be just. I think they are in a sunk cost hellscape where they can’t tell themselves anything else unless they want to have an existential crisis.&lt;/p&gt;
&lt;p&gt;The violence of dogma and the alienation from your body due to disability and, in Kim&amp;#39;s case, race sit at the core of this parallel.&lt;/p&gt;
&lt;p&gt;I don&amp;#39;t think moralism and Christianity have a clear-cut parallel, but I think the beliefs that guide them, as they do most religions, of unity, redemption, collective identity, and moral guidelines are blatant traumas for these two.&lt;/p&gt;
&lt;p&gt;When Matt gets interested in law depends on the timeline, just like his sight loss, but my timeline of choice is sight loss - law interest - dad death. Like, sure, yes, you’re raised casually Catholic, and everyone tells you about God&amp;#39;s mercy and all-encompassing justice beyond human action, and then you get blinded by essentially an OSHA violation.&lt;/p&gt;
&lt;p&gt;I don&amp;#39;t think that warrants enough of a faith crisis, especially when you’re like 12, but certainly it makes you think a little bit about cosmic justice and why me, and we could do things better by the book because by the book is the Bible, and the Bible says the world is just and magnanimous thanks to God. and also workplace safety sounds like an extremely good idea right now. So you sink yourself into law as a moral arbiter.&lt;/p&gt;
&lt;p&gt;And you start noticing like, hey, uh, my dad is doing some shady business, huh? And you’re a 12-year-old boy, so you go, &amp;quot;Dad, &lt;em&gt;this whole mob bribe thing, this whole…&amp;quot; selling your body as a weapon. It sounds a lot like harlotry to me.&lt;/em&gt; And your dad is like. &lt;em&gt;This is the only reason we have enough to eat. Ever think about that?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;And then he gets killed because he didn’t want to be a disappointment to you, because he was also Catholic and he did not want to feel guilty for selling his body to survive.&lt;/p&gt;
&lt;p&gt;And you’re taken into a Catholic orphanage, so you’re mulling this shit over until college. &lt;em&gt;Was Dad&amp;#39;s death divine punishment? Is God kind? Does God exist? If he doesn&amp;#39;t, then my dad’s death was senseless. If he does, my dad’s death was cruel. Is the universe just? Can I make the universe just?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I&amp;#39;m going to gloss over all the mentor plotlines because they are different depending on the universe and largely irrelevant except for the way they all have the &amp;#39;give Matt moral OCD’ common denominator.&lt;/p&gt;
&lt;p&gt;Now imagine Kim Kitsuragi in a potentially Dorian, definitely coalition-approved orphanage thinking, &amp;quot;*Were my parents really terrorists?&amp;quot; Why do the theory of communism and the reality of the war clash? Will it happen to me? Will it happen to people I love? Can I change this? Am I part of something good?_&amp;quot;&lt;/p&gt;
&lt;p&gt;So Matt goes and studies law and starts a bureau because he has faith in doing things by the book until the book fails him, and then he decides he has to do right by his values, so he turns to vigilantism and violence in the name of the law. So Kim goes and enlists in the RCM and climbs through the ranks because he has faith in the collective, in being a piece of the sky that approaches justice with a slow step until the collective shows him again and again that it’s counterproductive, and then he turns to vigilantism and violence in the name of the law.&lt;/p&gt;
&lt;p&gt;And both Matt and Kim are in a perpetual crisis of faith, and they know. Matt goes to confession booths and sardonically tells priests about him beating people to death. Kim smokes a cigarette and tells you about stealing hubcaps and the electric chair and the dire consequences of handing a fine with a smile on his face, saying he doesn’t think he’s a moralist anymore.&lt;/p&gt;
&lt;p&gt;But after Matt gets out of the church, he is at ease; he does it again because if he doesn’t, how can the world go on? But after, Kim will tell you he believes in the RCM because he has to believe that he can do something, anything, or the world falls apart.&lt;/p&gt;
&lt;p&gt;Matt Murdock isn’t Matt Murdock; he is Daredevil. He is justice. Kim Kitsuragi isn’t Kim Kitsuragi; he is a lieutenant of the RCM. He is justice.&lt;/p&gt;
&lt;p&gt;If you’re not Matt/Kim, you can’t get it wrong when you do your best. God is wise. The Coalition is wise. and if they aren’t, you are. Because if no one knows what to do, then the world falls apart.&lt;/p&gt;
&lt;p&gt;So what if you’re blind and/or Seolite? You can beat people up. You can shoot them. You can ruin their lives in two seconds. It&amp;#39;s not personal, and they can’t make it personal. You didn’t do it because you’re human or because of your trauma; you did it because you’re justice incarnate.&lt;/p&gt;
&lt;p&gt;You know what’s good, and what’s more, you can make things good again if you do it by the book. If their book is wrong, tweak it. If your mistakes haunt your dreams, make better ones.&lt;/p&gt;
</content:encoded></item><item><title>Kinou Nani Tabeta? fanart</title><link>https://binomech.neocities.org/miscellanea/knt-fanart</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/knt-fanart</guid><pubDate>Wed, 21 Aug 2024 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;img src=&quot;../../assets/images/knt_shiken.webp&quot; alt=&quot;A rough sketch of Shiro and Kenji from What Did You Eat Yesterday. They&amp;#39;re fooling around in bed and laughing, with Kenji spooning Shiro and whispering something in his ear, as Shiro laughs and turns to kiss him.&quot;&gt;&lt;/p&gt;
</content:encoded></item><item><title>My gripe with Swap AUs</title><link>https://binomech.neocities.org/miscellanea/disco-swap-counterargument</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/disco-swap-counterargument</guid><pubDate>Fri, 26 Jul 2024 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I mean it when I say that Kim and Harry’s relationship is only possible at the point in time when they meet, as the people they are during the Hanged Man case. I love playing with AUs, but in the same way even a Harry with amnesia is inevitably a product of his past, so is Kim.  &lt;/p&gt;
&lt;p&gt;Facts about Harry:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Harry tried to kill himself three times in one night, and he failed to kill his body.&lt;/li&gt;
&lt;li&gt;The Harry you meet does not remember this, consciously, and yet sometimes the only thing he thinks will solve a situation is killing himself.&lt;/li&gt;
&lt;li&gt;Harry doesn’t remember his mother, but he remembers being very loved by her.&lt;/li&gt;
&lt;li&gt;Harry is the only person left from his childhood friend group, and he forgot them.&lt;/li&gt;
&lt;li&gt;Harry learns about his life through a case ledger and a bitter coworker and a town full of people he traumatized before he tried to kill himself.&lt;/li&gt;
&lt;li&gt;The ledger says, &amp;quot;You were brilliant and bright, and you solved every mystery.&amp;quot; You once beat a man until he could never walk again with this very clipboard because he reminded you of yourself. Out of all the policing specialties, you picked building safety regulation because it wasn’t violent, and once you spotted a crumbling building and reported it, it fell before anyone in the force could give a shit, and a bunch of families died. Your partner that you forgot, whom you only have experienced as vitriolic and judgemental, once campaigned to keep a street mural because he knew it was a sign of hope for you and you liked it.&lt;/li&gt;
&lt;li&gt;Your body remembers what your mind cannot: The smell of apricots and loss. Being raped. Prepping for anal with another man. Being a gym teacher, a loving mentor, and then giving it up for the apricot smell. A sick liver. A sad brain. A locked jaw and chronic pain because the polio epidemic took everyone but not you. Survivor’s guilt. The need to dance.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The thing about Harry&amp;#39;s memory loss is that his life becomes a crime scene to investigate. and he’s very good at that. He&amp;#39;s been told it’s the only thing he’s good at. and his body remembers that that momentum is the thing keeping him alive. And yet everything he finds is marred with mistakes, violence, and lots and lots of love that make the mistakes and violence even more damning. and he can’t stop looking with morbid curiosity because it doesn’t even feel like his life, but he’s living the consequences of it. And sometimes he does things, he feels things, and he understands that he’s not someone else, and &lt;em&gt;then&lt;/em&gt; he wants to die.&lt;/p&gt;
&lt;p&gt;Why are you an amnesiac? Is it because the pail took you while you sank in the water next to a church where baby pail is growing? Is it what the decades of substance abuse did to your brain tissue? Is this you, protecting you from yourself, just so you can live for a few weeks more?&lt;/p&gt;
&lt;p&gt;Why are you a detective? You remember being a happy teacher, a good teacher; you were an &lt;em&gt;art student teaching gym&lt;/em&gt;. Why did you change careers? Is the insatiable curiosity that your body remembers something that was eating you alive? Is it why you’re still alive at all, to find out? Did you think you could do more with a gun in your hand and some speed in your system? Did &lt;em&gt;she&lt;/em&gt; think that?&lt;/p&gt;
&lt;p&gt;And then there’s Kim. One of Kim’s lines that is among my favorites and weirdly honest for what we get from him usually when he’s talking to people that aren’t Harry is&lt;/p&gt;
&lt;p&gt;&lt;em&gt;“My position, ma&amp;#39;am? My parents got ripped to shreds in the revolution - I would have gone the same way. I was saved by being two years old. That’s my position - the abattoir.”&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Harry’s life is defined by a violence that he cannot remember; Kim’s life is defined by a violence he cannot forget.&lt;/p&gt;
&lt;p&gt;And that, I think, is important to their dynamic. Kim’s life is defined by the degradation he has suffered, by the Moralintern as the child of revolutionaries, by his peers at every point in his life due to his racial heritage and his sexuality, and by his disability. His fear isn’t even fear, it’s a certainty—he&amp;#39;s waiting for the other shoe to drop and go the same way his parents went, in front of a firing squad for daring to want something better. So he bargains, and he tries to delay what he &lt;em&gt;knows&lt;/em&gt; is coming by not only not stepping out of line but also giving the line a wide berth that could be a fucking moat filled with krakens.&lt;/p&gt;
&lt;p&gt;He grows up Dolorian breathing the ideology of the institution that had his parents executed 24/7. He believes so deeply that he is as important as everyone else for the world to keep going, a blue forget-me-not, a piece of the sky. But of course he knows enough about his parents, so he cosplays as a revolutionary and joins the RCM as the shitty replacement of the Commune’s guerrilla.&lt;/p&gt;
&lt;p&gt;He spends 15 years in a position usually given to recently enlisted officers because they do not believe him to be good enough. He finally promotes by going undercover as a teenager and infiltrating a fucking arcade because Asians look so young and Asians are so good at tech. The first partner he gets as a detective is nicknamed Eyes because he was assigned to him because his eyesight and sharpshooting could not be trusted. He doesn’t see a shooter approaching, and Eyes takes a bullet for him, and he’s the one to deliver the news to his family.&lt;/p&gt;
&lt;p&gt;He doesn’t even believe in Moralism, strictly, because he’s too old and not innocent enough, but the sunk cost of spending his entire life carving his tombstone as an RCM lieutenant is simply too much to give up. He rations his cigarettes to remind himself no matter how much he wants, wanting will destroy him from the inside out.&lt;/p&gt;
&lt;p&gt;And then, he gets sent to Martinaise both because he is undeniably good at his job (he’s shown them he can shoot, he can fine, he can send people to jail facilities without breaking a sweat, and he can lord over his authority to any civilian as much as any other straight white cop in the precinct) and with the expectation that he will fail and they’ll finally have a reason to demote him. And he goes there and waits for two days for Harry to show up, and when he does, he’s drunk, doesn’t know the basics of the world (the basics he cannot forget for one second or they will kill him, too), and is still capable of wonder.&lt;/p&gt;
&lt;p&gt;And Kim is so fucking jealous. He’s like, &amp;quot;What the fuck? I have to do so much, and this guy gets a pass? ”. Not because you are actually doing anything wrong; most of the questions are standard for Harry at any point in the game, but you get to forget everything and keep your job. You get to have drugs and keep your standing. You get to be violent and brilliant, and no one doubts you for a second. He gets away with wearing heels and blatantly faggy old-fashioned clothes. He gets to cry and show the worst parts of himself. He gets to protect you without losing anything.&lt;/p&gt;
&lt;p&gt;Harry is everything Kim can’t be, because he is a white cop.&lt;/p&gt;
&lt;p&gt;But that’s not what changes things, in the end. It’s that this guy who literally is everything a good detective is and also everything awful a detective is, takes one look at you and &lt;em&gt;sees&lt;/em&gt; you on the other side of the moat and he doesn’t even build a bridge: He plunges headfirst into the moat and makes friends with the krakens and comes out soaked and dying on the other side and he smiles and asks for your opinion, &lt;em&gt;Kim, you always know what to say&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;He doesn’t know you, and he’s the first person that doesn’t assume the worst. And you know he’s putting you on a pedestal, and you need to make sure he understands that’s not good for him, but it does feel a little good to have all the things you do be acknowledged without friction.&lt;/p&gt;
&lt;p&gt;And he makes stupid jokes, and when you joke back, he laughs and doesn’t think less of you. And he likes art, which you will never let yourself understand, and he likes children because he doesn’t have a history of 15 years trying to get kids to have a better life and them dying by the dozens, and he’s everything you hate because he’s everything you wish you could be.&lt;/p&gt;
&lt;p&gt;And then he finds a miracle, and he tells the miracle about you, and you take a picture, and it’s not a dream. You thought, It must be the amnesia; he will remember, and life will go on with the realities that you know to be true. But the picture is still there: Tangible proof that not everything you think is immutable is a sure fact of reality.&lt;/p&gt;
&lt;p&gt;Unbeknownst to you, in one of these universes he spares you from a nuclear bomb that he launches himself. If you get shot, he will hear you on the radio when he needs you the most. You are not the only one that has been changed from this.&lt;/p&gt;
&lt;p&gt;Pre-amnesia Harry and Kim could have never found this tentative kindness because Harry was bogged down by all the things he had done and Kim was buried in things he couldn’t do. But whatever happened to Harry, it opened a door in a huge web of universes, just by saying, “It doesn’t have to be like this.&amp;quot; No matter where they go from the ending of the game, that is a thing you cannot unknow.&lt;/p&gt;
</content:encoded></item><item><title>Agott and Olruggio, man</title><link>https://binomech.neocities.org/miscellanea/binary-stars</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/binary-stars</guid><pubDate>Thu, 25 Jul 2024 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Agott and Olruggio are this weird binary star system where they’re both bound by certain parallel experiences that, if they ever got too close, would eat them alive.&lt;/p&gt;
&lt;p&gt;Agott, looking at Olruggio like &amp;quot;&lt;em&gt;You were brilliant and blazing, and now you’re so fucking boring. What happened to you? Why do you get to burn and be a hero, and when I burn, I get hated for it? I try and try and it’s never enough, and you just got the recognition? just like that? How could you give that up?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Olruggio looking at Agott like, &amp;quot;&lt;em&gt;I wish I was still a child who believed in his own brilliance, who thought that if he was brilliant enough, he could fix anything. I don&amp;#39;t want you to make the same mistakes, but I can&amp;#39;t let myself believe you can do it better than I did because if you did manage to burn bright and your fire didn’t end the world, then it would mean the problem was&lt;/em&gt; &lt;strong&gt;&lt;em&gt;me&lt;/em&gt;&lt;/strong&gt; &lt;em&gt;all along, that all of it went south because I wasn&amp;#39;t good enough.&lt;/em&gt;&amp;quot;&lt;/p&gt;
</content:encoded></item><item><title>Hawkguy 2012 you will always be famous</title><link>https://binomech.neocities.org/miscellanea/hawkguy</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/hawkguy</guid><pubDate>Sat, 20 Jul 2024 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;img src=&quot;../../assets/images/hawkguy-1.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-2.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-3.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-4.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-5.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-6.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-7.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-8.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-9.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-10.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-11.webp&quot; alt=&quot;&quot;&gt;
&lt;img src=&quot;../../assets/images/hawkguy-12.webp&quot; alt=&quot;&quot;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You don’t have to do it alone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— &lt;strong&gt;Hawkeye (2012)&lt;/strong&gt;, written by Matt Fraction&lt;/p&gt;
</content:encoded></item><item><title>So, Arcane leaked</title><link>https://binomech.neocities.org/miscellanea/arcane-leaks</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/arcane-leaks</guid><pubDate>Wed, 03 Jul 2024 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Arcane adding physical disability into the equation of Viktor&amp;#39;s augmentation had me very excited at the beginning.&lt;/p&gt;
&lt;p&gt;It added a layer of complexity to the question of what it means to be fallible that defines Viktor as a character. Other choices made by the Arcane writers also made sense in this context, like him being an assistant for years despite his brilliance due to structural ableism, dismissal of Zaunites, and how class mobility operates (or truly, doesn’t.)&lt;/p&gt;
&lt;p&gt;Canon Viktor is a character who resents his own failings so much he would rather damn humanity than admit structural reasons for the stealing of his patents. He believes that he is better than himself. What does it mean, then, for someone who sees his human need for kinship and help as a drag to have a body that acts as a business card before he even opens his mouth?&lt;/p&gt;
&lt;p&gt;I don&amp;#39;t think that self-hatred is the motivator; I think it’s &amp;quot;I need you to take one look at me and think very carefully before you speak.&amp;quot; I need you to look at me and know that it is in my hands both to save you and to crush you. You will respect me.”&lt;/p&gt;
&lt;p&gt;It hits very powerfully when you have been constantly underestimated and dismissed for being visibly disabled, and I think it just works nicely with the canon rage that fills him after Blitzcrank.&lt;/p&gt;
&lt;p&gt;But that’s not what Arcane did. That&amp;#39;s not what the fandom did afterwards, though I shouldn&amp;#39;t have expected differently.&lt;/p&gt;
&lt;p&gt;The Arcane writing room started what presumably will be his augmentation process by saying, &amp;#39;The first thing that this thing reads as wrong is his limbs,&amp;#39; taking away all the agency of the augmentation process. Then it ties it into grief and self-hatred through Sky.&lt;/p&gt;
&lt;p&gt;The fandom has made Viktor into a perpetually self-hating token disabled submissive woobie, and it annoys me to no end, not just because of the evident ableism that is now a staple in fanworks, but because it’s such a disservice to who Viktor is as a character.&lt;/p&gt;
&lt;p&gt;He is ambitious, desperate to prove his worth in a world that placed him into the box of worthlessness the moment he was born. He is so angry that he goes from &amp;#39;I will prove to you that I am worthy’ to &amp;#39;If you won’t give me respect, I &lt;em&gt;will&lt;/em&gt; take it.’&lt;/p&gt;
</content:encoded></item><item><title>Disco Elysium skills and political quests</title><link>https://binomech.neocities.org/miscellanea/de-polquest</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/de-polquest</guid><pubDate>Mon, 17 Jun 2024 00:00:00 GMT</pubDate><content:encoded>&lt;p&gt;The Intellect skills are the vector for communism because materialism is meant to be a scientific, measured pursuit and rhetorically persuasive, while at the same time its abstraction and obscurantism make it hard to reach the people that most need it.&lt;/p&gt;
&lt;p&gt;The Psyche skills are a vector for moralism because politics, when guided by emotion, turn into a tug of war of whose feelings are closer to mine, and both sides&amp;#39; ism and inaction are inevitable, not taking a position to keep everyone comfortable.&lt;/p&gt;
&lt;p&gt;The Physique skills are a vector for fascism because when visceral reactions like fear and anger and pain are motivating your political position, you are vulnerable to politics that feed into them until your violence is the only safe course of action.&lt;/p&gt;
&lt;p&gt;The Motorics skills are a vector for ultraliberalism because it is the policy of dazzling, of form with no substance, of keeping up an admirable and skilled front to keep the hustle going, each of your movements a potential hook for an investor.&lt;/p&gt;
</content:encoded></item><item><title>On the choice to remain</title><link>https://binomech.neocities.org/miscellanea/choice-to-remain</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/choice-to-remain</guid><pubDate>Mon, 18 Mar 2024 00:00:00 GMT</pubDate><content:encoded>&lt;ul&gt;
&lt;li&gt;To remain alive despite the absolutely horrifying prospects for earthlings of all species. &lt;/li&gt;
&lt;li&gt;To keep trying even though I seem to get it wrong every time. &lt;/li&gt;
&lt;li&gt;To believing that there is something worth loving even as everything around us crumbles. &lt;/li&gt;
&lt;li&gt;To remain present, to look at pain in the eye and say &amp;quot;que me quiten lo bailao&amp;quot;, to more dances.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I am starting this new capsule on a day filled with misery for myself, but not by any means more miserable than any other day in the history of our species, of our planet. I look around me and I see war and famine and death and illness and all those apocalyptic omens and I feel crushed by grief. I look at my life, I look at how small it is, how plain and empty, how bad I am at making the world better in the face of all this pain instead of worse and the black hole in me grows, and grows, and devours everything warm. &lt;/p&gt;
&lt;p&gt;I&amp;#39;m not a religious person, my faith lies in the mundane and it ebbs and flows like the tide. I&amp;#39;m okay with this, on the good days, and that&amp;#39;s all I can ask for. Today it&amp;#39;s meager and wobbly like a weak flame, I have talked to old friends turned strangers, turned thorns, and I am grieving. &lt;/p&gt;
&lt;p&gt;I am writing this because I don&amp;#39;t want this grief and guilt to end me. I want to learn from it, I want to be better, I want to understand that pain lies ahead in all fronts and that it is no reason to give up on this precious, miraculous planet. &lt;/p&gt;
&lt;p&gt;I want to remain.&lt;/p&gt;
</content:encoded></item><item><title>(My) Disco Elysium skills</title><link>https://binomech.neocities.org/miscellanea/de-skills</link><guid isPermaLink="true">https://binomech.neocities.org/miscellanea/de-skills</guid><pubDate>Tue, 03 Oct 2023 00:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;gallery&quot;&gt;

&lt;p&gt;&lt;img src=&quot;../../assets/images/skill_int_ithaca.webp&quot; alt=&quot;A skill portrait for Ithaca, an Intellect skill, in blue tones. Its shape resembles a head and muscular torso and there&amp;#39;s a circular gap in its face that mirrors a cyclops&amp;#39; eye. Its body looks like a sea peppered with islands, overlaid with aimless route markings. All over there are fogs and mists blurring its outline.&quot;&gt;
&lt;img src=&quot;../../assets/images/skill_psy_earthling.webp&quot; alt=&quot;A skill portrait for Earthling, a Psyche skill, in purple tones. It depicts a human hand fingerpainting on a wall, and the paint trails almost look like roots leading to the fingers that paint them. There is an x-ray cut showing the mechanism of the opposable thumb.&quot;&gt;
&lt;img src=&quot;../../assets/images/skill_fys_beast.webp&quot; alt=&quot;A skill portrait for Beast of Burden, a Physique skill, in red tones. The image shows a yoked ox pulling a massive, towering boulder that obscures the landscape behind it; only the path ahead lies visible, with grass swaying in the wind.&quot;&gt;
&lt;img src=&quot;../../assets/images/skill_mot_amber.webp&quot; alt=&quot;A skill portrait for Elektor, an Motorics skill, in yellow tones. A pair of hands loops measuring tape around a dinosaur skull encased in dirt, trying to understand through limited means the circumstance of its death.&quot;&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;blockquote&gt;
&lt;p&gt;Skill portraits for Ithaca, Earthling, Beast of Burden and Amber by &lt;a href=&quot;https://geckobone.neocities.org/&quot;&gt;Lettuce&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h2&gt;Intellect&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Trompe-l&amp;#39;œil&lt;/strong&gt;&lt;/em&gt; — Tricks of the light, self-deception and detecting others&amp;#39; deception&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Mythopoetics&lt;/strong&gt;&lt;/em&gt; — Creating narratives, projecting a sense of beauty and purpose unto things&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Lens Calibrator&lt;/strong&gt;&lt;/em&gt; — Shifting focus between the macrocosm and the microcosm, risking existential dread as the level of abstraction increases&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Dialectics&lt;/strong&gt;&lt;/em&gt; — The use of critical thought and opposition to build a subversive reality&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Weltschmerz&lt;/strong&gt;&lt;/em&gt; — Worldly ache, the feeling of reaching out to humanity accross time, melancholic displacement&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Ithaca&lt;/strong&gt;&lt;/em&gt; — Sense of utopia, the ability to conceptualize the best possible reality to use as a compass&lt;/li&gt;
&lt;/ol&gt;
&lt;h2&gt;Psyche&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Volition&lt;/strong&gt;&lt;/em&gt; — Will, self-possession and ability to hold on to purpose &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Tapestry&lt;/strong&gt;&lt;/em&gt; — The capacity to weave community, to understand others&amp;#39; desires and needs and guide them towards connecting with each other &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Numen&lt;/strong&gt;&lt;/em&gt; — Sense of holiness in the mundane, the capacity to see the sacred in the earthly pleasures without the need for hiding their faults behind the divine &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Earthling&lt;/strong&gt;&lt;/em&gt; — Homeland, sense of belonging to a community through nature and the physical, to feel evolution&amp;#39;s fingerprints on your body and culture &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Refraction&lt;/strong&gt;&lt;/em&gt; — Awareness of one&amp;#39;s own mental make-up, the ability to see where a thought is coming from and its potential biases &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Rhizomes&lt;/strong&gt;&lt;/em&gt; — Mutualism; the ability to discard hierarchies between individuals, species, territories, to see the naked ties between them&lt;/li&gt;
&lt;/ol&gt;
&lt;h2&gt;Physique&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Endurance&lt;/strong&gt;&lt;/em&gt; — Energy reserves, the stamina to weather pain and strenuous conditions &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Momentum&lt;/strong&gt;&lt;/em&gt; — Ability to perform actions on autopilot, to be guided by muscle memory and a pull to move &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Sisyphe Heureux&lt;/strong&gt;&lt;/em&gt; — The ability to find joy in hard physical work, to bounce back from trauma and heal the body through reinventing one&amp;#39;s life purpose&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Beast of Burden&lt;/strong&gt;&lt;/em&gt; — Letting go of the superego, the capacity to distract oneself from the realities of physical pain and exhaustion, but also to give in to libido and pleasure &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Praeparatio Malorum&lt;/strong&gt;&lt;/em&gt; — Readiness to survive duress; the capacity to reduce agony through subjecting oneself to trial runs of it. Glorified masochism&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Half Light&lt;/strong&gt;&lt;/em&gt; — Primal fight or flight response, intense response to fear and feeling threatened, visceral reaction&lt;/li&gt;
&lt;/ol&gt;
&lt;h2&gt;Motorics&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Amber&lt;/strong&gt;&lt;/em&gt; — Ability to retain detail, to be able to mentally photograph a scene, to commit the significance of location to memory and preserve the information with little bias &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Chronotyphlos&lt;/strong&gt;&lt;/em&gt; — Time blindness; ability to escape the flow of time in the mind, passing the time quicker, or the feeling that the hours are stretchy and dense like warm caramel &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Quicksilver&lt;/strong&gt;&lt;/em&gt; — Mercurial temperament, shiftiness, unpredictability. Adapting to changes of plans, or more often, changing them yourself. The ever-shifting opinions and non-sequiturs &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Mania&lt;/strong&gt;&lt;/em&gt; — Density of attention and activity; control (or lack thereof) over where thoughts are directed, where energy is spent, what is preserved and what is discarded &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Déluge&lt;/strong&gt;&lt;/em&gt; — Sensory overwhelm; what information is coming from which sense, the ordering of it, the visible reactions in the body to that information &lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;strong&gt;Translation&lt;/strong&gt;&lt;/em&gt; — The quickness to adapt to a social situation, the ability to translate input from one sense into the other, to change language registers and control over the limbs&lt;/li&gt;
&lt;/ol&gt;
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